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Steven SangaporeAWAKENING2020
2020
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item
Oil, mirror and 24k gold leaf on canvas
About the Seller
5.0
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View AllREVELATION
Located in Santa Monica, CA
Oil, mirror and 24k gold leaf on canvas.
Category
2010s Surrealist Portrait Paintings
Materials
Gold Leaf
Price Upon Request
Revelation
Located in Santa Monica, CA
**Steven Sangapore's "Revelation, 2020"**
Steven Sangapore's "Revelation, 2020" is a breathtaking fusion of traditional and contemporary artistry. This stunning piece, measuring 72 ...
Category
21st Century and Contemporary More Art
Materials
Oil
$16,000 Sale Price
20% Off
Occam's Razor
Located in Santa Monica, CA
Oil and 3 mirrors on 9 canvases
Category
2010s Surrealist Figurative Paintings
Materials
Canvas, Mirror, Oil
Price Upon Request
Revelation
By Steve Sangapore
Located in Santa Monica, CA
**Steven Sangapore's "Revelation, 2020"**
Steven Sangapore's "Revelation, 2020" is a masterful blend of oil, mirror, and 24k gold leaf on canvas, creating a striking and thought-pro...
Category
21st Century and Contemporary More Art
Materials
Oil
$16,000 Sale Price
20% Off
Silence
By Eric ZOUEH Skotnes
Located in Santa Monica, CA
Oil on panel
Category
2010s Contemporary Paintings
Materials
Oil, Panel
Price Upon Request
Business
By Airom
Located in Santa Monica, CA
Mixed media painting with a tie that comes through a hole in the upper middle of the painting for a 3D element.
Category
21st Century and Contemporary Surrealist Figurative Paintings
Materials
Mixed Media, Acrylic
$337 Sale Price
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I paint copies of copies of paintings within paintings to reference the appropriation, commodification, and altered continuum of art. My paintings of paintings are based on photographs of originals to perpetuate the continual distillation of form, given the ease with which images are presently exchanged and modified. Further, by reducing historically significant paintings to framed objects hanging on walls, I augment art as a commodity and reconcile the conflict between the artificially assigned monetary value of artworks with the reality that they are simply swirls of paint. In this way, I am also acknowledging the literality of my own work.
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