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Ann GetsingerShell Bowl (Realist Still Life of Iridescent Shell Against a Stormy Landscape)2021
2021
$3,200
£2,421.02
€2,794.23
CA$4,469.51
A$4,969.24
CHF 2,601.10
MX$60,946.09
NOK 33,118.55
SEK 31,267.84
DKK 20,851.48
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About the Item
Shell Bowl (Realist Still Life of Iridescent Shell Against a Stormy Landscape)
Made is 2024, by Berkshire based artist Ann Getsinger
oil on linen, 16 x 12 inches
Signed, lower right
Ann Getsinger is an oil painter with a home and studio is in the rural Berkshire town of New Marlborough, Massachusetts. After high school she studied at Paier School of Art in New Haven, CT, and at the San Francisco Art Institute, before settling permanently in western Massachusetts. Getsinger’s vanitas inspired works bring flora and fauna to life and narrate their symbolic internal experience. Ambiguous light sources and vibrant colors pull viewers into these hyper-realistic still lives to marvel at expressive details and imaginative compositions.
Ann Getsinger’s oil paintings have been described as ‘realism with a twist.’ Real objects are placed in locations drawn from memory and imagination, in locations and circumstances which materialize as the work unfolds, forming paintings which combine careful planning with free-falling. The artists powerful connection to place is evident as most of the backgrounds show either the Berkshire hills of western Massachusetts or the mid-coast area of Maine, her favorite places to live and paint.
Classically trained in traditional realist techniques, the artist applies those skills to reflect both visible and invisible worlds. Her many visual art influences include the work of Magritte and other surrealists, N.C., Andrew, and Jamie Wyeth, Julio Larraz, and Gregory Gillespie.
- Creator:Ann Getsinger (1956, American)
- Creation Year:2021
- Dimensions:Height: 16 in (40.64 cm)Width: 12 in (30.48 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU22716394052
Ann Getsinger
Artist Statement:
Rarely making preliminary sketches, I work as realistically as I want over an abstract foundation, essentially letting my mind wander in an intuitive way between subconscious, conscious, and super conscious. Integrating still life, landscape, and figures, painting is a trip into the many ways that anything relates to everything. My work reflects my life by integrating stillness and motion, a sense of time and timelessness, and most of all–mystery. I often find myself in a place of enormous freedom, full of surprises. Bio:
Born on Oct. 22, 1956, Ann grew up in Watertown, Connecticut. As the youngest of five in a creative household, her earliest memories are of making artwork. After studying at Paier School of Art in New Haven, CT, and the San Francisco Art Institute, she settled permanently in western Massachusetts where she studied privately with realist artist Sheldon Fink. The artist’s home and studio is in the rural Berkshire town of New Marlborough, Massachusetts. Since childhood she also works regularly in the mid-coast area of Maine. She has a lifelong connection to both communities.
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Bowl with Blue Fruit (Colorful Abstract Still Life Oil Painting)
By Christopher Engel
Located in Hudson, NY
Graphic, abstract fruit still life painting in a bold palette of green, orange, and blue
Oil on canvas
54 x 44 inches
This vertical, abstract-style still life painting was created by Hudson Valley-based artist Christopher Engel in 2010. The composition features broad, confident brush strokes in crimson, royal blue, black, emerald and orange against a varied light and dark green background. Some strokes are bold and crisp, while others appear drizzled on the canvas, resulting in a varied, almost tactile surface texture.
About the artist and work:
Calm and confident brush strokes sweep over each canvas in a selection of abstract paintings by Christopher Engel. His work vibrates with the energy of bold, gestural lines that intersect at points between the foreground and background. These fields are bridged together in a web of kinetic, interconnecting lines which create a remarkable sense of three dimensionality. The close examination of space, or how we create it and replenish a void, is a study that Engel has pursued since he started as a landscape painter in the early 70s. “I was deeply affected by the relationship between the elements of the landscape; trees, shrubs, bushes, and elements on the periphery,” he states, “everything worked to define the space that contained and moved me.” Engel currently works out of a studio near Roxbury, NY, where a pellet stove warms the high ceilings and sunlight penetrates through sky-lights. Nestled in the Catskill mountains, he continues to honor the influence of the natural landscape and remain enamored by the impact of color. With several canvases standing over four feet tall, the surfaces are rich in a sophisticated palette of earth tones; greens, browns, blacks, blues and occasional use of bright red and orange allude to an aesthetic that straddles both landscape and abstraction. Yet despite representational titles such as “Canyon,” Ice Storm”, and “Clear Skies”, Engel’s vision immerses the viewer in suggestions of horizon lines or tree branches rather than orient them directly toward a conventional depiction. Tensions of push and pull are achieved with both opacity and transparency, as well as the natural flow of the medium. Ultimately, the point of departure is radically transformed and the end result is nothing short of powerful.
SOLO SHOWS:
2017 Carrie Haddad Gallery, Hudson, NY
2016 Carrie Haddad Gallery, Hudson, NY
2014 Commons Gallery Margaretville, NY
2014 Zoom Gallery, Fleishmanns, NY "Selections"
2006 Erpf Gallery, Arkville, NY “A Selection of Works”
2004 The Commons, Margaretville, NY “Survey from the 1980s to 2004
1991 Roxbury Arts Group, Roxbury, NY
1987 Soho Gallery, Seattle, WA, “Selected Works”
1986 Hundredwaters Gallery, Seattle, WA, “New Works”
1982 Hallwalls Gallery, Buffalo, NY, “Rites of Passage”
GROUP SHOWS:
2017 WAAM Woodstock, NY “Abstract Evocative”
2014 Zoom Gallery, Fleishmanns, NY "Summer Show"
2011 Byrdcliffe Members Show
2010 Byrdcliffe Members Show
2010 Byrdcliffe Small Works Show
2010 Woodstock Artist Association and Museum Show
2008 Woodstock Artist Association and Museum Gray Matter Show
2008 Woodstock Artist Association and Museum Inside/Outside the Box
2008 Woodstock Artist Association and Museum Small Works on Paper
2004 Roxbury Arts Group, Roxbury, NY, “Now, Then and Before”
2003 Roxbury Arts Group, Roxbury, NY,
1994 Hallwalls Gallery, Buffalo, NY, “Men in Suits”
1989 Print Show, Ward-Nasse Gallery, NY
1988 Hundredwaters Gallery, Seattle, WA, “Art and Religion”
1987 New York Print Fair, Eldindean Press
1986 Summit Show, Seattle, WA
1986 Pierot Gallery, Seattle, WA
1985 Donnally Books Gallery, Seattle, WA, “Woodcuts”
1985 Fourwalls, Hoboken, NJ
1983 Sharpe Gallery, NY, “Self-Image”
RESIDENCIES:
2012 and 2011 Byrdcliffe June Artist’s Residency Programs
HONORS:
Elected to the board of Woodstock Artist Association and Museum
AWARDS:
2011 Woodstock Artist Association and Museum 3rd Annual Regional
Show Honored for Best Abstract Painting in Show
2011 Woodstock Artist Association and Museum March Group Show Honorable Mention
1985 Grant from Change, Inc.
Full Tuition Scholarship, Art Center College of Design
COLLECTIONS:
Bruno Bischofberger, Zurich, Switzerland
Carol Pulin, Print Curator Smithsonian, Washington, DC
Elizabeth Hahn, Print Specialist Christies, NYC
Mary Lou Knode, Print Department MOMA, NYC
Kathy Caraccio, Print Maker and Publisher of Etchings, NYC
Leslie and Stuart Reiser, Wayne, NJ.
Rouse Corporation, New York, NY
Robert Heller...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Oil
Yorik (Skull and Orb Vanitas Still Life Oil Painting in Cool Colors)
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Clam Shells (Still Life Photograph of Purple & White Shells with Drift Wood)
By David Halliday
Located in Hudson, NY
Still life photograph of purple and white clam shells on pale grey and beige background
archival pigment print, made in 2007 by David Halliday
10 X 15 inches unframed
Edition of 25
In this series, Halliday captures the beauty of 'the ordinary' in still lifes of various objects and vegetation arranged against simple backgrounds. This nautical themed still life of deep purple and white clam shells beside a piece of drift wood is set on a light grey table top against a cream colored wood wall. The subtle color palette extenuates the various textures and gentle shadows cast on the objects.
About the artist:
American, b. 1958, Glen Cove, NY, United States, based in Schodack Landing, NY, United States
Elegant still lifes bathed in natural light, so masterfully composed one could forget that it is, in fact, a photograph – this is how we’ve come to recognize David Halliday’s work. The artist first gained recognition for his sepia toned silver gelatin prints of common place objects and food staples, emphasized by sublime balances of form, texture, and shadow one could liken to classical painting. In more recent years the artist began embracing his subject matter with modern pops of color in surreal arrangements; vegetables and fruits eccentrically coupled with fish nets and cutlery balanced on undefined tabletops, seeming to float in midair. Now the photographer is retracting his lens to encompass the studio itself as his subject. In a self-portrait of sorts, Halliday skillfully combines elements of his craft in a modest interior view. Halliday was one of the first artists Carrie Haddad began representing when she opened the gallery 27 years ago. Since then he has exhibited nationally and in Europe. He now lives and works in Schodack Landing by way of New Orleans and Nantucket.
Resume
Born 1958, Glen Cove, New York
Lives in Upstate New York
EDUCATION
1998 Penland School of Crafts, Penland, North Carolina
1988 The Maine Photographic Workshops, Rockport, Maine
1976-79 Syracuse University, New York
1974-76 Wooster School Community Art Center, Danbury, Connecticut
SELECTED SOLO EXHIBITIONS
2019 Still Life Like, Carrie Haddad Gallery, Hudson, NY
2018 Group Photography Exhibit, Carrie Haddad Gallery, Hudson, NY
2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA
McMurtrey Gallery, Houston, TX
2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA
2010 Arthur Roger Gallery, New Orleans, LA
Wessel+O’Connor Fine Art, Lambertville, NJ
Julie Heller Gallery, Provincetown, MA
Graficas Gallery, Nantucket, MA
2009 Culinary Delights, San Antonio Museum of Art, San Antonio, TX
Two Decades: David Halliday, Carrie Haddad Photographs, Hudson, NY
2008 Arthur Roger Gallery, New Orleans, LA
Still-Life, Stephen Cohen Gallery, Los Angeles, CA
Carrie Haddad Gallery, Hudson, NY
Watermark Gallery, Houston TX
Strange Fruit: David Halliday and Greg Kuharic...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Pigment
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