Want more images or videos?
Request additional images or videos from the seller
1 of 7
Gina MinichinoInstant Mess2023
2023
$7,200
£5,447.29
€6,287.02
CA$10,056.40
A$11,180.79
CHF 5,852.47
MX$137,128.71
NOK 74,516.75
SEK 70,352.64
DKK 46,915.82
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
Gina Minichino’s classical portraits of contemporary edible treats harken back to the 17th Century Dutch Masters. In this new series she takes it a step further - instead of the cracked nuts or sliced apples that appear in the classic works, Minichino has painted a spilled can of Spaghetti-Os, a tipped container of Lucky Charms, and fallen ice cream cones. Beautifully rendered on a neutral ground, Minichino’s very formal compositions are whimsical, playful, and a technical tour de force capturing a moment that will not last: a spoon standing in ice cream that will soon be too melted to hold it upright, a DQ cone balanced momentarily on its cracked and melting hard shell topping, ketchup slowing running out of a bottle on its side.
Minichino paints a very modern subject but her paintings are heavily influenced by Dutch and Flemish masters’ use of light and composition. Similarly, Minichino draws on the 17th Century Dutch still life tradition, which depicted food in a way that almost reified it in sumptuous stillness. Minichino’s work has a subdued, almost gothic sense of isolation despite its subject matter which convey a simultaneous sense of both exuberance and loneliness.
After studying cartooning at School of Visual Arts in New York City, Minichino started painting. She discovered a true talent for rendering and as she says, “really got a kick out” of painting as photo realistically as she could. Over the years she discovered that being photo realistic wasn’t the most important thing to her - her desire is to portray the subjects in a realistic way, but also to pull the viewer in to see the brush strokes.
When working on a painting, Minichino examines the packaging and considers the well thought out design that a team of graphic artists created. Rendering and recreating the texture of the foods with the contrast of the smooth, shiny or waxy packaging is a challenge that Minichino enjoys. Her works tend to have a quiet contemplative look - her desire is for the viewer to look closely at these objects and possibly see them with a new appreciation, and to preserve the art and design of these iconic products from the times she lives in.
Gina Minichino (b. USA) received her BFA from the School of Visual Arts in New York in 1990 and has exhibited throughout the United States. Her illustration work has been widely published and her paintings most recently appeared in American Art Collector Magazine. She lives and works in New Jersey.
- Creator:
- Creation Year:2023
- Dimensions:Height: 12 in (30.48 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairfield, CT
- Reference Number:1stDibs: LU183213413882
About the Seller
5.0
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 1996
1stDibs seller since 2015
256 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Los Angeles, CA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllSlipped Shake
By Gina Minichino
Located in Fairfield, CT
Gina Minichino’s classical portraits of contemporary edible treats harken back to the 17th Century Dutch Masters. In this new series she takes it a step further - instead of the cra...
Category
2010s Contemporary Still-life Paintings
Materials
Oil, Panel
Flopped Frosty
By Gina Minichino
Located in Fairfield, CT
Framed size: 13x17"
Gina Minichino’s classical portraits of contemporary edible treats harken back to the 17th Century Dutch Masters. In this new series she takes it a step further...
Category
2010s Contemporary Still-life Paintings
Materials
Oil, Panel
Spilled Spaghetti O's
By Gina Minichino
Located in Fairfield, CT
Gina Minichino’s classical portraits of contemporary edible treats harken back to the 17th Century Dutch Masters. In this new series she takes it a step further - instead of the cra...
Category
2010s Contemporary Still-life Paintings
Materials
Oil, Panel
Unlucky Charms
By Gina Minichino
Located in Fairfield, CT
Gina Minichino’s classical portraits of contemporary edible treats harken back to the 17th Century Dutch Masters. In this new series she takes it a step further - instead of the cra...
Category
2010s Contemporary Still-life Paintings
Materials
Oil, Panel
Sloppy Sundae
By Gina Minichino
Located in Fairfield, CT
Gina Minichino’s classical portraits of contemporary edible treats harken back to the 17th Century Dutch Masters. In this new series she takes it a step further - instead of the cra...
Category
2010s Contemporary Still-life Paintings
Materials
Oil, Panel
Cracked Cone
By Gina Minichino
Located in Fairfield, CT
Gina Minichino’s classical portraits of contemporary edible treats harken back to the 17th Century Dutch Masters. In this new series she takes it a step further - instead of the cra...
Category
2010s Contemporary Still-life Paintings
Materials
Oil, Panel
You May Also Like
#447
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...
Category
21st Century and Contemporary Contemporary Still-life Paintings
Materials
Canvas, Oil, Inkjet
$11,000
#452
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...
Category
21st Century and Contemporary Contemporary Still-life Paintings
Materials
Canvas, Oil, Inkjet
#392
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...
Category
21st Century and Contemporary Contemporary Still-life Paintings
Materials
Canvas, Oil, Inkjet
Studio Recycling
Located in Tulsa, OK
Abra Johnson's "Studio Recycling" is a captivating study of iconic beverage containers. This 16" x 16" oil painting on a wood cradled panel showcases a Coca-Cola can alongside its cl...
Category
2010s Realist Still-life Paintings
Materials
Oil, Wood Panel
#449
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...
Category
21st Century and Contemporary Contemporary Still-life Paintings
Materials
Canvas, Oil, Inkjet
#440
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...
Category
21st Century and Contemporary Contemporary Still-life Paintings
Materials
Canvas, Oil, Inkjet
More Ways To Browse
Cracked Ice
17th Century Spoon
Vintage Lemon Painting
Oil Paintings Of Lily Flowers
Hyper Realism Paintings
Original Painting Lemon
Pair Still Life Paintings Flower
Still Life Vegetables Oil Painting
Fauvist Flowers
Pink Peony Painting
Pomegranate Oil
Dutch Master Oil Painting Flowers
Painting Of A Magnolia
Chinese Vase Still Life Art
Anemone Flower
Hyperrealism Still Lifes
Still Life Oil Painting Cherries
Oil Painting Still Life Daisies