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Robert StandishMeadow at Dusk2024
2024
$10,850
£8,392.03
€9,553.84
CA$15,578.85
A$17,020.37
CHF 8,920.43
MX$203,228.66
NOK 112,888.96
SEK 105,266.60
DKK 71,351.94
About the Item
Meadow at Dusk is an acrylic on canvas painting by Robert Standish, signed, titled and dated verso. The art is 24 x 48 inches canvas size and 26 x 50 inches framed. Framed in a contemporary black frame chosen by the artist.
For over two decades, Los Angeles-based painter Robert Standish has explored the evolving relationship between perception and expression. Originally known for his striking photorealistic depictions of urban life, Standish transitioned over a decade ago into abstraction—moving away from technical precision to embrace spontaneity and emotional depth. His Abstract Expressionist approach, characterized by layered textures and bold gestures, reflects his deep interest in cosmology, topography, and psychological theory—particularly Carl Jung’s exploration of the unconscious. Through his work, Standish invites viewers into a space of discovery, where color, movement, and intuition converge in a dynamic visual dialogue.
- Creator:Robert Standish (1964, American)
- Creation Year:2024
- Dimensions:Height: 26 in (66.04 cm)Width: 50 in (127 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Greenwich, CT
- Reference Number:Seller: ORSTA2024481stDibs: LU2664217273962
Robert Standish
For twenty years, Los Angeles painter Robert Standish had been abstracting reality by altering his own powerful and moving photorealistic paintings of daily life. Seven years ago, Standish shifted away from constructing lifelike replicas of the world, and into an investigation of the unconscious unknown through abstraction. His move into an Abstract Expressionist "wet-on-wet" technique developed in tandem with his interests in cosmology and topography, in addition to psychological theory – namely, Dr. Carl Jung's notion and analysis of the human psyche. In his recent work Standish revisits the essential element of his early style of photorealistic painting, namely, a photo reference, but through his more recent lens of abstraction. Fed up with biased news reporting, Standish sources his imagery from top U.S. and world news stories; often selecting photos from the Internet and various social media platforms associated with polarizing content. By unifying his disparate techniques, he gradually manipulates the palette and texture of the original image to change the representation of its featured subject – and subsequently, the viewer's interpretation of it. Transcendence being a consistent theme of his practice, Standish's newest work is true to his rejection of the finite, and his proclivity for the universal. An interview with Voyage LA (April 23, 2018) quotes Standish as saying this about his artwork: “I paint mostly abstracts and occasionally return to photorealism. I’m in awe of the creative force all around us. Can’t think of anything that’s so strikingly omnipresent. Every square inch of our physical universe and all existing life forms contain the elements of shape, texture, pattern, color palette and all of it comes from a process of creation. Painting for me is the opportunity to deeply enjoy and directly connect with that force and hopefully inspire others of the rewards of connecting to its power and beauty.” Standish's works can be found in the permanent collections of the Los Angeles County Museum of Art, JP MORGAN CHASE, The Weisman Foundation, Louis K. Meisel, Larry and Marilyn Fields, Patricia Arquette, Norwest Venture Partners and BRYANT/ STIBEL, along with numerous other acclaimed collections. Standish's paintings have been exhibited internationally in galleries and museums, including two recent group shows at the Carnegie Art Museum.
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