Clarence Measelle

Photorealism Still Life Acrylic Painting of Fruit Photo Realist Melon

Provenance: Madison Gallery (Madison Connecticut) bears their label verso. Hunting and fishing cabin themed artwork in a hyper realist or photo realist style. James Carter (Born 1948) is active/lives in Connecticut. James O Carter is known for Trompe l'oeil still life painting. James Carter is known for his for his airbrush acrylic paintings, serigraphs and lithographs. Some of his paintings have written text, and his style combines carefully controlled trompe l'oeil and abstract Surrealism influences. James Carter was born in Port Chester, New York, in 1948. He studied at Silvermine College of Art in Connecticut and graduated with a B.F.A. from the Maryland Institute of Art. Carter’s paintings and prints have been exhibited at the Zenith Gallery, Washington, D.C., the Horizon Gallery, New York, and the Bell Gallery, Greenwich, Connecticut. His still lifes display the influence of Surrealist painters of the 1930s such as Rene Magritte and Max Ernst. Like the Surrealists, Carter juxtaposes unexpected objects – teacups, whales, and blue skies, for example – which often sit uncomfortably within his pictorial space. But he has also been influenced by the late-nineteenth-century American trompe l’oeil painters William Harnett...

DAVID KESSLER (American born 1950 - ) Greyed Magic #2 (Water and Light Series) Acrylic on canvas Hand signed and titled with artist's studio stamp on verso 60 inches x 84 inches David T. Kessler was born in Park Ridge, New Jersey in 1950. He attended Arizona State University, where he received the award for Outstanding Graduate in Studio Art in 1972. In 1973, David was one of 12 painters accepted into the graduate program at The San Francisco Art Institute, where he received his M.F.A. in 1975. He is well known for his holographic airbrush paintings on aluminum. His paintings have been exhibited internationally since 1977, with shows in Tokyo, Strasbourg, Chicago, Los Angeles, Miami, Scottsdale, and New York. Kessler's paintings are in the permanent collections of The Strasbourg Contemporary Museum of Art, The Brooklyn Museum, The Minnesota Museum of Art, The Museum of the Rhode Island School of Design, The Santa Barbara Museum, The Barrington Art Center, and others. Within Arizona, his work is in the collections of The Phoenix Art Museum, The Scottsdale Center for the Arts, The Tucson Museum of Art, Arizona State University Art Museum, and Northern Arizona University Art Museum. Photorealism is a genre of art that encompasses painting, drawing and other graphic media. An American art movement that began in the late 1960s and early 1970s. Photorealism evolved from Pop Art as a counter to Abstract Expressionism as well as Minimalist art movements. Though Photorealists share some aspects of American realists, such as Edward Hopper, they tried to set themselves as much apart from traditional realists as they did Abstract Expressionists. Photorealists were much more influenced by the work of Pop artists and were reacting against Abstract Expressionism. The word Photorealism was coined by Louis K. Meisel in 1969 and appeared in print for the first time in 1970 in a Whitney Museum catalogue for the show "Twenty-two Realists." It is also sometimes labeled as Super-Realism, New Realism, Sharp Focus Realism, or Hyper-Realism. The first generation of American Photorealists includes the painters Richard Estes, Ralph Goings, Chuck Close, Charles Bell, Audrey Flack, Don Eddy, Robert Bechtle, Ron Kleemann, Richard McLean, John Salt, John Kacere, and Robert Cottingham. Photorealism's influence and popularity continues to grow, with new books such as Juxtapoz's 2014 book entitled Hyperreal detailing current trends within the artistic genre. Selected Museum and Public Collections: Achenbach Foundation (San Francisco, CA) Arizona State University Art Museum (Tempe, AZ) Barrington Arts Center (Barrington, IL) Brooklyn Museum of Art (Brooklyn, NY) Davidson College (Davidson, NC) De Anza College (Cupertino, CA) Minnesota Museum of Art (St. Paul, MN) Monterey Peninsula Museum of Art (Monterey, CA) Northern Arizona University Art Museum (Flagstaff, AZ) Phoenix Art Museum (Phoenix, AZ) Portsmouth Community Arts Center (Portsmouth, OR) Santa Barbara Museum of Art (Santa Barbara, CA) Scottsdale Center for the Arts (Scottsdale, AZ) Strasbourg Museum of Contemporary Art (Strasbourg, France) Tucson Museum of Art (Tucson, AZ) University of Minnesota (St. Paul, MN) Select Exhibitions Stricoff Fine Art, New York, NY Dean Day Gallery, Houston, TX Phoenix Airport Museum, Phoenix, AZ Susan Street Gallery...

Charles Wildbank (American, b. 1948) Photorealist Still Life Painting "Candy Sticks", Acrylic on canvas Signed in bottom right corner recto Charles Bourke Wildbank, native New Yor...

Close up of a flower. canvas measures 30 X24 inches. Clarence Skip Measelle has been featured in over 100 gallery and museum exhibitions, competitions, group shows, and solo shows throughout the US. He is best known for his work in photorealism and abstract illusionism. The name Photorealism (also known as Hyperrealism or Superrealism) was coined in reference to those artists whose work depended heavily on photographs, which they often projected onto canvas allowing images to be replicated with precision and accuracy. The exactness was often aided further by the use of an airbrush, which was originally designed to retouch photographs. The movement came about within the same period and context as Conceptual art, Pop art, and Minimalism and expressed a strong interest in realism in art, over that of idealism and abstraction. The first Photo realists were Chuck Close, Don Eddy, Richard Estes, Ralph Goings, Robert Bechtle, Audrey Flack, Denis Peterson, Lowel Nesbitt and Malcolm Morley. Each began practicing some form of Photorealism around the same time, often utilizing different modes of application and techniques, and citing different inspirations for their work. However, for the most part they all worked independent from one another. For example, Chuck Close came of age at the height of Pop art and Andy Warhol's Factory, and was based out of SoHo in lower Manhattan. And Audrey Flack, a graduate of Yale, began creating photo-based works in the early 1960s. Select Solo Exhibitions Armory Art Center, West Palm Beach, Fl. Peter Drew Gallery, Palm Beach and Boca Raton, Fl. Walton Street Gallery, Chicago, Il. Circle Galleries: Beverly Hills Matthew Scott Gallery, Miami, Fl. Eva Cohon Gallery, Chicago, Il. Gloria Luria Gallery, Miami, Fl. Palm Beach Galleries, Palm Beach, Fl. The Palm Gallery, Southhampton, NY. Norton Gallery, Art Museum of the Palm Beaches, West Palm Beach, Fl. Select Group Exhibitions Artist's of the Salon. Armory Art Center Annex. Lake Worth, Fl. Boca Raton Museum of Art Liman Gallery, Palm Beach, Fl. Russeck Gallery, New York, NY. (SOHO) and Palm Beach, Fl. Armory Art Center Annual Faculty Show, West Palm Beach, Fl Annette Verschragen Gallery, The Hague Holland Cima Gallery, "City Place", West Palm beach, Fl. Haste Gallery, Ipswitch, England Rodger Lapelle Galleries, Philidelphia, Pa. Aliya Gallery, Atlanta, Ga. Caribbean Gallery, Key West, FL R. Duane Reed Gallery, St. Louis, MO E. Street Gallery, Galveston, TX Richard Danskin...

signed with initials verso and a stamp Kooter Boogers of America. with an intentionally distressed surface. please see photos. Martin Hoffman, a prominent artist whose work in the 1970s was simultaneously identified with high art (gritty realist paintings sold through the O.K. Harris Gallery in New York) and low (illustrations for Playboy magazine). Throughout his career, his style ranged from energetic abstraction and hard-edge pop to photo-based realism and minimalism. In recent years, he created a series of autobiographical paintings in a winsome, cartoon-like style. He also did a series of subtly hued works in which inscrutable words half-disappear into the paint in which they are inscribed. Hoffman’s first job out of college was as art director for the Miami News, a position that he held from 1956 until 1962. Afterward he worked as a graphic designer in Miami while making paintings at home in his spare time. His earliest paintings (which were done, he said, as a “testosterone-driven teenager”) were executed in automotive lacquer on 4 x 8 foot sheets of builder’s hardboard. They combined glossy, visceral surfaces and metallic paints with collaged-on metal shapes and mirrors. In the 1960s, Hoffman’s paintings began to incorporate figures and symbolism with erotic undertones. Through a mutual friend, Sidney Janis saw Hoffman’s paintings and selected one of them for his international “Erotic Art ‘66” exhibition at Sidney Janis Gallery in New York. Others in the show included Pop Art icons Jim Dine, Larry Rivers, James Rosenquist and Tom Wesselman. Hoffman’s painting hung besides an Andy Warhol silkscreen painting of a partially peeled banana. From 1966 to 1992, Hoffman was a freelance Playboy illustrator. He called those years “a wonderful period – it supported my family.” Hoffman painted a series of nudes titled “Woman Eternal” which was featured in Playboy’s December 1972 issue. Through the years, he also created illustrations for books, record albums, movie posters and print ads. Clients included Pfizer, Caesar’s Palace, Harley Davidson Motorcycles and the NASA Art Program, which commissioned a series of works based on activities at the former Kennedy Space Center...

This is hand signed and dated in English and appears to have Chinese (or Taiwanese) calligraphic characters above it. This depicts an Asian porcelain or pottery vase in a vibrant blue green color with a dragon motif filled with colorful flowers. This is a bold color painting...

Shan Fannin's (US based) "2015 Lamborghini Giallo Evros Aventador" is an acrylic painting that depicts a banana yellow angles and form of a Lamborghini Giallo Evros Aventador Born ...

Artist: Ian Hornak (1944-2002) Title: The Quarry (Scotland) Year: 1983 Medium: Acrylic on Canvas Size: 50 x 72 inches Condition: Excellent Inscription: Signed recto; signed, dated, a...

Artist: Ian Hornak (1944-2002) Title: Martin Heade’s Window Year: 1980 Medium: Acrylic on Canvas Size: 48 x 36 inches Condition: Excellent Inscription: Signed recto; signed, dated, and titled by the artist, verso. Provenance: Fischbach Gallery, New York, NY; Private Collection, MI Notes: A seminal example of Hornak’s Photorealist multiple exposure landscape...

A photorealistic depictions of red chili peppers, emphasizing the aesthetic vibrance of their color and sheen. 38.5" x 51.5" Acrylic on Canvas

Charles Ford's work is in the permanent collection of the Museum of the City of New York. A wonderful rare early painting (1982) by Charles Ford of the classic "Victory Corset" shop in New York City...

'Rhapsody in Blue' depicts a historic San Francisco apartment building with warm sunlight and shadows cascading across the facade of the lavender buil...