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Tom Bennett
Late Winter (self portrait) earth tones, abstracted gestural portrait

2025

$850
£649.90
€743.92
CA$1,198.60
A$1,304.81
CHF 696.54
MX$15,752.09
NOK 8,758.15
SEK 8,140.12
DKK 5,555.98

About the Item

An expressive and introspective portrait of a man, rendered in a loose, gestural style that emphasizes texture, color and emotion over realism. The composition is dominated by the face, which is depicted in warm earthy tones - rusts, ochres, browns and reds-- contrasting with deep blues and dark greens in the back ground. The man's features are deeply etched, his eyes heavy-lidded and contemplative, suggesting weariness and reflection. The artist allows strokes and drips to remain visible, giving the portrait a raw immediacy and an emotional quality. Light and shadow play across the face in irregular patches of color, rather than smooth gradients, focused on psychological depth rather than formal accuracy. The piece conveys a powerful sense of introspection.
  • Creator:
  • Creation Year:
    2025
  • Dimensions:
    Height: 24 in (60.96 cm)Width: 18 in (45.72 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Brooklyn, NY
  • Reference Number:
    1stDibs: LU1339117200052

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Oil on paper About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...
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