Gloria Stuart

Melange

c.1960s

Documentation Signed Origin Belgium Period 1920-1949 Materials oil on canvas Dimensions W. 25.5 in; H. 31 in; W. 64.77 cm; H. 78.74 cm; Condition Good. Excellent condion Creation Date C. 1930 Description An exquisite still life with masterful use of color. Carved frame measures 38.5 x 33 inches. Fernand Toussaint...

Painted in 2012 for the Exhibition entitled "Ecological S.O.S.", at the 1887 Gallery of the Museum of Art and Design, San Jose, Costa Rica. Lorena Villalobos, with more than a hundre...

PHILIP REISMAN "STILL LIFE WITH FROWERS" OIL ON PANEL. SIGNED AMERICAN, C.1935 20 X 16 INCHES Philip Reisman 1904-1992 Philip Reisman was born July 18, 1904 in Warsaw, Poland....

Large watercolor and mixed media work Original frame. “Keith Finch was born in Holyoke, Colorado in 1920 but has lived in Los Angeles, where he attended the elementary grades and h...

Signed, titled. Dated 2015 Reza begun studying art seriously at age 15 and was studying at the institute of art in Iran where he graduated with highest honors. He also studied pr...

Vintage oil on canvas, in the manner of Isaac Israels. Beautifully painted, probably done c1930s.

"Florence," a captivating Impressionistic masterpiece by the talented artist Irina Trushkova, beautifully captures the essence of one of the world's most enchanting cities. Rendered ...

Oracle by Ben Weiner, American (1980) Oil on Canvas, signed verso Size: 64 x 96 in. (162.56 x 243.84 cm)

JUAN DE ARELLANO Spanish, 1614 - 1676 Cesta de Flores signed Juan de Arellano (lower lright) oil on canvas original period carved, gilt and polychrome...

signed ‘ozenfant’ (lower right) Provenance: Sale: Christie's London, 4 April 1989, lot 198 Dr. Arthur Brandt, New York (acquired at the above sale) Literature: P. & M. Guénégan, 'A...

"The Feast" by Steen Rehfeld emerges as a triumphant celebration of form, color, and texture in contemporary abstract art. Spanning an impressive 78"x144", this mixed media masterpie...

Marsden Hartley Lemons and Pear, circa 1922-23 Oil on canvas 9 x 10 3/4 inches Provenance: Adelaide Shaffer Kuntz, Bronxville (Hartley’s friend and patron) Bertha Schaefer Gallery, New York (acquired from the above) Private Collection, Stamford, Connecticut (acquired from the above) Barridoff Galleries, Portland, Maine, April 7, 1984, Lot 29 (as Still Life with Pear and Lemons) Richard Ward Foster (acquired at above sale) Sotheby's New York, American Art, October 6, 2017, Lot 32 Private Collection (acquired from the above) Exhibited: (possibly) Kantstrasse, Berlin, Private showing in artist’s studio, 1923. (possibly) New York, Bertha Schaefer Gallery, Still Life Painting by European and American Painters, 1944. Born in Lewiston, Maine, Marsden Hartley became one of the most famous early modernist artists of twentieth-century American art, known for landscapes, still lifes, and some portraits. His painting showed a focus on monumental shapes, especially clouds and landscape forms, and his unique style has been described by critic Sadakichi Hartmann as "an extreme and up-to-date impressionism" and "emerging modernism that evolved through Impressionism". (Gerdts 291) He had a lonely, insecure childhood because his mother died when he was eight years old, and he was raised by an older sister when his father left to remarry. He studied art in Cleveland, Ohio and then in 1898 went to the Chase School in New York and at the National Academy of Design. He continued to spend much time in Maine painting landscapes, and by 1909 had his first exhibition, which was held at New York Gallery 291, run by Alfred Stieglitz. There he became involved with a social circle of modernists that included Georgia O'Keeffe, Arthur Dove, and John Marin. In 1912, he first went to Europe where he had further exposure to modernism, and from 1913 to 1915 he was in Germany. In Paris, he experimented with Cezanne-like still lifes and was befriended by Gertrude Stein. In Germany, he was influenced by Expressionism, and especially by military pageantry. It is said that his greatest contribution to early 20th-century American modernism has been his brilliant synthetic military icons known as German Officer Portraits. He developed a close homosexual relationship with a handsome young Prussian officer who was killed in World War I. Being encouraged by Stieglitz to explore American subjects, Hartley turned to American Indian objects...