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Dmitry Panichev Flowers. Cardboard, oil, 70x44 cm
About the Item
Flowers
Cardboard, oil, 70x44 cm
- Creator:Dmitry Panichev (1924 - 2015, Latvian)
- Dimensions:Height: 27.56 in (70 cm)Width: 17.33 in (44 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Riga, LV
- Reference Number:1stDibs: LU1437213344122
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Kristīne Luīze Avotiņa is a young and bright personality whose talent is appreciated not only in Latvia, but also in other parts of the world. Her deep inner experiences and feelings of the soul are not hidden from the eyes of the audience, but are openly and engagingly narrated: about relationships, man and woman, passion, emotions, about experience and connection with nature.
Characters live in Kristine's compositional solutions, where figurative painting and ornament appear. When painting large-format works, she masters the entire format, composition and color of the work, as well as linear drawing.
Kristīne herself emphasizes: "Relationships between nature and people - it has always been a relevant topic in my painting. The more I work on it, the more interesting it seems to me. It is infinite and unending. With paint I refresh the beauty of nature and love on the canvas and I want to show that nature and love are equal in their beauty.
In my works, I always want to show that nature is beautiful and worthy of admiration - a newly blooming water lily, falling leaves from golden trees, a pink sunset sky... This could go on forever..."
Education:
2009 – 2010 Studies in „Escola Massana”, Painting Department, Barcelona, Spain
2003 - 2009 Studies in Painting Department, Latvian Academy of Arts, Riga, Latvia
2003 – „Jaņa Rozentāla Riga Art College”, graduation work in photo design.
1999 - 2003 „Jaņa Rozentāla Riga Art College”, Riga, Latvia
1990 - 1999 „Riga French Lycee”, Riga, Latvia
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Works of artistic stone
He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy.
Nugzar's color preferences
The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life.
Source of inspiration
Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties.
Working style
But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality.
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Nugzar Kakhiani...
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Bright Still Life with fruits and vase. 2020. Oil on canvas, 70x75cm
Located in Riga, LV
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Located in Riga, LV
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Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso.
Works of artistic stone
He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy.
Nugzar's color preferences
The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life.
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Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties.
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Exhibitions
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1987 - Exhibition of Georgian Artists in the Museum of Ethnography, Saint-Petersburg, Russia
1989 - Exhibition of Artists of Leningrad-Lenexpo, Russia
1990 - Exhibition of Van Gogh's memory, "Palette" , Russia
1991 - Exhibition Gallery Palette
1991 - Festival of Leningrad galleries in Manege, Saint-Petersburg, Russia
1992 - Exhibition at Gallery Pinatin, Berlin.
1993 - Exhibition of Piraeus, Athens, Greece.
1993 - Exhibition Gallery 47...
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