Jura Bedic

Norwegian Teapot

2009

This is an original unique oil painting by the artist. Four-time Royal Academy of Arts exhibitor Raymond Campbell is one of the country’s leading still life artists. Full of fascinat...

This is an original unique oil painting by the artist. Four-time Royal Academy of Arts exhibitor Raymond Campbell is one of the country’s leading still life artists. Full of fascinat...

“The success of a realistic painting does not depend merely on copying a subject. I believe it needs to offer the textures, colors, and tones to one’s eye and become something more ...

This beautiful depiction of delicate roses and intricate insects is a unique and original oil-on-board painting that is circa late 20th Century, by the artist Hildegard Schwammberger...

Leigh Murphy This original work of art by the award-winning watercolour and oil painter Leigh Murphy wonderfully illustrates her super realist technique of using thin layers to...

Leslie Gooday OBE (1921-2013) British Although best known as an award winning architect, Leslie Gooday was also an accomplished artist. As one would expect his draught...

Chani Cohen Zada Afterbirth , 2018 oil on canvas 100 x 100 cm 39 x 39 in Exhibited: 'Between Holy and Mundane', Lewinski College, Tel Aviv. Israel 11.1-...

a beautiful still life painting of an apple on a white table cloth by the artist Eric Forstmann

Social commentary by the artist, Eric Forstmann, about how these bags are not good for the environment.

oil on panel

Oil on canvas, signed and dated 2018. French handmade Delf wooden frame, dark bronze patina with gold leaf. Unframed size: 19.7 inches high x 24.02 inches wide. Framed size: 28 inches high x 32.3 inches wide x 1.25 inches deep. Sold framed. Stefaan was gifted this skull by a friend, whose carpenter father found many years ago in a false ceiling. The skull sat in his workshop and was eventually named “Gilda”. The composition is unusual in its stark simplicity that speaks to the inevitable death we all face. Fascinating without being morbid, the arrangement is simple yet bold. Note the extraordinary brushwork detailed in the shroud, as well as the intricacies of the skull. The slash of cobalt blue in the background provides an ethereal quality. The title is adapted from Shakespeare’s Hamlet and is the artist’s inside joke on the character “Guildenstern” vs “Gilda”. Part of the title can be seen in the lower right quadrant of the painting. Compared to “Vanitas”, painted in 2000, the artist’s evolution in form and execution is most evident in this 2018 work. This painting is available for viewing at The Elemental Garden...

Oil on panel, signed and dated 2008. French handmade wooden Delf frame, black raised panel with gold leaf. Unframed size: 18.25 inches high x 15.25 inches wide. Framed size: 25.63 in...