Fabian Jean

Vita

2023

Fabian Jean graduated with a Bachelor of Fine Arts from Concordia University. He has had solo exhibitions in Montreal, Toronto and Halifax and has been included in several group exhi...

Fabian Jean graduated with a Bachelor of Fine Arts from Concordia University. He has had solo exhibitions in Montreal, Toronto and Halifax and has been included in several group exhibitions throughout Canada including, recently, Rideau Hall, Ottawa. Jean’s work can be found in public and private collections, including the Department of External Affairs (Canadian Embassy – The Hague), Musée du Québec, Royal Bank of Canada, Summit Maritime and the Royal Victoria...

Simon Casson’s paintings are singular statements of pure uniqueness. Their contemporary abstraction inflicts its imprint upon the often capriccio paintings, through predatory slabs o...

Fabian Jean graduated with a Bachelor of Fine Arts from Concordia University. He has had solo exhibitions in Montreal, Toronto and Halifax and has been included in several group exhi...

This painting is based on Rachel Ruysch’s, Vase of Flowers, 1700. The painting contains an example of the Dutch tulip most prized during Tulipomania: Semper Augustus...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

This painting is based on Rachel Ruysch’s, Vase of Flowers, 1700. The painting contains an example of the Dutch tulip most prized during Tulipomania: Semper Augustus...

As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...