Frank B. A. Linton

Still Life with Peaches and Cookware by Frank B. A. Linton (1871-1943, American)

Unknown

Pedn Vounder coastal path view by Georgie Dowling [2021] original Oil paint on canvas Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:2cm Sold Un...

Large Spanish painting of flowers by Manuel de la Rosa Spanish, Late 19th Century Frame: Height 146cm, width 67cm, depth 7cm Canvas: Height 126cm, width 46cm Painted by Manuel de l...

Oil on board Image size: 6 3/4 x 9 1/2 inches (17 x 24 cm) This delicate botanical study evokes the printed and painted flora that historically have been used as pattern books by artists and designers such as William Morris and Alexander MccQueen. This artwork paces emphasis on the aesthetic value of the plant while remaining scientifically and botanically correct. It reflects an intimate knowledge and understanding of the subject based on firsthand observation by the artist. Indeed, Sergeant has here sought out to understand the structure of the plant and to communicate it to her audience in an aesthetically pleasing manner. 'The greatest flower artists...

French painter (dated 1919) - Still life with vase of roses. 117 x 90 cm. Antique oil painting on canvas, without frame. - Work signed and dated bottom right: “P. Daudenarde 1919”...

Oil on canvas Image size: 23 1/4 x 19 1/2 inches (59 x 50 cm) Dutch Ripple frame PROVENANCE Private Collection, London Here a glass vase containing an exuberant display of flowers stands on a ledge. With only one known exception, Verelst included vases in all of his flower paintings. The asymmetrical arrangement of the flowers fills most of the canvas and the vibrant bouquet contains peonies, a bearded iris and a poppy set amidst a perfusion of twisting leaves and stems. Poppies were one of Verelst's favourite flowers and were commonly featured in his still life's. This painting shows a superb understanding of light and colour that is consistent with Verelst's other works. Indeed, the strong contrast between the brightly lit, the colourful blossoms and the surrounding darkness lends to the flowers and foliage a hyper realistic quality and a strong sense of three-dimensionality. The Artist Verelst was born in The Hague in 1644 and came from a family of painters. His brothers Johannes and Herman also became painters and, like Simon, were trained by their father. In 1663 Simon became a member of the Confrérie Pictura, the painter's association in The Hague, and soon afterwards moved to nearby Vooburg with his brother Herman, who also painted flowers. In 1668 Simon he moved to London where the Duke of Buckingham became his principle patron and on 11 April 1669 he met with Samuel Pepys. He was enormously successful in London and his elegant portraits became popular for a time during the 1670s among court circles. He painted this portrait of Prince Rupert, son of Frederick V, Count Palatine and Elizabeth Stuart...

Alfred Frederick William Hayward, R.O.I. (1856-1939) Convolvulus signed ‘AFW Hayward’ (lower right) oil on canvas 17 x 13 in. (43.2 x 33.1 cm.) frame 21 ¼ x 17 ⅜ in. (53.9 x 44.1 cm....