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Unknown
Portrait of the Infanta Maria Anna Victoria of Bourbon copied by De Largillière

late 1800s

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G. Albertoni portrait, Oil on Canvas Italy XVIII Century
Located in Milan, IT
Oil painting on canvas. At the top right are the name of the man portrayed and his age, 78 years old. The man's habit and the attitude of prayer, in front of the Crucifix, with the meditation book...
Category

18th Century Other Art Style Portrait Paintings

Materials

Oil

Painting Female Portrait 18th century
Located in Milan, IT
Oil on Canvas. Central European school of the 18th century. The distinguished lady, flaunting a dress embellished with bows and lace, is seated at her desk and holding a letter; in t...
Category

18th Century Other Art Style Portrait Paintings

Materials

Oil

Dipinto Ritratto maschile con Veste a Fiori, XVIII secolo
Located in Milan, IT
Olio su tela. Scuola italiana del XVIII secolo. Nel ritratto di questo gentiluomo spicca in particolare la veste da camera realizzata in un elegante tessuto fiorato, nelle tonalità d...
Category

18th Century Other Art Style Portrait Paintings

Materials

Oil

Gruppo 8 dipinti Eroine dell’antichità, Francesco Conti, XVIII secolo
Located in Milan, IT
Oil on gattice wood in octagon. Il gruppo di otto dipinti in oggetto (figg. 1-8) rappresenta, nel classico formato fiorentino dell’ottagono, una serie di effigi femminili a mezza figura. Più precisamente, si tratta di giovani fanciulle elegantemente vestite, disposte in varie attitudini ma accomunate, ad eccezione di due esemplari sui quali ci soffermeremo in seguito, dall’accento sulla ricchezza, evidenziata sia da particolari di fastose console e drappeggi, sia da collane di perle o tessuti preziosi che le donne talvolta maneggiano, ponendovi così l’accento. Una delle figure porta in testa una corona reale, altre dei turbanti o inconsueti copricapi. Questi dettagli conferiscono ai personaggi un aspetto principesco, talvolta abbinato a richiami orientaleggianti. Una formula che riporta alla mente il caso di un dipinto da poco riscoperto nella sua vera identità, il “Ritratto fino a mezzo busto di Regina Armena” di Mario Balassi, seducente connubio di recuperi alloriani ed elementi di fantasia conservato alle Gallerie degli Uffizi (vedi F. Berti, Da ritratto mediceo di Jacopo Ligozzi...
Category

17th Century Other Art Style Portrait Paintings

Materials

Oil

Female Portrait 19th century
Located in Milan, IT
Oil on Canvas. Signed at right, mid-canvas. It is a portrait of a mourning woman, a young widow, as can be inferred, not only from the black dress, but rather from the headdress and...
Category

19th Century Other Art Style Portrait Paintings

Materials

Oil

Painting Male Portrait 17th century
Located in Milan, IT
Oil on Canvas. 17th century Dutch school. The young nobleman, very serious, looks out from an oval painted frame, on which he rests his hand to flaunt the family ring. The painting...
Category

17th Century Other Art Style Portrait Paintings

Materials

Oil

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Portrait of Jesus and Sacred Heart by John Paul Chase (John Dillinger Associate)
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Pair of Mid Century Blocking Portrait Study, Mid Century Portrait of a Woman
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Blocking Study pair #1 and #2, portrait of a blonde woman, by Gordon Cook (American, 1927-1985). Circa 1960. Signed on verso "G. Cook (3) #1. unframed. Image size: 24"H x 20"W each. Bay area estate sale find. Gordon Cook was born in 1927 in Chicago, Illinois. He attended Illinois Wesleyan University in Bloomington where he received his B.F.A in 1950. Cook then went on to study fundamentals and life drawing at The American Academy of Art* in Chicago. The same year he studied intaglio* printmaking with Vera Berdich at The School of the Art Institute of Chicago*. He took graduate courses and continued studying intaglio printmaking under artist Mauricio Lasansky at the State University of Iowa. In 1951, Cook moved to San Francisco. Soon after his works received the journeyman's card in International Typographical Union, Local 21. He began exhibiting his prints, drawings, and paintings at the Porpoise Gallery in San Francisco. Four years later, Cook became a charter member of the Bay Printmakers Society and exhibited in their annual exhibitions at the Oakland Art Museum for the next five years. His etchings portrayed mainly San Francisco landscapes such as the Golden Gate Park, Diamond Heights, and Lake Merced as well as flowers, especially roses. He participated in his first weekly drawing group with artist Alvin Light, Manuel Neri, Joan Brown, and William H. Brown. Cook also taught at the San Francisco Art Institute*. His etchings where exhibited in a one-man exhibition at the Fine Arts Museums of San Francisco, in the Achenbach Foundation for Graphic Arts. At this point Cook returned to painting. Moving to Rio Vista...
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