Steve Sangapore

"New England, Summer #1", landscape, Hudson River, trees, blue, oil painting

2020

Chris Plunkett’s “East Berkeley and Harrison Ave” is a 30 x 30 inch oil painting on cradled birch wood panel and is part of his “Red Sky” series. This monochromatic cityscape...

Chris Plunkett’s “Walking Up Adams” is a late night nocturnal cityscape oil painting on cradled birch wood panel. The serene urban landscape depicts a shadowy figure walking through ...

Anne Sargent Walker’s oil, acrylic and collage painting "Out of Synch" is one of many to explore the beauty, complexity and fragility of the natural world and our complicated relatio...

Anne Sargent Walker’s "Maple in Yellow Sky" is a 24 x 18 x 1.5 inch oil painting on wood panel. A solitary, gracefully rendered maple tree fills the frame, the gray brown branches tr...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...