GSH

1970s "Red Flower Still Life" Oil Painting

c. 1970s

Sylvia Rutkoff (1919-2011) "Traffic" c.1950s Oil, sand, grout, gesso on masonite 48"x36" wood period frame Signed on reverse in pencil Collection acquired from family estate Sylvia ...

Sylvia Rutkoff (1919-2011) 26-1 "The Schoolgirl" c.1950s Oil paint, sand on Masonite 36x48 wood period frame Unsigned Collection acquired from family estate Sylvia Weinreb Rutkoff (...

Trung Quoc Tran 1980's "Ships Passing" Oil on Canvas 35.5" x 47.5" unframed $1900 No Signature *Listed price reflects custom framing selected by seller. Please expect framing time be...

Jack Hooper "View From the Window" c. 1950s Oil on Canvas 32"x25.25" silver and black wood frame 26.5"x33.25" Unsigned Minor wear consistent with age and ...

Robert Gilberg (1911-1970) "Still Life in White" c.1950s Gouache on newspaper from Sacramento Bee 1957 22.75"x15.25" unframed Unsigned Born in Oakland, CA on April 25, 1911. Gilberg...

Jack Hooper "Fruit Still Life" 10-1996 Conte crayon and gouache on paper 19.75"x14.25" cherry wood frame with white sides 24.25"x18.25" Signed and dated in...

The Still Life is a painting realized by Claude Deschamps in the 1970s Oil painting on cardboard canvas. Hand-signed on the lower. Good conditions....

Still life with books and pears is an artwork with frame, realized by an unknown artist of mid-20th Century. Oil on panel. 36 x 51 cm ; 56 x 70 cm with framed. Good conditions

Still Life with bottles and books is an artwork with frame, realized by an unknown artist of mid-20th Century. Oil on panel. 36 x 51 cm ; 56 x 70 cm with framed. Good condtions

Sun Flower is a painting realized by Claude Decamps in the 1970s Oil painting on cardboard canvas. Hand-signed on the lower. Good conditions. The ar...

Georgina Klitgaard Apples and Pears Still Life Signed lower right Oil on canvas 8 x 10 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artists to membership in one school or another. Unfortunately for her posthumous reputation, Klitgaard defied easy characterization. She was a U.S. modernist, working in both oil and watercolors, but never abandoned figurative painting. She made her reputation in landscape but also excelled in portraits, flower studies, and even cityscapes. Yet despite Klitgaard’s ambiguous status in art history, her paintings continue to fascinate viewers attracted to the unsteady ground between twentieth-century realism and expressionism. Georgina Klitgaard (née Berrian) was born in Spuyten Duyvil, New York (now part of the Bronx); the Berrians had lived in the area since at least the U.S. Revolution. After graduating from Barnard College, she studied art at the National Academy of Design. In 1919 she married Kay Klitgaard, a Danish artist and writer. The next year, her life took a decisive turn when the couple visited friends in Woodstock, NY—about 120 miles north of New York City--and fell in love with the area. In 1906, L. Birge Harrison helped found the Art Students League Summer School in Woodstock and the area became a magnet for landscape painters. The Klitgaards bought a house in 1922 on a steep ledge at the end of Cricket Ridge, high above Bearsville, which provided panoramic vistas overlooking the Catskill Mountains and the Hudson Valley. Klitgaard joined the artists’ colony in the area, which at the time included artists Ernest Fiene and Katherine Schmidt. Klitgaard exhibited widely and her career slowly developed momentum. She was a regular contributor at Whitney Museum shows from 1927 to 1944. In 1929, she exhibited a painting entitled “Carousel” in the Whitney Studio Club’s famous exhibition “Circus in Paint.” Gertrude Vanderbilt Whitney acquired five paintings by Klitgaard in the early 1930s and served as a significant patron for the artist. Klitgaard s New York dealer, Frank Rehn...

Still Life is a superb original oil painting on panel, realized around 1870 by the British artist Edward Ladell (1821-1886), the best known English still-life artist. The artwork r...