Emily Roz

Seed Pod 1

12"x12" oil on wood panel. A trio of flowers on a single branch of a dogwood tree, in full bloom. The pink rimmed flowers depicted on a deep crimson red ground of color, a presented...

oil on wood panel, 12 x 16 inches signed on reverse Sarah Olson explores the beginning of life and the creation of the world through the lens of religion and science. She has exhibi...

36"x36" oil on wood panel Referencing seed pods of a specific Southern Magnolia tree from the artist’s youth in Chapel Hill, this lush, tactile painting exudes the sexuality of t...

Referencing seed pods of a specific Southern Magnolia tree from the artist’s youth in Chapel Hill, this lush, tactile painting exudes the sexuality of the reproduction system of the ...

A great cormorant bird sits atop a bend wood chair, with a clear glass pitcher with a single white calla lily resting along beside. This oil pain...

oil on wood panel 16"x20" Referencing seed pods of a specific Southern Magnolia tree from the artist’s youth in Chapel Hill, this lush, tactile painting exudes the sexuality of t...

Darling by Hawaii artist Jason Wright is a textured oil and acrylic painting on wood panel. It is 18x24, framed. This sailboat image is richly layered and created with a palette kn...

Contemporary cityscape painting of New York City skyline with a light blue and green palette “City Glow”, painted by Patty Neal in 2019 18 x 18 inches on wood panel Wire backing, artist signature located in lower right corner This contemporary oil painting depicting a metropolitan view of New York City was painted by Brooklyn based artist, Patty Neal. Made with gestural impressionistic brushstrokes, this painting offers a view of the Manhattan skyline on a bridge through the window of a passing car. The mint green infastructure compliments the dusty blue and sandy oranges of the city in the background. This piece is traditional of Neal’s work which commonly highlights everyday city scenes, utilitarian infrastructure, and industrial or electrical apparatus. The cityscape scene is completed on wood panel with white painted sides. Artist statement: A life is an accumulation of experiences: visual, emotional and mental. By compartmentalizing these snippets of life we create boundaries. The focus of my work for many years has been the exploration of these various life aspects and how they are bound together or bound from each other. My process is often literally composed of boundaries. I make a painting by putting together multiple panels, or I segment a single panel into separate visual spaces. The works are made up of pieces or elements of city and landscape. While exploring the concepts of boundaries I play with visual “reality.” Sometimes I combine images that are upside down with those that are not and juxtapose images from different contexts. Literal boundaries, such as walls fences, expanses of water and highway median strips are also used. My intent is to invite viewers to look beyond these boundaries to see the possibilities of a connected whole. About the artist: Solo Exhibitions 2011 "Interior/Exterior", Carrie Haddad Gallery, Hudson, New York 2008 ”Landscape Revisited”, 1870 Gallery, Belmont 2005 Nomad Rug Gallery, San Francisco 2004 "Landscapes"@Klein's, San Francisco 2004 "Landscape Renewed," Space 743, San Francisco 2003 Exploding Head...

View from the Train, 2019 24" X 40" x 1", oil on canvas This contemporary oil painting depicting a metropolitan view is the work of realist painter Patty Neal. The painting offers an intimate view of the city, as seen from a window, as it peeks from behind two metal structures. The dark browns and bright golds beautifully compliment the dusty blue, gray sky. Neal works highlight everyday city scenes, utilitarian infrastructure, and industrial or electrical apparatus. Artist statement: A life is an accumulation of experiences: visual, emotional and mental. By compartmentalizing these snippets of life we create boundaries. The focus of my work for many years has been the exploration of these various life aspects and how they are bound together or bound from each other. My process is often literally composed of boundaries. I make a painting by putting together multiple panels, or I segment a single panel into separate visual spaces. The works are made up of pieces or elements of city and landscape. While exploring the concepts of boundaries I play with visual “reality.” Sometimes I combine images that are upside down with those that are not and juxtapose images from different contexts. Literal boundaries, such as walls fences, expanses of water and highway median strips are also used. My intent is to invite viewers to look beyond these boundaries to see the possibilities of a connected whole. About the artist: Solo Exhibitions 2011 "Interior/Exterior", Carrie Haddad Gallery, Hudson, New York 2008 ”Landscape Revisited”, 1870 Gallery, Belmont 2005 Nomad Rug Gallery, San Francisco 2004 "Landscapes"@Klein's, San Francisco 2004 "Landscape Renewed," Space 743, San Francisco 2003 Exploding Head...

Realist New York City landscape painting as seen through the branches of a dark green tree “Brooklyn Through Trees”, painted by Patty Neal in 2019 18" X 24" oil on panel Ready to hang as is Signed lower right with initials P.N. This contemporary oil painting depicting a metropolitan New York City scene is the work of realist painter Patty Neal. The painting offers a view of Brooklyn from behind the beautiful branches of a tree. The dark browns and greens of the tree provides interesting contrast to the sunlit city peeking through. Neal’s work highlights everyday city scenes, utilitarian infrastructure, and industrial or electrical apparatus. The painting is currently unframed and ready to hang. Artist statement: A life is an accumulation of experiences: visual, emotional and mental. By compartmentalizing these snippets of life we create boundaries. The focus of my work for many years has been the exploration of these various life aspects and how they are bound together or bound from each other. My process is often literally composed of boundaries. I make a painting by putting together multiple panels, or I segment a single panel into separate visual spaces. The works are made up of pieces or elements of city and landscape. While exploring the concepts of boundaries I play with visual “reality.” Sometimes I combine images that are upside down with those that are not and juxtapose images from different contexts. Literal boundaries, such as walls fences, expanses of water and highway median strips are also used. My intent is to invite viewers to look beyond these boundaries to see the possibilities of a connected whole. About the artist: Solo Exhibitions 2011 "Interior/Exterior", Carrie Haddad Gallery, Hudson, New York 2008 ”Landscape Revisited”, 1870 Gallery, Belmont 2005 Nomad Rug Gallery, San Francisco 2004 "Landscapes"@Klein's, San Francisco 2004 "Landscape Renewed," Space 743, San Francisco 2003 Exploding Head...

"Backyard Sunset" By Carl Grauer Oil on Canvas 20x20 inches, 21 x 21 x 3 inches framed in painted white wood floater frame Signed en verso Artist Carl Grauer expertly and astutely c...

Cloud #2 (Whimsical Miniature Contemporary Painting, Cloudy Blue Skies on Panel) by David Konigsberg 7.5 x 6.5 x 2", monotype on paper mounted on wood panel Signed, verso Painting is wired on reverse for simple hanging. Sides of panel are cleanly painted white, so framing is not necessary. Panel could also stand upright on a shelf or mantelpiece. Contemporary landscape painter David Konigsberg is well known for his conceptual landscapes that come alive in the space where earth and sky meet. Dramatic backdrops of tumultuous clouds above gesturally painted fields, informed by years of living in the upper Hudson Valley, provide a stage for factual and whimsical subject matter like flying space pods...