Harley Lafarrah Eaves

Thematic Plot Points in The Wizard of Oz From Childhood Memories

2018

Caitlin Cherry’s paintings feature larger-than-life subjects in striking color: Black femme figures, familiar composites drawn from an image culture that thrives on appropriating the...

Mary Ann Strandell Kranz, 2009 Oil on canvas 24 x 24 inches (61 x 61 cm)

Francis Upritchard He He He, 2013 Watercolor on paper 8 1/4 x 11 13/16 inches (21 x 30 cm)

José Vivenes Untitled, 2006 Oil pastel on paper 20 1/2 x 15 1/2 inches (52.1 x 39.4 cm)

"Outskirts" is an acrylic painting with collage elements on canvas, measuring 38" high by 44" wide. There's nowhere to hide in any of William's paintings, that's part of the charge coming off his canvases. That's particularly true with this painting – we immediately see that everything is wrong, hands coming out of trees, a human head on a horse or dog. Yes it's Mythic but even there it's wrong, the legs are impossibly crossed. In fact little of this painting can be true and yet here it is. Out of control, left over and residual ways and means of living life. Who or what are we now? Press Release 2018: "Williams acknowledges a large range of influences on his vision: the moral lessons embodied in the works of 17th century engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos...

Stories from the Golden Era . Reminiscing childhood moments, the drama when you are dropping your ice-cream cone :: Mixed Media :: Contemporary :: This piece comes with an official c...

Aaron Bohrod The Magnificent Seven, 1990 Signed lower right Oil on gesso panel 11 x 14 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

Scott likes to think of his work as what it might look like if an overly observant 5 year old kid from New Jersey left hieroglyphics for alien life forms to discover. A mixture of ...