Unknown

Pulp Art Figurative, Women at Party in Evening Dresses with Black Gloves 2 sided

c.1960s

Joyful figurative scene with two smiling cyclists, connected with a series of colorful, swirling dots, by P. Gren Hayes (American, b. 1932). Signed and dated "© Gren Hayes 1980" at the right edge. Presented in a simple wood frame. Image size: 19.5"H x 23.5"W Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative / Bay Area Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez...

Wonderful two-sided mid century pulp art figurative painting of a woman at party in black evening gown and formal gloves, and on verso couple dancing by unkno...

Illustrative representation of wife and husband team Jeanne Allen and Marc Grant by Robert Nelson (American, 1930-2012) (signed and dated "Robert Nelson 96" in the lower left corner). Presented in a black metal frame. Shipped without glass. Image size: 40"H x 32"W. He studied painting at the San Francisco Art Institute (formerly known as the California School of Fine Arts) in San Francisco, California and at Mills College in Berkeley, California. Mr. Nelson, who was trained as a painter and was active in the teeming San Francisco arts scene in the late 1950s and early ’60s, began making movies with other artists, including the painters William T. Wiley and William Allan, the San Francisco Mime Troupe and the composer Steve Reich. About Jeanne Marc...

A wonderful original figure painting for a 1930's illustration by Charles Kinghan (American, 1895-1984). A woman in a plaid green skirt and mustard yel...

Contemporary Large-Scale Cubist Figurative Abstract Lavender Interior Scene Bursting with bright colors and whimsical energy, this contemporary figurative abstract painting by San ...

1940s New York Interior -- An Evening Scene of Artist and His Wife Wonderful moody 1940s New York interior and figurative oil painting in Ashcan Schoo...

Painting Study of Al Fresco Spanish Tapas Bar Scene at Night by leading British Landscape Artist, Angela Wakefield. Art measures 12 x 12 inches Frame me...

Late 20th century abstract expressionist oil on board representation of a lively jazz night by French artist, Thierry Miramon, signed top left and pres...

Born in New York City in 1959, Max Ferguson started as a filmmaker, making award-winning animated films as a teenager. But it was while he was a visiting student at an art school in ...

Samir Sarkar - Untitled - 15 x 11 inches (unframed size) Acrylic on Stripped Board. Style : He says, “All my paintings have people wearing some headgear that has a face painted on...

Samir Sarkar - Untitled - 15 x 11 inches (unframed size) Acrylic on Stripped Board. Style : He says, “All my paintings have people wearing some headgear that has a face painted on...

Pradiptaa Chakraborty - The Yellow Paradox of Love Acrylic on Canson Board, 5 x 6 inches, 2016 Will be shipped in a roll form. The current bunch of paintings mirrors this human Chinese Chequer , which moves about life as an unguided engine ramming into edifices indiscriminately. The paintings also depict the human scrambling for sensuality and gold – digging. The use of various colours, dark and light, in Pradiptta’s work symbolize the inner somberness and fakery. The interplay of mythical and supernatural machinery has been a significant form of artistic expression in the post – modern art arena and thus is interpreted as lending authenticity to the disarray and phantasmagoria in which man landed into. Style : Colours and semi realistic approach reflect the various images of life. Life is itself a kaleidoscope of fleeting images capturing the joys and disappointments of life. Life is a Juggler’s game whereby games are played out to veil the hidden instincts of human life. The conjurer on the road juggler his paraphernalia to entertain the spectators. Such a showmanship has become the grain of human existence. But now days it has turn to different parabola, all perspective are changing like some tsunami wave pass through of our modern civilization. Present impact of canvas is great drama going on. It is a arrested split second of mythical demonstration in modern apparel in post modern globe. Tries to decipher the mythological structures and traditions of Indian art, Characters from Indian mythico-religious tradition, Traditional commentary and background pigment give the proper optimistic pulsation which is very essential for painting’s vivacity. I want to establish extraordinary encounters, represented with the utmost precision which take place on the canvas and try to procure a wonderful hallucinatory quality in which the real and the imagined merge into one. About the Artist & his work : Born : 1979. Education : 2003 : BACHELOR OF FINE ARTS (B.F.A) in Graphics from Kala Bhavana, Vishva Bharati University, Shantiniketan, West Bengal. Five years Diploma in Painting From Rabindra Bharati University, Kolkata West Bengal. Group Shows : 2013 : Group Show in Chandigarh Art...