
Pears II (Impressionistic Fruit Still Life Painting of Chartreuse Yellow Pears)
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Dale PaysonPears II (Impressionistic Fruit Still Life Painting of Chartreuse Yellow Pears)2015
2015
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Located in Hudson, NY
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Wire backing for easy hanging
Unframed with white painted sides
This contemporary, realistic oil painting of a New York City brick building exterior was painted by Richard Britell in 2019. Employing his mastery of the troupe l'oeil technique, Britell paints the smooth red colored stone building in extreme detail assuming a three-dimensional quality with close attention paid to shadow and perspective. This building is reminiscent of neo-classical architecture, popularized in the mid-late 1800's and the striking red exterior contrasts against the white stone window trim, further accentuating the painting's troupe l'oeil qualities. The painting on canvas is complete with wire on reverse for seamless hanging.
About the artist:
Richard Britell, a career painter, studied at Pratt Institute with Philip Pearlstein and Walter Erlebacher. His first show in NYC at Staempfli Gallery was sold out, and reviewed in the New York Times. Britell’s new works revolve around large, dreamy cityscapes tending toward abstraction. The artist currently lives in Pittsfield, MA.
Born Utica, New York, 1944
Education
1962 – 1964 Pratt Institute, Brooklyn, NY
1964 – 1966 Syracuse University, Syracuse, NY B.F.A.
1970 – 1972 University of Massachusetts, Amherst, MA, M.F.A.
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Lauren Clark Fine Art, Housatonic, MA
2010 “The Figure, The Figure, The Figure and The Figure”
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2009 “A nest of robins in her hair” Lauren Clark Fine Art, Housatonic, MA
2007 “NY, NY” Lauren Clark Fine Art, Housatonic, Ma
2003 “Image and Text” Tokonoma Gallery, Housatonic, MA
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1998 “New Work” Carrie Haddad Gallery, Hudson, NY
1998 “New Figures” Ute Stebich Gallery, Lenox, MA
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A life is an accumulation of experiences: visual, emotional and mental. By compartmentalizing these snippets of life we create boundaries. The focus of my work for many years has been the exploration of these various life aspects and how they are bound together or bound from each other. My process is often literally composed of boundaries. I make a painting by putting together multiple panels, or I segment a single panel into separate visual spaces. The works are made up of pieces or elements of city and landscape. While exploring the concepts of boundaries I play with visual “reality.” Sometimes I combine images that are upside down with those that are not and juxtapose images from different contexts. Literal boundaries, such as walls fences, expanses of water and highway median strips are also used. My intent is to invite viewers to look beyond these boundaries to see the possibilities of a connected whole.
About the artist:
Solo Exhibitions
2011 "Interior/Exterior", Carrie Haddad Gallery, Hudson, New York
2008 ”Landscape Revisited”, 1870 Gallery, Belmont
2005 Nomad Rug Gallery, San Francisco
2004 "Landscapes"@Klein's, San Francisco
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monotype, oil, and collage on p...
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