Jean Julien

Large Early 20th Century Oil on Canvas of Tulips Displayed in a Confit Jar.

1920s

Early 20th Century oil on canvas still life of oranges, hops and flowers signed E Pritchard and dated 1904 bottom left, presented in period gilt ...

Mid Century Expressionist oil on canvas tablescape of flowers and Champagne. This wonderfully energetic painting straddles the line between impressionism and expressionism. The form...

French Impressionist oil on canvas, interior view, plants at a window by June Fortan. The painting is signed bottom right. A colourful and exuberant interior view of a collection of...

Mid Century Italian still life tablescape by Italian artist Fulvio Pendini. The painting is signed bottom right and is presented in a period gilt wood and cloth frame under glass. Th...

Large scale French still life of a vase with flowers by André Vagh Weinmann. The painting is signed and dated bottom right. Presented in a very fine patinated wood frame. An imposin...

French mid century still life, oil on canvas, showing chanterelle mushrooms and the delights of an autumn harvest by Claude Le Baube. Signed to the fron...

Elegant still life with calla lilies and amaryllis by an unknown artist. Completed in a classical style, two calla lilies and two amaryllis flowers sit in a vase with Chinese designs...

Born in Queens, NY to a family of artists, inventors and actors, Lizbeth Mitty grew up painting and writing. Her work has been exhibited in galleries and museums in both the United States and abroad and is held in public and private collections including the The Metropolitan Museum of Art, The New York State Museum, The Orlando Museum of Art, The Zimmerli Archive, The U.S. State Department, and Trierenberg Holding AG (Austria). My studio is located in Brooklyn, NY. Described by New York Times critic Ken Johnson as a combination of “painterly verve and hellish beauty” — Mitty's work has long been concerned with examining and amplifying the intrinsic abstract beauty of deteriorating or overlooked corners of urban architecture and interiors. In 2015, one object, the chandelier, rose up from detritus to dominate her body of work. Spectacular, illuminated and intricate, the chandelier is evocative of grandeur. In contrast, for much of Mitty's career, scrap yards and other sites of urban devastation, locations of organized chaos, formally beautiful, yet apocalyptic and terrifying. Similarly, the chandeliers speak of decadence, sadness, elegance, death and hope. By 2017, the chandeliers began to open and morph into architecture in the round. Gazebos and scrap dominate a verdant post-apocalyptic landscape...

This mid-20th-century oil painting by British artist Harry Keay (1914-1994) depicts a still life with a book, bonnet, teacup and sewing paraphernalia. It was shown at the Royal Socie...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

This unpublished composition is a recent addition to Adeodato Zuccati’s catalog. The study of this painting by Gianluca Bocchi, an Italian art historian specializing in Italian still lives, is available upon request. This composition is typical of the productions of Adeodato Zuccati, an Emilian painter...

Surreal hyper realistic trompe l'oeil oil painting by Latin American artist Victor Del Castillo. Peaches, grapes and cherries in rich brilliant colors and incredible detail. Measures...