Wladyslaw Roguski

Original Art Deco Portrait by Wladyslaw Roguski Poland 1937

1937

This beautiful work by the great American Illustrator Bob Peak has a sister work in the collection of the Lucas Museum of Narrative Art in Los Angles. We feel that our work has a little more detail, complexity and dimension to it as the beautiful female figure seems to be floating in an endless sky of dreamy colors. Portrait of beautiful woman, Large powerfully sensual deco-esque work by America's Master of the Movie Poster. Bob Peak. Bob Peak, in my opinion, was the Norman Rockwell of post-war American Illustration, this is one of the works that paved the way for a new way of seeing. It's more fine art than commercial art. For Apocalypse Now, in 1979, Francis Ford Coppola could have hired any artist in the world to create the movie poster and image for his film. He hired Bob Peak. Some of the movie posters Peak has worked on. West Side Story, Rollerball, Star Trek, Superman, Excalibur, Apocalypse Now, The Spy Who Loved Me. My Fair Lady, Camelot and Enter the Dragon. Additionally, Peak illustrated 45 covers of Time Magazine and many covers for Sports Illustrated, TV Guide. Signed lower center Private Collection Georges Delerue...

Portrait of a Woman, 1940s-50s. Signed Vera d’Angara, Italian-Russian actress Technique: Oil on panel Dimensions: Height 59 cm x Width 58 cm Frame: Painted wooden frame The portrait...

This lovely Art Deco portrait oil painting is by noted British artist James P Barraclough. Painted circa 1923 it is a seated portrait of a young woman holding a book on her lap. She is wearing a blue satin dress with lace cuffs and collar and is gazing warmly at the artist and viewer. The illumination on her features is superb. A lovely Art Deco period oil portrait...

This enigmatic portrait oil painting is by noted Slade School artist John Cecil Stephenson. In 1929, when Portrait of Elizabeth Allison was completed...

This superb Art Deco British portrait oil painting is by noted Scottish artist David Cowan Dobson, better known as Cowan Dobson. Painted in 1931, it is a portrait of a striking darkh...

This stunning British 1920's tempera oil on board painting is by noted artist John Young Hunter. It was painted circa 1927 and the composition is a f...

This enigmatic 1920's Art Deco Slade School portrait oil painting is by noted Russian born British artist Jacob Kramer. Painted circa 1922 it is a seated portrait of Miss Hilda Wilki...

This stunning Scottish 1920's self portrait oil painting is by noted Scottish female artist Helen Mackenzie. Painted circa 1929 the composition is the head and shoulders of the artis...

A stunning portrait oil painting of Violet Ann Gilbert which was painted by James Peter Quinn in 1929 and was exhibited at The Paris Salon of that year. A beautiful portrait of a young woman from the nineteen twenties. In excellent condition and framed in the original period frame. This is a fine painting by a noted listed artist and a great example of an early 20th century portrait painting. Signed lower left. Provenance. Exhibited at the Paris Salon 1929, labels verso. Condition. Oil on canvas in excellent condition, image size 40 inches by 30 inches. Housed in its original gallery frame, framed size is 47 by 37 inches. Excellent condition. James Peter Quinn (1869-1951) was born on 4 December 1869 at 60 Bourke Street, Melbourne, third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Bernard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His finest and most sensitive work was produced before 1910. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates, he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery the next year. Quinn ostensibly returned as an acclaimed artist, was invited to rejoin the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with (Sir) Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War...

American artist Henry R Rittenberg painted this lovely 1920's Art Deco portrait oil painting. The painting is a standing half length portrait of a lady in a black coat with a white fur collar over a red dress and long beads. She has an elegant 1920's short bob hair style and a confident expression. The strong brushwork and range of tones within one colour are superb. A really striking Art Deco portrait oil painting. Signed upper left. Provenance. Dorset estate. Condition. Oil on canvas, 30 inches by 25 inches and in good condition. Frame. Housed in a fine James Bourlet panel silvered frame, 40 inches by 35 inches and in good condition. Henry R Rittenberg (1879-1969) was born in Libau, Latvia and later immigrated to the United States. He studied art at the Bavarian Academy in Germany, and by 1906, was in Philadelphia, where he attended the Pennsylvania Academy of Fine Art. Rittenberg painted landscapes and still lifes, yet his forte was portraiture. The artist was commissioned to paint a number of portraits of American dignitaries including Attorney General Homer Stille Cummings and a group portrait of President Harry S...