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Ritchelly OliveiraAs Flores que Plantei II, Ritchelly Oliveira2024
2024
$16,234.55
£11,816.95
€13,500
CA$22,096.86
A$24,716.73
CHF 12,862.73
MX$304,271.38
NOK 163,640.60
SEK 153,527.14
DKK 102,737.94
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About the Item
"As flores que plantei II"
Artist: Ritchelly Oliveira
Medium: Charcoal and oil on canvas
Dimensions: 150 x 120 x 3 cm
Ritchelly Oliveira’s “As flores que plantei II” is a delicate exploration of human emotion, fragility, and memory. Using his signature technique of charcoal and oil on canvas, Oliveira merges raw expression with soft, organic forms to depict the emotional landscapes of the human experience. The title itself, which translates to "The Flowers I Planted II", evokes themes of growth, nostalgia, and the quiet resilience found within relationships.
In this work, Oliveira’s ethereal figures and allegorical elements—often represented by birds—intertwine with an introspective narrative. These motifs reflect the artist's ongoing dialogue with affectivity and personal history, shaped by formative experiences and the pursuit of love as a universal yet profoundly individual feeling
.
The interplay of light and shadow within the piece amplifies its emotional weight, while Oliveira’s masterful use of charcoal creates a haunting yet poetic atmosphere. Every brushstroke and detail invites viewers to reflect on their own emotional journeys, making "As flores que plantei II" not just a painting, but a shared space for connection and introspection.
- Creator:Ritchelly Oliveira (1993, Brazilian)
- Creation Year:2024
- Dimensions:Height: 59.06 in (150 cm)Width: 47.25 in (120 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Porto, PT
- Reference Number:1stDibs: LU2214215549232
Ritchelly Oliveira, visual artist, began his work in 2012, shortly after enter visual arts at the Federal University of Goiás (UFG), he found
human figure a margin to present his speech about what he
understands the deeper aspects of emotional relationships. He works about what he suspects to be love and, believing that this is a universal feeling. Believing that affective relationships are built from the individual and
as their surroundings interfere with them, he tries to rescue the possibility
to construct discourses about love, especially black love. The importance
to reflect together on issues such as sexuality, responsibility
affective and colorism are necessary canons in this invitation to fulfill the ideals
dangerous and exclusionary forms of romantic love that circulate in our environments.
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