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Large, 19th Century, English school family portrait, a mother and children

A large and very elegant portrait of a British lady thought to be Dame Anna Neagle, the British actress and singer. English School, 20th Century Portrait of a society lady thought t...

Spanish School (16th century) Saint Fermin of Pamplona oil on canvas 40.1/8 x 32.½ in. (102 x 82.5 cm.) Condition: oil on canvas re-lined. Extensive surface dirt and varnish discolouration, craquelure throughout, possible stretcher bar marks. Probable retouches in a 17th century wood frame with painted decoration to corners and central spans. The frame has abrasions and knocks but suits the painting well. There is some shrinkage to some of the paint on the frame. Following some detailed research, we are confident this is a portrait of San Fermin...

Frank Bramley RA (British, 1857 – 1915) Portrait of an elegant lady Signed and dated ‘FRANK BRAMLEY / 11’ Oil on canvas 21 x 15.1/2 in. (53.4 x 37.2 cm.)

A bold and striking portrait 'Black Hecate' by the notable Modern British artist Ewart Johns. This painting is characterised by a white, black and brown colour combination with conf...

An elegant and intimate portrait of a young lady in a pale pink hat gazes out beyond the frame. She wears a simple white summer dress and a beaded necklace around her neck. Rich stri...

A very engaging Post Impressionist portrait painted in 1938 by the Belgian painter Jean Van den Eeckhoudt. The details of the work are as follows: Jean Vanden Eeckhoudt (Belgian, ...

Alexandre Cabanel (1823–1889) was a prominent French academic painter known for his mastery of Neoclassical and Academic art. Born on September 28, 1823, in Montpellier, France, Caba...

Attributed to Lemuel Abbott 1760-1803 | English Portrait of Horatio Nelson Oil on canvas This previously unknown portrait is an important discovery in British Naval history. In Admiral Lord Nelson's illustrious and well-studied life, there existed a "silent period" spanning 16 years during which no known portraits of Nelson existed. The discovery of this 1790 portrait, rendered just before his reentry into the Navy, is a significant development for Nelson scholars, adding new insight into the leader's life prior to his legendary command as Admiral of the British Navy. Almost certainly painted by Lemuel Abbott, the official portraitist of Admiral Nelson, the rendering depicts the naval titan in casual dress. This is one of the two final depictions of Nelson before he acquired the war-inflicted injuries that marked his later years. In 1790, Britain was at peace, and Lord Nelson found himself residing in Burnham Thorpe with his newlywed wife, Frances. Having served with great distinction in South America and the West Indies, he garnered much local acclaim. Yet, the uncertainty of returning to the sea weighed heavily on his mind. At the age of thirty, he lived the life of a country gentleman managing his estate. Only one other much smaller portrait of Nelson in civilian attire exists, a much smaller rendering from 1800 currently held at the National Portrait Gallery. Compelling and atmospheric, the oil on canvas offers viewers a rare glimpse into the visage of a youthful and resolute Nelson, a man driven by an unwavering desire to forge his reputation in the art of naval warfare. This portrait had long been believed by the Nelson family to portray Edmund Nelson, Horatio Nelson's father. When connoisseur Jeremy Knight acquired this treasure directly from the Nelson family, he postulated that the work actually depicted the famed Admiral and not his father, as it was painted around 1790, and the elder Edmund Nelson would have been 68 years old at that time. Knight then hired the renowned Nelson scholar Martin Downer, the former Sotheby's expert and author of the bestselling books Nelson's Purse and Nelson's Lost Jewel, to confirm his hunch. It has now been confirmed by Martin Downer that this portrait is the missing...

French Academic painter Guillaume Seignac was renowned for his masterful treatment of the idealized nude. His languishing female subjects based on Greco-Roman prototypes were and rem...

Signed “G-Seignac” (lower right) Oil on canvas French Academic painter Guillaume Seignac was renowned for his masterful treatment of the idealized nude. His languishing female subje...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...

Modern, academic style portrait painting on canvas of a young athletic male oil on canvas, 26 x 17 inches in antique wood frame This vertical, contemporary portrait painting of sin...