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Manner of William Hogarth - Late 18th Century Oil, The Basket Seller

18th Century and Earlier

A charming 18th-century tavern scene, depicting peasants gathered around a table enjoying a meal. Unsigned. Presented in gilt frame with unique corner ornaments featuring phoenix, ac...

The complete set of six engravings by Thomas Cook (1744-1818) after William Hogarth's (1697-1764) 'A Harlot's Progress', first a series of six paintings (1...

A charming scene in the manner of Dutch painter Cornelis Christiaan Dommersen (1842-1928). The scene depicts figures on a cobbled street buying vegetables from a lady with a cart. Si...

A charming 18th-century tavern scene, depicting peasants gathered at an inn. Unsigned. Presented in gilt frame with unique corner ornaments featuring phoenix, acanthus scroll and pom...

Italian painter (18th century) - The fruit seller. 70.5 x 58.5 cm without frame, 88.5 x 75.5 cm with frame. Antique oil painting on canvas, in a carved wooden frame (not signed). ...

Portrait Of William Hogarth (1697-1764) , 18th Century English School, Possibly a Self Portrait Large 18th century English School portrait of painter and satirist William Hogarth, ...

Dutch painter (18th-19th century) - The spanking. 60 x 99 cm without frame, 67 x 106 cm with frame. Antique oil painting on panel, without frame (not signed). Condition report: Wo...

Jacob Ochtervelt (Workshop) The Grape Seller oil on canvas unframed: 80.7 x 61 cm.; 31 ¾ x 24 in. framed: 109.5 x 89 cm.; 43 1/8 x 35 in. Essay: This captivating piece, originating from the studio of the revered Dutch artist Jacob Ochtervelt, mirrors the composition of a signed and dated 1669 canvas by Ochtervelt that is presently housed in the Hermitage museum. Its subject, "The Grape Seller" immerses us in a typical 17th-century interior, replete with characters from various strata of society. At the center, a fruit vendor is depicted bending over to weigh grapes for the buyer. A child hands some of the grapes to her mother to taste, their attentive maid standing by. The backdrop showcases typical Ochtervelt details: a hint of the city visible through the doorway, light filtering in through an overhead window, and a playful dog at their side. The exquisite quality of the piece is evident in the minutiae, such as the intricate detailing of the mother's earring, which in reality spans only a few millimeters yet boasts impressive attention to detail. Initially, Sotheby's considered this work to be an autograph piece by Ochtervelt. But due to some uncertainty, it was auctioned as Workshop of Jacob Ochtervelt. On the other hand, the esteemed Cabinet Turquin in Paris leans toward attributing the piece directly to Jacob Ochtervelt himself. The painting is framed in an authentic period frame, which has been delicately restored by Stockholm's Förgyllning och Bildhuggeri. The frame retains its age-old patina and, while in used condition, has minor imperfections adding to its charm. Another interesting thing worth to mention is the painting's provenance. It was once owned by the 1st Viscount Rothermere (1868-1940), the founder of the Daily Mail and Daily Mirror...