Unknown

Female Head, Andrea del Sarto, Sphere of, post 1522

1500s

Oil on Canvas. Central Italian school of the 17th century. The painting recalls in pictorial style the production of Angelo Caroselli (1585-1652), a Roman Baroque artist who was a pa...

Oil on Canvas. Signed at right, mid-canvas. It is a portrait of a mourning woman, a young widow, as can be inferred, not only from the black dress, but rather from the headdress and...

Olio su tela. La nobildonna è riccamente abbigliata, con un'elegante cappa rossa poggiata sulle spalle, che lascia scoperto l'abito orlato di pizzi; l'acconciatura è impreziosita di ...

Oil on Canvas. Lombard school of the seventeenth century. According to classical iconography, the penitent Magdalene is depicted with tears in her eyes, her hair down, unkempt, hold...

Portrait of a Lady (female saint?) Italian School, 17th century oil on copper, framed frame: 9 x 8 inches board: 5 x 4 inches provenance: private collection condition: very good and ...

Head of woman man realized in polychrome ceramic with glass eyes. Neaples, 18th Century. Very good condition. 

17th century old master, oil on canvas (relined), housed in a Florentine giltwood frame. Portrait of a female saint, Circle of Guido Reni (Calvenzano 1575-1642 Bologna). Italian painter of popular religious works and critically acclaimed mythological scenes. He was born in Bologna and began to study painting at the age of nine; he joined the Carracci Academy when he was 20. His studies were rounded off by a trip to Rome in about 1600. From that moment on, antique and recent Roman art became his ideals. He admired Raphael unconditionally. He did, however, come to terms with Caravaggio's naturalism in a group of youthful works such as The Crucifixion of St Peter in the Vatican Gallery (1604), where the use of chiaroscuro provided enormous energy. He alternated between living in his native Bologna and visits to Rome. After Annibale Carracci's death (1609) he became the leader of the classical school of Emilian painters. His adhesion to this school can be seen in the frescos he painted in Rome in about 1610 in the Quirinal Palace, the Vatican, and various churches (e.g. San Gregorio Magno...

Head of woman man is a splendid sculpture realized in polychrome ceramic with glass eyes. Neaples, 18th Century. Very rare to find un such good condition.