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Portrait of Giuseppe Garibaldi

Dancer  is a beautiful oil on panel realized by  Vrbová-Štefková in the mid-20th Century.  Signed and framed, 60 x 50 cm.  Good condition. 

Seating figures is a modern artwork realized by Antonio Mellone in 1957 Mixed colored oil painting on canvas Hand signed and dated on the lower margin. Includes frame

Seated female figure is original oil painting on panel realized by the artist Domenico Morelli (1823-1901). Hand signed overleaf. Stamp "Galleri...

Portrait of a Lady, 19th Century Painting. Miniature on ivory. Wooden frame with leather back. 12 X 12 cm.  Good conditions!

Antique American modernist abstract painting. Oil on board, circa 1940. Signed. Image size 22L x 30H. Housed in a period modern frame.

Bernard Krigstein (March 22, 1919 – January 8, 1990) was an American illustrator and Ashscan school painter who received acclaim for his innovative a...

Portrait Of a Woman Painting - - oil on canvas -- Woman with a Black Hair' Hal Frater passed away on February 3, 2008, just a month from celebrating his 99th birthday. Hal Frater had a long and prolific career. He became a sought after commercial artist for over fifty years . All the while he would return to his studio and paint for himself rather than his clients. Yet he always retained his illustration roots in wanting to tell a story on canvas with his keen eye of observation on the human condition. Often he would join fellow artists in informal sessions and paint from a model - no formal art school training but a mutually beneficial learning experience. His contemporaries that influenced him were Jack Levine, Raphael Soyer, John Sloan, Thomas Hart Benton, Reginald Marsh and Phillip Reisman...

Portrait Of a Women Painting - - oil on canvas Hal Frater passed away on February 3, 2008, just a month from celebrating his 99th birthday. Hal Frater had a long and prolific career. He became a sought after commercial artist for over fifty years . All the while he would return to his studio and paint for himself rather than his clients. Yet he always retained his illustration roots in wanting to tell a story on canvas with his keen eye of observation on the human condition. Often he would join fellow artists in informal sessions and paint from a model - no formal art school training but a mutually beneficial learning experience. His contemporaries that influenced him were Jack Levine, Raphael Soyer, John Sloan, Thomas Hart Benton, Reginald Marsh and Phillip Reisman...