Hilary Hennes

Hilary Hennes Miller 'The Old Bicycle' Gouache Painting c1940 Modern British Art

c.1940

To see our other Modern British Art, and our other Peter Collins works, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist ..you want. Leonard Raven-Hill (1867-1942) Still Life of Flowers II Oil on canvas 24 x 19 cm In a handsome frame. Signed lower left 'L RavenHill'. A handsome oil painting of a still life of flowers by well-listed painter Leonard Raven-Hill, who has works in the Tate, British Museum, National Portrait Gallery and other famous collections. We have another painting by the same artist listed. Leonard Raven-Hill (10 March 1867 – 31 March 1942) was an English artist, illustrator, and cartoonist. He was born in Bath and educated at Bristol Grammar School and the Devon county school. He studied art at the Lambeth School of Art and then in Paris under MM. Bougereau and Aimé Morot. He began to exhibit at the Salon in 1887 but moved back to London when he was appointed as the art editor of Pick-Me-Up. He also continued to work as a painter and exhibited at the Royal Academy in 1889. In 1893 he founded, with Arnold Golsworthy, the humorous and artistic monthly The Butterfly (1893–94, revived in 1899–1900) but began his most prominent association with a publication when his drawings appeared in Punch in December 1895. By 1901 he had joined the staff of Punch as the junior political cartoonist. He contributed to many other illustrated magazines including The Daily Graphic, Daily Chronicle, The Strand Magazine, The Sketch, Pall Mall Gazette and Windsor Magazine. He also illustrated a number of books including · East London by Sir Walter Besant (1901) · Cornish Saints and Sinners by J. H. Harris · Three Men on the Bummel by Jerome K. Jerome · Stalky and Co by Rudyard Kipling · Kipps by H. G. Wells Raven-Hill published the impressions of his visit to India on the occasion of the tour of the Prince and Princess of Wales as An Indian Sketch...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Angela Stones (1914 - 1995) Still Life with Pink Roses...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Hand signed Irises (purple and yellow flowers) 30 X 37 framed. 20.5 X 26.5 sheet without frame. Bernard Chaet (born 1924, Boston, MA - 2012) was an American artist; Chaet is known for his colorful, dynamic modernist paintings and masterful draftsmanship, his association with the Boston Expressionists, and his 40-year career as a Professor of Painting at Yale University. His works also include watercolors and prints. In 1994, he was named a National Academician by the National Academy of Design. Chaet was instrumental in transforming Yale’s traditional art program into one with a more modernist approach that gained national prominence. Chaet melded landscape and abstraction in a traditional established by Vincent Van Gogh, Georges Seurat, Edvard Munch, Piet Mondrian, and Ferdinand Hodler. His own tenure began in 1951 at Yale, where he worked closely with Josef Albers to revamp Yale’s art program. Between 1959 and 1962 he was the chair of what was then called the Yale Department of Art of the School of Fine Arts — prior to becoming one of the independent professional schools at Yale in 1973. Chaet taught painting and drawing and mentored generations of emerging talents. Chaet was the author of the 1970 textbook “The Art of Drawing” and “An Artist’s Notebook 1979,” both of which have since been reissued several times. In the latter book, alongside examples of work by his favorite artists, are student drawings by Yale graduates such as Robert Birmelin, Michael Mazur and Eugene Baguskas. Born in Boston, Massachusetts, in 1924, Chaet studied at the School of the Museum of Fine Arts in Boston and then earned a B.A. at Tufts University. Known for his expressionist landscapes and still lifes, Chaet’s work has continuously been shown in galleries in his native Boston, in New York City, and around the country. In 2010, a retrospective of his seascapes was featured at the Cape Ann Historical Society in Gloucester, Massachusetts, where he had a home and a summer studio in nearby Rockport. His has also exhibited at David Findlay Gallery in New York and at Swarthmore College. Many of Chaet’s students went on to notable art careers, including Janet Fish, Chuck Close, and Richard Serra. His work is represented in the collections of the Brooklyn Museum, the Art Institute of Chicago, the Metropolitan Museum of Art in New York, the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Museum of Fine Arts in Boston, the Yale University Art Gallery in New Haven, CT, and the Addison Gallery of American Art in Andover, MA. Chaet is the recipient of many awards including: the National Foundation of the Arts and Humanities, Sabbatical Grant in 1967-68, the National Academy of Fine Arts, Benjamin Altman Award in Painting in 1997, and the American Academy of Arts and Letters Jimmy Ernst Prize in 2001. Chaet was born and raised in the Dorchester neighborhood of Boston, MA. He completed a dual program at the Museum of Fine Arts, Boston—studying painting with Karl Zerbe—and Tufts University, graduating with a B.S. in 1949. Chaet is known for his association as a first generation Boston Expressionist. (along with Hyman Bloom and Jack Levine) Chaet was a contributing editor to Arts Magazine. In 1960 he published the book Artists At Work, which features in depths conversations with artists Pat Adams, Anni Albers, Josef Albers, Al Blaustein, Hyman Bloom, James Brooks, Robert Engman...

Donald Stacy "Sleeping with Fruit" c.1950s Gouache paint on paper 24" x 18'" unframed Unsigned Came from artist's estate *Custom framing available for additional charge. Please expec...

Work on paper mounted on cardboard Brown wooden frame 93.5 x 71 x 3.5 cm

Work on paper Gilded wood frame with glass pane 85 x 65 x 3 cm