Unknown

Woman

Work on canvas Work re-lined Plaster and gilded wood frame 86 x 105 x 7 cm

Work on cardboard Molded frame in plaster 44 x 52 x 3 cm This captivating work features an oil portrait of a woman, embodying a classic and timeless style. The subtly textured back...

Work on canvas Fluffy brown wood frame 76.5 x 63.5 x 3 cm

Work on wood Carved wooden frame 41 x 36.5 x 7 cm

Fine 19th Century Oil on Canvas Portrait of a Young Woman in large gilt gesso frame Identity of the sitter as yet unknown. The artist has managed to capture her ethereal beauty perfe...

Cristoforo Serra (Cesena, Italy, 1600 - 1689) Title: Portrait of a Shepherd Medium: Oil on canvas Dimensions: without frame 92 x 75 cm - with frame 106.5 x 94.5 cm Antique gilt-wood...

Signed, inscribed and dated, lower right: 'Geo Dawe RA St Petersburgh 1819', also signed with initials, lower centre: 'G D RA'; and signed and inscribed verso: 'Geo Dawe RA Pinxit 1819 St Petersburgh'; Also inscribed on the stretcher by Cornelius Varley with varnishing instructions. Collections: Private collection, UK, 2010 Literature: Galina Andreeva Geniuses of War, Weal and Beauty: George Dawe...

Austrian School 18th Century Tri-Directional Portrait Commemorating the Russo-Turkish War Oil on wooden strips This extraordinary tri-directional portrait exemplifies the rare innovation known as a triscenorama, capturing a pivotal diplomatic moment through ingenious artistic technique. Employing triangularly cut wooden strips, this remarkable work simultaneously depicts three imperial figures central to the Russo-Turkish War of 1735-1739: Empress Anna Ivanovna Romanova of Russia when viewed directly, Holy Roman Emperor Charles VI from the left and Ottoman Sultan Mahmud I from the right, commemorating the Treaty of Nissa that concluded this significant European conflict. The portrait utilizes an exceptionally rare optical technique that predates modern movable imaging technology. When observed from different angles, the painted triangular wooden strips create a transformative effect, revealing entirely different imperial portraits as the viewer shifts position. The precision required to execute such a work demonstrates remarkable technical mastery, as the artist had to conceptualize three distinct portraits as well as the meticulous arrangement of the panels. This sophisticated manipulation of perspective creates an interactive viewing experience considered revolutionary for its time. Almost certainly created by an Austrian artist, this diplomatic artwork likely served as a commemorative piece marking the Treaty of Nissa, signed in September 1739. The treaty concluded Russia's ambitious campaign to secure access to the Black Sea while countering Ottoman raids in Ukraine and the Caucasus regions. Given its exceptional quality and historical significance, this portrait was possibly commissioned by Emperor Charles VI himself, potentially serving as a diplomatic gift to either Empress Anna or Sultan Mahmud I during the treaty negotiations. Under Empress Anna's leadership, Russia sought to counter devastating raids from Ottoman allies, particularly the Crimean Tatars...