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After Manet - 20th Century Oil, Berthe Morisot with a Bouquet of Violets

20th Century

Signed and dated to the lower left-hand corner. There is a 'Mall Galleries' label on the reverse inscribed with additional details. Presented in an off-white frame with a gilt outer ...

A fine portrait of Louis Hamilton, the Formula 1 driver, lifting the Australian Grand Prix trophy above his head, smiling. The painting has been signed...

An unusual and expressive head study of a man. The artist has used a variety of colours and brush strokes to create a layered, somewhat unsettling composition. Well presented in a pa...

A fine Italian School, late 19th Century portrait. The sitter is a finely dressed man with elaborately styled facial hair. He wears a modest version of the Order of Saints Maurice a...

Jean Dominique Van Caulert, (1897-1979), although most often associated with his celebrity portraits and works for the theater, he was also a true symbolist in the tradition of the B...

An oil on linen painting of a bird on a branch, seen through Contemporary Realist painter Stephen Bauman's signature cerulean lens. The pigeon appears blue, with a pink belly, and a ...

Oil on canvas Signed in red, u.r. 9 x 8 inches, canvas size 9.5 x 8.5 inches in distressed black painted wood frame This artwork is offered by ClampArt, located in New York City. ...

[Hippolyte-Alexandre Michallon (1849-1930)] Oil on canvas Signed in red, l.l. 48 x 60 inches, canvas size 54 x 66 inches in gold leaf frame 61 x 74 x 6 inches, framed This artwork is offered by ClampArt, located in New York City. “By his own account, the most ambitious work of Michallon’s career was a thirty-foot canvas depicting Noah’s Ark, which he exhibited in the Salon of 1875, where it went unmentioned by the critics. Preparatory work for this elaborate composition took him frequently to the Jardin des Plantes, where he made painstaking drawings and oil sketches of the animals on view. These studies were enthusiastically remarked upon by visitors to his studio, some of whom counseled him to give up history painting altogether and pursue the less dignified but presumably more lucrative career of animal painter. Following this advice, and profiting from the tremendous vogue in 1880s Europe for all things African...