Unknown

Portrait Of A Man, Oil On Canvas 19th Century, Signature To Identify

Portrait of a man. Oil on cardboard, signature to be identified. Good condition. 46 x 32.5 cm.

Portrait of a woman. Sketch, oil on plywood panel. Minor soiling. 32.5 x 41 cm

Georges Simonka (1916-2001) Portrait of a woman. Mixed media: gouache and collage. Good condition. 62 x 46.5 cm.

Woman on an armchair. Gouache on cardboard. Upper left corner broken, lower corners trimmed. Small dirt. 46 x 27.5 cm

Portrait Of Elizabeth Campbell & Daughter, Wife Of Colonel Colin Campbell circle of Margaret Carpenter (1793-1872) Large 19th Century English portrait of Elizabeth Campbell & Daughter, oil on canvas. Seated half length mother and daughter portrait of the wife of Colonel Colin Campbell. Good quality similar to Margaret Carpenters...

Tigran Hovumyan Figurative Surrealist Oil Painter Artwork Title: Smile Medium: Original Oil on Linen Dimensions: 36" x 36" x 1" (91 x 91 x 3 cm) Year: 2019 Unframed, Stretched on wo...

"Couple on the balcony" is an interior scene of a young woman and a young man sitting comfortably watching the street from their balcony. Oil on canvas by Spanish artist Alfredo Rold...

¨Serenidad¨. Spanish Contemporary Woman Portrait Lying On The Couch. Figurative Realism. Oil on canvas. Dimensions: (H) 130x (W) 162 x (D) 2 cm. / Inches 51.18 x 63.78 x 0.79 " Framed: (H) 153 x (H) 185 x (D) 4 cm. / Inches 60.24 x 72.83 x 1.57 " Juan Carlos Ospina Ortiz (Colombia 1963), practices realistic figuration with themes of clear Spanish influence. The artist settled in Andalusia (Spain), where, searching for his roots, he immersed himself in the music, folklore, and traditions of that country. This painting, ¨Serenidad¨, is reproduced on a double page in the article that the renowned art publication Prestige Magazine edited in 2003, where the cover is a female portrait by Ospina Ortiz. (number 63, 2003, pages 24-25). ABOUT THE ARTIST Juan Carlos Ospina Ortiz (Tolima-Colombia 1963) studied design and painting in Bogotá, which he later complemented with specializations in Paris and Madrid. He practices a realistic figurative style, where he alternates between portraits, still lifes, landscapes and horse paintings. In 1993 he visited Spain for the first time, being greatly influenced by two renowned contemporary painters: Antonio López and Eduardo Naranjo. His works, from those years on, would be strongly influenced by the vision he had of them. He obtained a scholarship to continue his training with the Colombian painter Guillermo Muñoz Vera...