Angelo Maria Rossi

Angelo Maria Rossi Oil on Canvas Italy 17th Century

Oil on Canvas. The composition features the following in the center a hanging hare, flanked by some quail and a pigeon; on the destr side, a wicker basket containing chestnuts and p...

Oil on canvas depicting a still life, a pantry with a table set with a copper basin and different kinds: hanging game, trays full of fruit and cutting boards with fish. On the left o...

Oil painting on canvas. Lombard school of the late 17th-early 18th century. The rich composition offers a large bouquet of colorful flowers in an embossed vase, next to a bowl full o...

Oil painting on canvas. Neapolitan school of the seventeenth-eighteenth century. The large composition is rich in numerous different elements: in the center stands a large floral com...

Oil painting on canvas. Lombard school of the late 17th-early 18th century. The rich composition offers a large bouquet of colorful flowers in an embossed vase, next to two large pumpkins and mixed fruit (grapes and peaches...

Oil painting on canvas. Signed and dated lower left. Further signature, date and title on the back. On the frame there is a stamp from an important private collection. The work proposes a composition of an amphora and a painted ceramic plate, surrounded on the right by roses. Milanese painter and decorator, Luigi Scrosati initially attended the Brera Academy, which he soon abandoned to devote himself to numerous trips abroad, in particular to Paris. Already from the beginning of his activity, in the 1940s, he worked as a painter of still lifes strongly influenced by French examples, in particular from the Lyon school. Alongside the easel and watercolor production, dominated by the specialization of still life of flowers, Scrosati was very active as an interior decorator, often engaged in team work alongside architects and project managers, but always with considerable autonomy and a characteristic style , substantially eclectic and aimed at a reinterpretation of the styles of the past. The debut in this area, towards the end of 1842, consists of a cycle of frescoes in the residence of San Fiorano (LO) owned by Giorgio Guido Pallavicino Trivulzio, for which Scrosati decorated a Gothic room, a Rococo living room...

The Still Life is a painting realized by Claude Deschamps in the 1970s Oil painting on cardboard canvas. Hand-signed on the lower. Good conditions....

Tomatoes by Mark Midgley. Original Oil on Canvas. The Cape Town artist, Mark Midgley, is originally from Leeds in the UK. He moved to South Africa in 1979, where he started a silk...

Stephanie Peek's "Uniform Language" Camo paintings showcasing an assortment of worldwide camouflage (both historic and contemporary) from countries around the world. The complete installation includes 52 original works that are each 10 x 10 inches. Can be hung in an assortment of ways. The artwork comes with a template for installation as shown below. The series started following 9/11 with the bombing of the World Trade Center in NY. and continues to today. Stephanie Peek's "Uniform Language" is a constellation of small painting on alabaster-coated wood panels featuring camouflage patterns of nations worldwide. Peek’s fascination with these patterns stems from her observation of nature (including her studies of flowers, for which the artist is well known), and compositions of shapes and color relationships. When hung in the configuration shown, the overall dimension is 77 inches tall x 132 inches wide. The artwork can hang in a variety of configurations. Each camp painting is 10 x 10 inches. Fascinated by how various countries use camouflage patterns to represent and to disguise themselves and their military equipment, the artist explores how countries see themselves in this pattern language that speaks of power and fear, while also considering each painting a prayer for peace. Artist's statement, Early in the 20th century, the United States military adapted the nature studies of American painter Abbot Thayer...

Oracle by Ben Weiner, American (1980) Oil on Canvas, signed verso Size: 64 x 96 in. (162.56 x 243.84 cm)

JUAN DE ARELLANO Spanish, 1614 - 1676 Cesta de Flores signed Juan de Arellano (lower lright) oil on canvas original period carved, gilt and polychrome...

signed ‘ozenfant’ (lower right) Provenance: Sale: Christie's London, 4 April 1989, lot 198 Dr. Arthur Brandt, New York (acquired at the above sale) Literature: P. & M. Guénégan, 'A...