Henriette Amiard Oberteuffer

Still Life with Fruit and Flowers

c. 1915

ALFRED MAURER (1868-1932) Still Life (double-sided), n.d. Oil on board 22 x 13 ½ inches Signed verso: A. H. Maurer PROVENANCE Estate of Gaston Lachaise [Salander-O'Reilly...

KONRAD CRAMER (1888-1963) Prickly Pears and Pomegranates, 1929 Oil on board 19 ¾ x 23 ¾ inches Signed and dated at lower right: KONRAD CRAMER / 1929 ...

MABEL E. DICKINSON POND (1869-1960) Frances and Ruth Jennings in a Field of Flowers, 1909 Oil on canvas on paperboard 7 x 5 inches Signed at lower right: M. E. Dickinson Inscribed v...

EMILY NICHOLS HATCH (1871-1959) Coastal View, 1920 Oil on panel 8 3/8 x 5 5/8 inches Signed at lower right: Emily Nichols Hatch / 1920 Emily Nic...

WILLIAM KEITH (1838-1911) Mount Tamalpais, Marin County, California, c. 1880 Oil on board mounted on Dibond board 23 x 27 inches Signed at lower le...

EDWARD DUFNER (1872-1957) Midsummer, c. 1920 Oil on canvas 20 x 24 inches Signed at lower right: Edward Dufner N.A. Titled on handwritten label Period Arts & Crafts frame With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

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