Johannes

'Bouquet of Wildflowers', Post-Impressionist Floral Still Life

1972

Signed lower right 'H. Frank' for Harold Frank (American, 1917-1995), additionally stamped, verso, with certification of authenticity and painted circa 1975. An exuberant Post-Impre...

An exuberant Post-Impressionist still life of spring flowers shown informally arranged in a creamware vase against a variegated ivory background. Signed Lower Right 'H. Frank' and painted circa 1975. After initially studying in Paris, Harold Frank attended the New York Art Students League, the National Academy of Design, Pratt Institute, Chouinard Art Institute and UCLA where he was a colleague of Richard Diebenkorn, who had a lasting influence on his work. Other artists who deeply affected his creative philosophy included Matisse, Rouault, Picasso and De Kooning. His one-man and group exhibition record is extensive and he was shown internationally in London, Paris, Amsterdam and Aubonne, Switzerland, as well as throughout the United States from the 1960's through the 80's. Though he did not seek recognition as his reason to create, major awards also came his way (among them the Adolph and Clara Obrig Award and the Sudam Silver Medal from the National Academy of Design; the National Watercolor Society's Grumbacher Award; the John Marin Memorial Award in the Watercolor U.S.A. Show and a First Prize from the Laguna Beach Museum of Art. His subject matter included pure abstracts, landscapes, still lifes and the male and female head and figure. As many artists have done before and after him, he explored variations of each subject, experimenting with changes in medium, technique, light and color. His remarkable paintings of the female head and form quickly developed into a vehicle for his abstract interpretations. Though his brushwork is quick and sure, he often labored over several pieces at the same time. This piece is accompanied with a first edition copy of 'Harold Frank: Abstract Expressionist 1921-1995' by Sandie Stern and published by Millenium Twelve Two (2001). Education: National Academy of Design, New York, 1936; Art Students League, New York, 1937; Pratt Institute, Brooklyn, New York; Chouinard Art Institute, Los Angeles; University of California, Los Angeles. Selected One-Man Exhibitions: Savage Gallery, London, England, 1960; Galerij Werking, Amsterdam, Netherlands, 1960; Ardail-Castro Gallery, Paris, France, 1960; Pasadena Art Musuem, Pasadena, California, 1962; Ryder Gallery, Los Angeles, California, 1964; Ankrum Gallery, Los Angeles, California, 1964; Gallerie Chantepierre, Aubonne, Switzerland, 1966; Haggenmmaker Gallery, Beverly Hills, California, 1966; Irene Neuman Galleries (with Ernest Halpern), Los Angeles, California, 1968; Emerson Gallery, Encino, California, 1973; Otis Art Institute, Los Angeles, California, 1977; Chester House Gallery, Chester, Vermont, 1977; L'Atelier Gallerie, Carmel, California, 1978; Upstairs Downstairs...

Signed lower right, 'S. L. Kramer' (American, 20th century) and painted circa 1960. A mid-century, oil still-life showing a bouquet of spring flowers informally arranged in a glass ...

Signed lower right, 'Tom E. Lewis' (American, 1909-1979) and created circa 1935. Accompanied by old backing with label. A period Modernist still-life of flowers informally arranged...

Still Life Bouquet De Fleurs Champs, 1970. Robert Mendoze was a French Post Impressionist painter who was born in 1930- 2014. After graduating from the...

French painter post-impressionist still life with flowers, oil on canvas 120x90 cm. Provenance: Parisian private collection The proposed painting represents a proud example of Fren...

Brilliantly-colored bouquet of flowers in a landscape, set against a dramatic sky. Oil on canvas measures 16 x 12; frame dimensions measure 24 x 20 x 1 1/2. Housed in a soft-gold to...

This elegant floral still-life painting, executed in oil on canvas, showcases a meticulously arranged bouquet of roses, lilacs, and other blossoms in a gilded vase, placed on a reflective surface. The composition exudes a sense of classic beauty, reminiscent of Dutch Golden Age still-life traditions and 19th-century European academic painting. The rich color palette and detailed rendering of individual petals, leaves, and the metallic sheen of the vase highlight the artist’s mastery of light and texture. The soft, atmospheric background enhances the contrast between the delicate flowers and their surroundings, drawing attention to the vibrancy of the composition. Housed in an ornate gilded frame, this painting is an exquisite decorative piece that evokes the refinement and sophistication of traditional floral art...