Deborah Windsor

Deborah Windsor, Yellow Flowers, Floral Art, Still Life Art, Affordable Art

2020

Mini colours of Oxford street [2020] Shoppers crossing the colourful and busy Oxford street. Additional information: Original Acrylic on canvas Image size: H 30 cm x W 25 cm Comple...

Dusk [2022] original Acrylic on Canvas Image size: H:90 cm x W:90 cm Complete Size of Unframed Work: H:90 cm x W:90 cm x D:3cm Frame Size: H:95 cm x W:95 cm x D:5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Original impressionistic painting of the woods Works by Contemporary artist Fiona Pearce...

Dawn 3 [2022] Original landscape of a woodland area. Full of vibrant and dark tones. Additional information: Original Acrylic on Canvas Image size: H 30 cm x W 30 cm Complete Size of Unframed Work: H 30 cm x W 30 cm x D 3cm Frame Size: H 33.5 cm x W 35.5 cm x D 5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Works by Contemporary artist Fiona Pearce...

Autumn Trees [2022] Please note that insitu images are purely an indication of how a piece may look Autumn Trees is an original landscape painting by Marc Todd. This painting has bee...

Blossoming in Spring is an original contemporary pop art style tree painting by Nicky Chubb artist. The bight pink tones paired with the opulent gold background makes for a large lig...

A series of paintings exploring the dynamic and expressive shapes of pot plants. I love the way that nature expresses itself; plants often remind me of dancers, but being rooted in solid earth or a heavy pot their 'moves' seem to express an un-self-conscious celebration of life, and a contented acceptance of their earthbound limitations. Throwing Some Shapes I ,II, III by Kerry Louise Bennett...

An exploration of the human mind, memory, and perception. Imbued with history and character the beautiful Netherby House by Megan Hounslow was the initial inspiration for this paint...

Presenting a contemporary, serene acrylic painting of a single flower exuding a joyous elegance. The up-close pink flower composition is delicately portrayed with thin and controlled brushstrokes, providing a realistic and immersive viewing experience. The soft and subtle nuances of pink, and the bright yellow tucked in soft green bed...

This painting is inspired by a bouquet of Sonoma County flowers. I added angular shapes and straight lines to accentuate the organic shapes of the flowers.

"Sunset Crane Shield" by Kevin Red Star, Acrylic and Mixed Media on Canvas, 36" x 36" unframed, 38" x 38" framed in a thin modern floater with hanging wire included. Signed upper right and handwritten caption on the back. Kevin Red Star’s art is honored throughout Native America for its authenticity. It presents a shining vision of centuries-old Crow...

"Three Protector Shield" by Kevin Red Star. It was thought that the Crows' shields had powerful spirits that protected them and allowed them to win so many battles. This warriors' medicine was the horse. Acrylic, Mixed Media on Canvas, 16" x 20", 19" x 23" (framed in a deep floater frame). Kevin Red Star’s art is honored throughout Native America for its authenticity. It presents a shining vision of centuries-old Crow...

"Many Horse Shield" by Kevin Red Star. Original Acrylic painting on Canvas, 48" x 30", 51" x 33" (framed). Crows were known for their exceptionally well-trained horses; each having specific skills i.e. hunting, warring, parade, and working with women and children, or moving camp. Kevin Red Star’s art is honored throughout Native America for its authenticity. It presents a shining vision of centuries-old Crow (Apsaalooka) culture through the eyes of a thoroughly contemporary consciousness. In the world of museums and private collections, he is equally respected for the content of his unique imagery, for his artistic productivity, and for the enduring value of his work. Kevin Red Star grew up on the Crow reservation in southern Montana, a member of a highly creative family. He was known as the go-to artist for all school projects. He was chosen to be in the first group of students at the Institute of American Indian Arts in Santa Fe in the late sixties, when the founders personally visited Native villages and reservations nationwide and recruited the most talented youngsters from each. The school provided a learning environment of tribal tradition, world art history, and current trends. Open studios, well stocked with supplies, encouraged individual experimentation and collaboration. Students mined their ancient customs for content, and then created exciting new forms to provide current relevance. Red Star and some of his friends in their graduating class continued their studies at the San Francisco Art Institute before embarking on their careers. They attracted immediate notice in New York and Paris, as well as established art centers throughout the United States. And they went on to change the face of modern Indian art...