Unknown

American Folk Art Portrait of Marc Isambard Brunel British Inventor Engineer

circa 1840

Wonderful impressionist painting. Full of light, color, and movement. "The Flamenco Dancer by J. Charles Arter ( American 1860-1923). Oil on canvas. Signed upper left. Circa 1900. Unframed. Born in Hanoverton, Ohio, Charles Arter studied in Cincinnati and Paris at the Academie Julian. He had studios in Venice, London and New York and painted portraits of many famous personages including Pope Pius X...

Striking vintage portrait of "Lady in Red". In high quality carved and gilt frame. Oil on canvas. Circa 1950. Unsigned. # Hollywood regency mid century modern portrait lady women...

Bohemian woman Budapest, Hungary 1925 by Bertha De Hellebranth. Fabulous period painting brings to life the bohemian intelligentsia of Europe in the 1920's. I believe the painting is of the artists sister Elena Maria De Hellebranth. Both sisters were accomplished artist and worked and exhibited together. See the photo of the sisters Elena on the left and Bertha on the right. Oil on canvas. In a period frame. Signed lower right. Inscribed on reverse. Provenance: label from Newman Galleries Philadelphia. BIOGRAPHY ; Bertha de Hellebranth and her sister Elena were born into a cultured upper-class family in Budapest, Bertha in 1899, Elena in 1897. Their father was a lawyer and their mother a student of Franz Liszt's last living pupil. Both sisters showed artistic potential early, beginning to paint at four or five years of age. Their parents encouraged them, and had the means to send them to the best art schools of the time. They studied at the Academy of Fine Art in Budapest, at the Académie Julian and the Académie de la Grande Chaumière in Paris, and painted portraits of European nobility. As Patricia Fazekas points out, "Growing up in a family of privilege, they seemed to have unusual access to many illustrious people." So we should not be surprised to find among their subjects members of high society, such as Count Andrássy Gyula, the Russian-born Princess Baby Galitzine, and Admiral Horthy Miklós, the Regent. Later on, their subjects included American heiress Gladys Vanderbilt (Countess László Széchenyi), President Theodore Roosevelt's granddaughter Paulina Longworth and former President Dwight D. Eisenhower.Often, the sisters would paint the same subject at the same time, offering the sitter a choice of portraits. Most often, the sitter wanted both renditions.While Elena concentrated on working in oil and watercolor, Bertha used gouache and oil to achieve her effects. Elena gave lectures and workshops, was a writer and also wrote popular and ecclesiastical music, while Bertha also went in for sculpture and handicrafts.From the mid-thirties until World War II, Bertha and Elena divided their time between their home in Budapest and a home on the ocean at Ventnor, NJ. In 1925, they showed their work at the Nemzeti Szalon in Budapest, and in 1926, they had a joint exhibition of their portraits in the US. Both exhibited their work at the Art Institute of Chicago, the Brooklyn Museum of Art, the Pennsylvania Academy of Fine Arts and most major museums and galleries in the US. Bertha also had exhibits at the Metropolitan Museum of Art. Both Bertha and Elena were Fellows of the Royal Society of Art (London), and garnered numerous prizes. Bertha was awarded First Prize by the National Academy of the American Water Color Society one year, and the Grand Prize of the Audubon Society. She was one of the founders of the now defunct World League of Hungarian Artists Abroad (Külföldi Magyar Képz?m?vészek Világszövetsége), and received a Gold Medal from the Cleveland Árpád Akadémia in 1963. (Elena also received the Akadémia's gold medal in 1965.) Their work is found in museums and galleries too numerous to mention.The de Hellebranth sisters were devout Catholics, and this is evident in their many portraits of clerics...

"Ballerinas" impressionist painting by Andre Gisson (1921-2003). Soft colors and bright light are hallmarks of Gisson's work. This is rare subject manor for the artist. Although Am...

Fashionably dressed African American mother and child by Peggy Dodds (1900-1987). Large oil on canvas. Circa 1940's. Unframed. please, contact us for shipping options. Presented by Joseph Dasta Antiques Peggy Dodds lived in a home in the 1940's in Paterson, New Jersey...

"Ballerinas" impressionist painting by Andre Gisson (1921-2003). Soft colors and bright light are hallmarks of Gissons work. This is rare subject manor for the artist. Although Ame...

Nancy Lamb (American, born 1956), sculptor and painter. Formally trained at Texas Christian University and the Fort Worth Museum of Science and History, whe...

Elisabeth DUJARRIC de LA RIVIÈRE (Jouy-en-Josas 1930 - Excideuil 2005) Self-portrait with apple Oil on canvas H. 100 cm ; L. 73 cm Sig...

Nino Giuffrida (Sicilian, 1924, active in France) Un Garçon avec des Fruits • Oil on canvas, ca. 41 x 33 cm • Frame, made by the renowned framer Knöll from Zürich, ca. 54 x 46 cm • Signed top left Born in 1924 in Sicily, Nino already attended the artistic high school in Catania at the age of 17, where he befriended fellow painters including Pippo Aleo and Giovanni Calogero. At that time, he painted with passion everything he saw, landscapes, seascapes, still lifes. After a first attempt to come to France with his friend Giovanni in 1948, aborted for lack of a visa. Nino finally arrived at the Gare de Lyon on December 8, 1949 and settled at number 30 rue Gabrielle in Montmartre. Nino began to paint Paris. Like many Montmartre artists of this period, while he painted all day long, he moved about in the evening on the terraces of the cafés of Montmartre and Saint-Germain-des-Prés to transform himself into a portrait painter and randomly sketch the customers in restaurants. Nino then devoted himself more and more to the painting of children, which became his favorite theme of inspiration. Pierre Imbourg, journalist and art critic, wrote of him: "Montmartre, the land of little ‘Poulbots’, inspiring Nino to record in his mind all these childrens faces whose intense facial expression he would endevour to reproduce". It was also at this time that his career as a Montmartre painter influenced by cubism began. With the disappearance of the art galleries in Montmartre, Nino decides to settle on the French Riviera, in Cannes then in Vallauris. From 1952 his personal exhibitions follow one another and Nino becomes an international painter: Rome, Brussels, Chicago, Copenhagen, Helsingborg and Aüs in Sweden, in Geneva, in Kourou in Guyana... In Paris, he manages the Galerie de la Colonne...

The theme of "La Stanza" ("the Room"), from which the exhibition takes the title, wants to resume intimacy and introspection that only a domestic environment manages to give. The wal...

John Clostermann (Osnabrück 1660 - 1711 London) Portrait of a boy, maybe Charles Hinde Oil on canvas, 61 x 74,6 cm John Closterman (also Klosterman) was a portrait painter of the late 17th and early 18th centuries. He primarily portrayed English noblemen and European aristocratic families. His father was already an artist and he trained his son. In 1679 he went to Paris and studied with Francois de Troy. In 1681 he was in London and worked for the artist John Riley, whose studio he took over after his death. In 1696 he was invited to the Spanish court...

Basile de Loose Portrait of a Child signed and dated „1861“ Basile De Loose (17 December 1809 – 24 October 1885) was a Belgian painter. He was born in Zele, East Flanders, United K...