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The Angel Gabriel Of The Annunciation, 19th Century

The Angel Gabriel Jesus & Satan 18th Century afterf Domenichino (1581-1641) Large 18th Century Italian Bolognese School Old Master depiction of the Guardian Angel Gabriel, Jesus an...

The Archangel Gabriel, 17th Century workshop of Guido RENI (1575-1642) Huge 17th century Italian Old Master depiction of the Archangel Gabriel, oil on canvas. Excellent quality an...

Madonna & Child, 18th Century Follower of Andrea del Sarto (1486-1530) Large 18th Century Italian School Old Master depiction of the Madonna & Child, oil on canvas. Excellent quali...

The Penitent Magdalene, 18th Century Studio of Pompeo Girolamo Batoni (1708-1787) Huge 18th Century Italian Old Master depiction of the Penit...

The Announcing Angel Carlo Maratta (Camerano, 1625 – Rome, 1713)Workshop Oil on canvas 63 x 75 cm. - Gilded wood frame 89 x 75 cm. Excellent condition, restored, 19th century ...

The Annunciation Mid-17th Century French School Oil on canvas, h. 64 cm, l. 64 cm 17th century carved and giltwood frame decorated with oak leaves and acorns Framed: h. 80 cm, l. 80...

The Annunciation Circle of Paolo De Matteis (Piano Vetrale, 1662 - Naples, 1728) oil painting on canvas (106 x 90 cm - with frame 118 x 103 cm.) The work,...

Girolamo Bonini, called Anconitano (Ancona, circa 1600 - Bologna 1680) Annunciation (or Madonna of the Beautiful Angel) Oil on canvas (115 x 91 cm. - Framed 134 x 108 cm.) Work accompanied by the expertise of Prof. Emilio Negro The work, undoubtedly commissioned as an object of private devotion, shows the Annunciation to the Virgin Mary, a Gospel episode here set on the two figures portrayed in the foreground, the Archangel Gabriel with outstretched wings, a portrait of supernatural beauty, and the Virgin; We see her here absorbed in reading a prayer book with her eyes turned humbly downwards as a sign of devotion, while a small cherub hands her white lilies, a symbol of purity and chastity.   In the upper part of the composition is the austere image of God the Father, with the dove radiating with light, emblem of the Holy Spirit, surrounded by a flock of angels fluttering in the clouds charged with intense glow and play of light, in full Baroque style. It should also be noted that the image of the Saviour's mother in a delicately pious attitude, with her yellow veil, her broad blue mantle and her usual modest red dress from which the edges of her white blouse protrude, is to be interpreted as a kind of tender allegory of sacred love. The painting in question is an interesting replica with variants of the composition commissioned from Francesco Albani for the Fioravanti chapel in the ancient church...