Sérgio Remondes

Fado Nipónico

2023

“Hold On II” (2025) Charcoal and Acrylic on Canvas 100 x 70 cm / 39.3 x 27.6 in Original work by Ritchelly Oliveira (Brazil, b. 1993) “Hold On II” is a compelling exploration of emo...

“Mar Azul” (2025) Charcoal and Acrylic on Canvas 100 x 70 cm / 39.3 x 27.6 in Original work by Ritchelly Oliveira (Brazil, b. 1993) In “Mar Azul”, Ritchelly Oliveira creates a strik...

“Quietly” (2025) Charcoal and Acrylic on Canvas 120 x 80 cm / 47.2 x 31.5 in Original work by Ritchelly Oliveira (Brazil, b. 1993) In “Quietly”, Ritchelly Oliveira presents a serene...

“Jardim dos Sonhos” (2025) is a charcoal and acrylic on canvas painting measuring 90 x 67 cm (35.43 x 26.38 in) by the artist Ritchelly Oliveira. The work depicts a monochromatic fig...

Acrylic paint on canvas, 2017. Signed, dated and titled on the back. Ready to hang. It comes directly from the studio of the artist. Height 22.2 in ( 56,4cm ), Width 22.2 in ( 56,4 c...

Acrylic on canvas Maya Abashidze is Georgian artist born in 1984 who lives and works in Tbilisi, Georgia. She was graduated from the Tbilisi State Art Academy in 2010. From May-Jun...

Francesca Fuchs Green Crystal, 2018 acrylic on canvas over board 16 x 22 1/4 in (40.6 x 56.5 cm) This work is from a series called How to Tell the Trut...

Acrylic paint on canvas Hand-signed Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures...