Roman Rembovsky

David with Head by Caravaggio, from The Holy pictu, Painting, Oil on Canvas

2020

from the series “Sistine moodâ€

Ludovit Holoska wrote on Roman Rembovsky: At the beginning of his independent career, spontaneity and naturalism, together with an artistic element, led him to new experiences and hi...

My still life paintings vary from lively decorative colorful compositions to thoughtful studies of reality. I rip objects out of their context and put them to new context. Here they ...

I wanted to create something bright and colorful, and at the same time keep it classy and stylish. No wonder why I choose one of the most famous and recognizable sculptures David as ...

Part of Giancarlo Impiglia's iconic "camouflage" series in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about the...

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...