Unknown

Diana, the Huntress. After Seignac and Corcos. Original Oil. A Decorators Piece.

Between the Wars Portrait Oil Painting Bust Portrait of a Gentleman circa 1920 – 1940 Signed S. Sassoon Oil on Canvas. Image size 20.9 inches x 17.3 inches ( 53cm x 44cm ). Frame siz...

Howard Barron. English/Australian ( b.1900 - d.1991 ). Portrait of Katherine Joan Merry nee Horstmann b.1914 - d.1973. Director of Horstmann Gear Company of Bath, 1946. Oil on Canva...

Arthur William Devis. English ( b.1762 - d.1822 ). Portrait of Charlotte Shore, Daughter of the 1st Lord Teignmouth 1790 - 1864. Oil on Canvas. Oval Image size 26.2 inches x 20.5 in...

Peter Ross. English (b.1941) The Young Richard Burton and his father. Welsh Coal Mining Community. Oil on Board. Signed. Image size 24 inches x 24 inches ( 61cm x 61cm ). Frame size 25.2inches x 25.2inches (64cm x 64cm ). Available for sale; this original painting is by Peter Ross and dates from 2013. The painting is presented and supplied in a contrasting contemporary floating frame (which is shown in these photographs). This painting is in superb condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower left. Peter Ross is a Welsh artist living in England and currently producing paintings about his childhood in South Wales in the 1950’s and 60’s. Peter was born in Llanfrechfa, South Wales in 1941. He grew up in Newport and studied at Newport Art College from 1958-62 and then at Bristol Art College from 1962-63. For most of his working life he worked as an art teacher in secondary schools and before retiring in 2007, as an art technician. He now teaches life drawing to adults and exhibits his work in galleries in England and Wales. Since his time as an art student Peter has continued to paint for himself. He has always chosen themes which appealed to him at specific times such as conflict, journeys, faces and cultural/literary figures. Each phase of interest and painting usually lasting one to two years and resulting in an exhibition before starting on the next subject of interest. Peter’s work has been mostly narrative-based or representational, with one abstract phase immediately after leaving art college. In recent years his interest has returned to his childhood and his memories of Newport, South Wales. These paintings are based on family and archive photographs, memories, research and other influences like Dylan Thomas. Peter has had numerous one person and joint shows. His has also taken part in the Royal Academy Summer Show, The Arts Council of Wales, South Wales Group and Welsh Artist of the Year Show 2008. He has recently exhibited at the Riverfront Gallery in Newport, the Ardent Gallery, Brecon and the Nick Holly...

Unknown School. Second half of the mid-20th Century. Charcoal, Oil Paint & Spray Paint on Plywood Panel. Signed Indistinctly. Image size 26.8 inches x 21.7 inches ( 68cm x 55cm ). ...

Portrait of Baccio Bandinelli 1493 - 1560 after Andrea del Sarto 1486 – 1530 Italian, created Circa 1863 Signed Gianni Oil on Panel. Oval Image size 8.3 inches x 6.5 inches ( 21cm x ...

Henri BOUCHÉ-LECLERCQ (1878-1946) Portrait of the painter Louis Degallaix (1877-1951), 1910 Oil on canvas Signed, dated “1910” and dedicated “à mon ami Degallaix” lower right 55 x 4...

Frame size 83x73 cm. Mariano Tur de Montis (Ibiza 1904 -1994). Son of the Ibizan general Don Juan Tur y Palau, of an old patrician family on the island, and of Doña Cristina de Montis and von der Klee. Ibiza painter who felt great admiration for the Spanish classics and the influence of Central European painting of the late 18th and early 19th centuries, and especially that of the painter Manuel Benedito. He received multiple praises in his various artistic exhibitions not only in Ibiza, but also in Palma de Mallorca, Mahón, Barcelona, ​​Madrid and in European capitals such as London or Paris. When he was only fifteen, he decided to go to meet Sorolla - when he was painting "The Smugglers" in the vicinity of his family mansion - to find out what opinion he deserved on the first portrait he had made of his mother. A few years later, and undoubtedly encouraged by the praiseworthy response received, he was already successfully overcoming the successive sieves of artistic criticism, until he stood out with the “subtle and aristocratic” style that characterized him, in such relevant competitions as the National Exhibition de Bellas Artes or at the Paris Salon. Delving into his biography it is possible to recognize the main factors that would converge in this rapid and justified progression: the very cultural and artistic environment that surrounded him since his birth. The specific preparation with which his refined mother channeled his innate qualities and marked sensitivity. As well as, and above all, his own need to create beauty. Despite a brilliant degree in Law, he attended the Sant Jordi Academy of Fine Arts in Barcelona, ​​complementing his training in Rome, Florence and Paris. At the early date of 1925, the local press was pleased to transcribe the reviews of his exhibition in the Galerías Layetanas of Barcelona, ​​and in which the acquisition of one of his works "Frivolities" for the Museum of Art took place. Modern of Palermo (Sicily). After participating in 1926 in the Autumn Salon of Palma de Mallorca, together with Narcís Puget Viñas, and in 1929 in the Permanent Exhibition of Levante Art, one of his emblematic satisfactions would arrive: the praises that King Alfonso XIII himself dedicated to the stop before his painting Céfora, a painting in which his sister Guadalupe Tur de Montis was the model, during the National Exhibition of Fine Arts, held in Madrid. Oil that also deserved attention in the prestigious magazine La Esfera, which dedicated the cover of its number 20 of July 5, 1930, or the French magazine La Revue Moderne. In the magazine Arte y Hogar- in its number 56, the Marqués de Lozoya Director General of Fine Arts wrote a nice eulogy of the painter and his work in the photographic report dedicated to the beautiful and elegant Casa de los Tur de Ibiza. It was precisely in 1930, when Tur de Montis began to interact amicably and professionally, with a select group of painters, both Spanish (Pla, Rigoberto Soler, Amadeo Roca and Laureano Barrau...

Early 20th century French folk art oil on canvas, advertising M. Joquelet the dentist and Mme Irma the snake charmer. A wonderful piece of social history. At the turn of the century...

The painting is signed on the right side "AVILLA". Aleardo Villa was a pupil of Giuseppe Bertini and Bartolomeo Giuliano and he graduated at the Fine Arts Academy of Brera, becoming ...

Nymph with Child Feeding Swallows Richir Herman Brussels 1866 – 1942 Belgian Painter Signature: Attributed to Richir Herman Dimensions: Image size 140 x 235 cm, frame size 145 x 240 cm Medium: Oil on canvas Biography: Richir Herman Jean Joseph was born in Ixelles (Brussels), on November 4, 1866. He was a Belgian painter of portraits, still lifes, genre paintings, nudes and landscapes. He made decorative paintings to fit into private homes. Richir mainly painted portraits. His clients usually belonged to the higher circles. He portrayed amongst others King Albert and Queen Elisabeth, Cardinal Mercier and Countess d’Oultremont. Less known are the landscape paintings he made Limburg and Kempen, where he regularly stayed with befriended artist Emile Van Doren (1865 – 1949). Herman Richir first studied at the Sint-Joost-ten-Node Academy with Gustave Biot and Charles Hermans, continued his education at the Royal Academy of Fine Arts in Brussels (1884-1889) with the master teacher and artist Jean-Francois Portaels (1818 – 1895). In 1886, during his studies, he won second Prize of Rome for Painting. Richir lived in Schaarbeek. In 1900 he became a teacher of drawing and in 1905 first teacher of painting after nature at the Brussels Academy. He was director there several times 1906-1907, 1910, 1911, 1915-1919, 1925-1927. He was retired in 1927. His pupils included Albert Alleman (1892 – 1933), Éliane de Meuse (1899 – 1993), Paul Hagemans (1884 – 1959), Maurice...

Abbéma Louise Étampes 1853 – 1927 Paris French Painter 'Lady in Paris on a Winter Day' Signature: Signed lower middle right Medium: Oil on canvas Dimensions: Image size 100 x 120 cm, frame size 112 x 132 cm Biography: Louise Abbéma, a prominent French artist of the Belle Époque, was born on October 30, 1853, in Étampes, Essonne, France. She hailed from a wealthy Parisian family with strong connections to the local artistic community. Her family’s artistic ties ran deep, as her great-grandmother was the renowned actress Louise Contat. From a young age, Abbéma exhibited a talent for painting and began her artistic journey in her early teens. She received formal training under the guidance of notable artists of her time, such as Charles Joshua Chaplin, Jean-Jacques Henner, and Carolus-Duran. Her talent and dedication bore fruit when, at the age of 23, she painted a portrait of the legendary actress Sarah Bernhardt, who became both a lifelong friend and, speculatively, a romantic partner. Abbéma’s artistic endeavors extended far beyond portraiture. She lent her creative touch to the embellishment of various iconic Parisian landmarks. Her panels and murals graced the Paris Town Hall, the Paris Opera House, numerous theaters (including the aptly named “Théâtre Sarah Bernhardt”), and even the “Palace of the Colonial Governor” in Dakar, Senegal. Her unique style combined academic and impressionistic elements, characterized by the use of light and rapid brushstrokes. Recognition continued to find Abbéma, and she became a regular exhibitor at the prestigious Paris Salon, earning an honorable mention for her work in 1881. She also had the distinction of having her art displayed at the Women’s Building during the 1893 World Columbian Exposition in Chicago. Moreover, a bust of Abbéma sculpted by Sarah Bernhardt was showcased at the exposition. Abbéma’s artistic repertoire was diverse, encompassing oil portraits and watercolors. Her work often bore the influence of Chinese and Japanese painters, as well as contemporary masters like Édouard Manet. Flowers were a recurring motif in her creations. Some of her most celebrated works include “The Seasons,” “April Morning,” “Place de la Concorde,” “Among the Flowers,” “Winter,” and portraits of prominent individuals such as actress Jeanne Samary, Emperor Dom Pedro II...