Skip to main content
Untitled (Chauffeur Funeral)

Untitled (Chauffeur Funeral)

  • Want more images or videos?
    Request additional images or videos from the seller
1 of 2

Daisy Patton
Untitled (Chauffeur Funeral)

2018

More From This SellerView All
  • Untitled (Mother and Daughter in the Yard)
    By Daisy Patton
    Located in Denver, CO
    In Forgetting is so long, Daisy Patton collects abandoned, anonymous family photographs, enlarges them past their familiar size, and paints over them. She uses paint to disrupt, to reimagine, to re-enliven these individuals removed from their space and time. Family photographs are sacred relics to their loved ones, but unmoored the images become hauntingly absent. Taussig states that defacing these types of objects forces a “shock into being;” suddenly we perceive them as present, revered, and piercing. By mixing painting with photography, she lengthens Roland Barthes’ “moment of death” (the photograph) into a loving act of remembrance yet also a form of purgatory. Not alive but not quite dead, each person’s newly imagined and altered portrait...
    Category

    2010s Contemporary Paintings

    Materials

    Oil, Panel, Archival Pigment

    Untitled (Mother and Daughter in the Yard)

    Daisy Patton
    Untitled (Mother and Daughter in the Yard), 2020

    $17,000
  • Untitled (Family Portrait with Photograph)
    By Daisy Patton
    Located in Denver, CO
    In Forgetting is so long, Daisy Patton collects abandoned, anonymous family photographs, enlarges them past their familiar size, and paints over them. She uses paint to disrupt, to reimagine, to re-enliven these individuals removed from their space and time. Family photographs are sacred relics to their loved ones, but unmoored the images become hauntingly absent. Taussig states that defacing these types of objects forces a “shock into being;” suddenly we perceive them as present, revered, and piercing. By mixing painting with photography, she lengthens Roland Barthes’ “moment of death” (the photograph) into a loving act of remembrance yet also a form of purgatory. Not alive but not quite dead, each person’s newly imagined and altered portrait...
    Category

    2010s Contemporary Paintings

    Materials

    Oil, Panel, Archival Pigment

    Untitled (Family Portrait with Photograph)

    Daisy Patton
    Untitled (Family Portrait with Photograph), 2020

    $17,000
  • Untitled (Family Members with Patterned Dresses and Car)
    By Daisy Patton
    Located in Denver, CO
    In Forgetting is so long, Daisy Patton collects abandoned, anonymous family photographs, enlarges them past their familiar size, and paints over them. She uses paint to disrupt, to reimagine, to re-enliven these individuals removed from their space and time. Family photographs are sacred relics to their loved ones, but unmoored the images become hauntingly absent. Taussig states that defacing these types of objects forces a “shock into being;” suddenly we perceive them as present, revered, and piercing. By mixing painting with photography, she lengthens Roland Barthes’ “moment of death” (the photograph) into a loving act of remembrance yet also a form of purgatory. Not alive but not quite dead, each person’s newly imagined and altered portrait...
    Category

    2010s Contemporary Paintings

    Materials

    Oil, Panel, Archival Pigment

    Untitled (Family Members with Patterned Dresses and Car)

    Daisy Patton
    Untitled (Family Members with Patterned Dresses and Car), 2020

    $18,500
  • Untitled (M L Ruby Chen Joyce Kwok C L)
    By Daisy Patton
    Located in Denver, CO
    In Forgetting is so long, Daisy Patton collects abandoned, anonymous family photographs, enlarges them past their familiar size, and paints over them. She uses paint to disrupt, to reimagine, to re-enliven these individuals removed from their space and time. Family photographs are sacred relics to their loved ones, but unmoored the images become hauntingly absent. Taussig states that defacing these types of objects forces a “shock into being;” suddenly we perceive them as present, revered, and piercing. By mixing painting with photography, she lengthens Roland Barthes’ “moment of death” (the photograph) into a loving act of remembrance yet also a form of purgatory. Not alive but not quite dead, each person’s newly imagined and altered portrait...
    Category

    2010s Contemporary Mixed Media

    Materials

    Oil, Panel, Archival Pigment

    Untitled (M L Ruby Chen Joyce Kwok C L)

    Daisy Patton
    Untitled (M L Ruby Chen Joyce Kwok C L), 2020

    $20,000
  • Untitled (Seated Woman with Plant and Flowers)
    By Daisy Patton
    Located in Denver, CO
    In Forgetting is so long, Daisy Patton collects abandoned, anonymous family photographs, enlarges them past their familiar size, and paints over them. She uses paint to disrupt, to r...
    Category

    2010s Contemporary Paintings

    Materials

    Oil, Panel, Archival Pigment

    Untitled (Seated Woman with Plant and Flowers)

    Daisy Patton
    Untitled (Seated Woman with Plant and Flowers), 2020

    $18,500
  • Untitled (Two Women with Green and Gold Robes and Floral Pattern)
    By Daisy Patton
    Located in Denver, CO
    In Forgetting is so long, Daisy Patton collects abandoned, anonymous family photographs, enlarges them past their familiar size, and paints over them. She uses paint to disrupt, to reimagine, to re-enliven these individuals removed from their space and time. Family photographs are sacred relics to their loved ones, but unmoored the images become hauntingly absent. Taussig states that defacing these types of objects forces a “shock into being;” suddenly we perceive them as present, revered, and piercing. By mixing painting with photography, she lengthens Roland Barthes’ “moment of death” (the photograph) into a loving act of remembrance yet also a form of purgatory. Not alive but not quite dead, each person’s newly imagined and altered portrait...
    Category

    2010s Contemporary Figurative Paintings

    Materials

    Oil, Panel, Archival Pigment

    Untitled (Two Women with Green and Gold Robes and Floral Pattern)

    Daisy Patton
    Untitled (Two Women with Green and Gold Robes and Floral Pattern), 2020

    $17,000
You May Also Like
  • "Forgiven (Berries)" encaustic, gouache, pigment print, dried leaves on panel
    Located in New York, NY
    Forgiven (Berries), 2022 Gouache paint, pigment print, handmade cotton paper with dried leaves and encaustic on panel 17 x 24 inches $1300 Melissa Cowper-Smith is a mixed media arti...
    Category

    2010s Contemporary Still-life Paintings

    Materials

    Encaustic, Gouache, Wood Panel, Archival Pigment, Wax

    "Forgiven (Berries)" encaustic, gouache, pigment print, dried leaves on panel

    Melissa Cowper-Smith
    "Forgiven (Berries)" encaustic, gouache, pigment print, dried leaves on panel, 2022

    $1,300
  • Going, We Remember (Roses) encaustic, gouache, pigment print, and dried leaves
    Located in New York, NY
    Going, We Remember (Roses), 2022 Gouache paint, pigment print, handmade cotton paper with dried leaves and encaustic on panel 17 x 22 inches $1300 Melissa Cowper-Smith is a mixed me...
    Category

    2010s Contemporary Still-life Paintings

    Materials

    Archival Pigment, Encaustic, Gouache, Wood Panel

    Going, We Remember (Roses) encaustic, gouache, pigment print, and dried leaves

    Melissa Cowper-Smith
    Going, We Remember (Roses) encaustic, gouache, pigment print, and dried leaves, 2022

    $1,300
  • Get into my car
    Located in New York, NY
    With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...
    Category

    2010s Contemporary Abstract Paintings

    Materials

    Archival Ink, Mixed Media, Acrylic, Archival Paper, Postcard, Archival P...

    Get into my car

    Ardan Özmenoğlu01
    Get into my car, 2018

    Price Upon Request
  • Post-it Leaves Red
    Located in New York, NY
    With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...
    Category

    2010s Contemporary Still-life Paintings

    Materials

    Archival Paper, Postcard, Archival Pigment, Archival Ink, Mixed Media, A...

    Post-it Leaves Red

    Ardan Özmenoğlu01
    Post-it Leaves Red, 2019

    Price Upon Request
  • Crans Montana
    Located in New York, NY
    With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...
    Category

    2010s Contemporary Landscape Paintings

    Materials

    Postcard, Archival Pigment, Archival Ink, Mixed Media, Acrylic, Archival...

    Crans Montana

    Ardan Özmenoğlu79
    Crans Montana, 2018

    Price Upon Request
  • post-it leaves
    Located in New York, NY
    With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...
    Category

    2010s Contemporary Still-life Paintings

    Materials

    Archival Ink, Mixed Media, Acrylic, Archival Paper, Postcard, Archival P...

    post-it leaves

    Ardan Özmenoğlu01
    post-it leaves, 2019

    Price Upon Request

Recently Viewed

View More

The 1stDibs Promise

Learn More

Expertly Vetted Sellers

Confidence at Checkout

Price-Match Guarantee

Exceptional Support

Buyer Protection

Trusted Global Delivery