Roman Rembovsky

Glass, Painting, Oil on Canvas

2016

The work is listed in catalogue of White & Weiss contemporary art auction. Auction had taken place in Bratislava in November 2010. My still life paintings vary from lively decorativ...

Rembovsky is the artist with formed, well-recognised authorial style of execution and conceptual vision. With his work, he boldly enters the European artistic space, and with his ori...

« I try to express fascination with artistic form, triumph of phenomenon, beauty of textiles, and attraction to the boundless variability of human body shapes and psychological mean...

The work is listed in catalogue of White & Weiss contemporary art auction (ISBN 978-80-89789-02-3). Auction had taken place in Bratislava in May 2015. My still life paintings vary f...

In this work we can only see the shore that joins the sea with the sand of the beach

Nate Ronniger's current collection of realist paintings feature scenes created from comic characters and cut and folded paper. In describing the work Nate writes, "In many ways, I th...

An original contemporary oil painting by Amanda Besl from her most recent body of work created in 2017. Throughout her career, Amanda Besl has focused primarily on the inner worlds ...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...