Andrea Stajan-Ferkul

Head Over Heels #2, 8"x10", Shoe Painting On Canvas, Black, Brown Art

2017

Enlightened is an impressionistic style chandelier painting combining intricate detail with intuitive abstract brush work. Tone on tone layers buil...

In this painting on canvas, emphasis is placed on detail and strong composition. The combination of paint and textile collage build up elements of texture and dimension. An intimate ...

In this painting on canvas, emphasis is on strong composition and an interplay of textures. The combination of paint and textile collage build up a rough surface adding tone on tone ...

This dress painting features an interplay of paint and lace textile with an outcome both expressive and refined. Through the process of adding and subtrac...

In this painting on canvas, emphasis is placed on detail and strong composition. The combination of paint and textile collage build up elements of texture and dimension. An intimate ...

This delicate slip dress painting features an interplay of paint and textile with an outcome both expressive and refined. The combination of intricate detail and intuitive mark-makin...

"Many Horse Shield" by Kevin Red Star. Original Acrylic painting on Canvas, 48" x 30", 51" x 33" (framed). Crows were known for their exceptionally well-trained horses; each having specific skills i.e. hunting, warring, parade, and working with women and children, or moving camp. Kevin Red Star’s art is honored throughout Native America for its authenticity. It presents a shining vision of centuries-old Crow (Apsaalooka) culture through the eyes of a thoroughly contemporary consciousness. In the world of museums and private collections, he is equally respected for the content of his unique imagery, for his artistic productivity, and for the enduring value of his work. Kevin Red Star grew up on the Crow reservation in southern Montana, a member of a highly creative family. He was known as the go-to artist for all school projects. He was chosen to be in the first group of students at the Institute of American Indian Arts in Santa Fe in the late sixties, when the founders personally visited Native villages and reservations nationwide and recruited the most talented youngsters from each. The school provided a learning environment of tribal tradition, world art history, and current trends. Open studios, well stocked with supplies, encouraged individual experimentation and collaboration. Students mined their ancient customs for content, and then created exciting new forms to provide current relevance. Red Star and some of his friends in their graduating class continued their studies at the San Francisco Art Institute before embarking on their careers. They attracted immediate notice in New York and Paris, as well as established art centers throughout the United States. And they went on to change the face of modern Indian art...

"Sunset Crane Shield" by Kevin Red Star, Acrylic and Mixed Media on Canvas, 36" x 36" unframed, 38" x 38" framed in a thin modern floater with hanging wire included. Signed upper right and handwritten caption on the back. Kevin Red Star’s art is honored throughout Native America for its authenticity. It presents a shining vision of centuries-old Crow...

This small-scale, slightly textured, intimate painting could be a Hanukkah or Christmas gift. Audrey Frank Anastasi is a prolific a visual artist, curator, gallerist, educator, philanthropist, and arts advocate. She works primarily in 2-dimensional mediums: painting, drawing, collage, mixed media, focusing on the human subject. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has exhibited in over 20 solo & 200 group shows. Her original “ref-u-gee” series of forced-migration–themed artwork was shown in a solo exhibition from October, 2022 through January, 2023 at the Brooklyn College library gallery in collaboration with the Valentine Museum of Art (VMoA.) Accompanying the show, a limited-edition monograph with over 180 images of passport sized paintings, four 8 foot tall works on panels, and a foreword by Phyllis Braff. The book was printed in 2023 by SIZ Industria Grafica, Verona, Italy. Additional book and catalog publications include "Stations of the Cross", SPQR press, with an essay by Amir Bey, BREUCKELEN magazine, “Audrey Frank Anastasi” catalog with an essay by renowned feminist art critic Cindy Nemser, and "Collage" with an essay by Giancarlo T. Roma. Born in a predominantly Jewish suburb of Baltimore, Maryland, Audrey was always drawn to art. Her parents had an innate sense of style. Her father's side of the family were immigrant merchants. They owned what was called, in those days, a junior department store. Audrey’s father would arrange creative window displays. And he was a snappy dresser, looking surprisingly elegant in his patterned or pastel sports jackets. Audrey’s mother, on the other hand, came from a more rural upbringing. Although her maternal grandmother was from Eastern Europe, her maternal grandfather was born in the USA. “Mr. Jew Arthur,” as he was referred to by locals, owned a tavern in a predominantly African-American community, Fairfield, Maryland. Not only did he sell spirits, he definitely partook of them, as well. While still a teenager, Audrey’s mother, Rose Gussie, changed her name to Joyce and headed to Atlanta, Georgia, and later to New York City to be a cosmetician and hosiery model. She also had an impeccable sense of style. And in her picture albums, beside the photographs, were pages upon pages of charming ink drawings of stylish ladies. Of her own formative years, Audrey expresses, “I'm forever grateful that when I was a child, my mother indulged me with regular outings to the library where I emerged with armloads of books, and weekly visits to the Baltimore Museum of Art. There I would pass the gorgeous bust of Queen Nefertiti and the scary mummies on the way to my art lessons. There isn't a single moment of my conscious life when I didn't think of myself as an artist.” Audrey also studied with a local artist, “Miss Mary,” who soon asked Audrey to become a teaching assistant, instructing other students how to observe shapes and tonalities, while faithfully drawing charcoal drawings of classical plaster casts...

Pradosh Swain - Longing Past III - 24 x 60 inches (unframed size) Acrylic on canvas Inclusive of shipment in a roll form. "Pradosh’s paintings have a surrealistic quality, the imagery is dreamy and mystical and rendering is such as if there is some kind of romance and magic happening amongst the colours in his palette. His paintings are the result of brilliant culminations of feelings and things that are between imagination and reality." Style : Pradosh’s works can be described as psychic automatism in its pure state. His works are expressive and his palette vibrant and gorgeous. Nature is the frequent imagery that we see in his paintings. Sometimes his imagery is outlandish, perplexing and uncanny as it is meant to shake the viewer and make them to think beyond the theories which they have guarded themselves with. Lot of elements that we see in pradosh’s paintings also come from his childhood days in Odisha. His paintings often take us on a nostalgic ride where we see elements which we were so used to and have now learnt to live without. He uses common elements that we see in our day to day life to convey his feelings and thought which makes his works all the more interesting. His paintings leave the viewer perplexed at the first glance but a deeper look gives the insight into his thoughts that instigate him to create. Pradosh’s paintings have a surrealistic quality, the imagery is dreamy and mystical and rendering is such as if there is some kind of romance and magic happening amongst the colours in his palette. His paintings are the result of brilliant culminations of feelings and things that are between imagination and reality. They reflect his genuine concern about issues he feels for. He emphasizes on the power of imagination and believes that revelation could be found anywhere….on the streets and in everyday life. Through his paintings artist depicts the notion that how our high pace life is making all of us loose that contact from the nature or even with ourselves. About the Artist and his work : Born : 1972 , Orissa. Education : 1994 : Bachelor in Fine Arts from Utkal University. 1989 : Diploma in Photographic from College of Education and Technology, Bubaneswar 2005 : Certificate Course on Reprography from National archives of India, New Delhi. 2007 : Conservation of Art Objects from National Research Laboratory for Conservation of Cultural Property, Lucknow. Solo Exhibition : Inter National Group Show by Ashok Art Gallery, New Delhi. Look Now, Lucknow Rastriya Lalit Kala Kendra, Lucknow – 2007 Kalingana, Birla Academy, Kolkata – 2006 FIFA world Cup – 2006, Orissa State Museum, Bhubaneswar – 2006 Yatra, Venkatapa Art Gallery, Bangalore – 2006 Towards Horizon, Jayadev Bhawan, Bhubaneswar – 2006 Jagannatayan, Rabindra Mandap, Bhubaneswar – 2005 Sand Watch...

'Opal Painting (gold)' 2018 by Catherine Howe. Fluorescent & mica pigments in acrylic mediums, 24K gold leaf gilded on canvas, 30 x 30 in.. This painting features Howe's signature ab...

Available at Madelyn Jordon Fine Art. 'Iridescent Pearl Painting (Ariel)' 2023 by Catherine Howe. Acrylic mediums, interference and mineral pigments ...