Items Similar to Lizbeth Mitty, Nickle Beach, 2017, oil on canvas, 6 x 8 inches, Symbolist
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Lizbeth MittyLizbeth Mitty, Nickle Beach, 2017, oil on canvas, 6 x 8 inches, Symbolist
About the Item
Born in Queens, NY to a family of artists, inventors and actors, Lizbeth Mitty grew up painting and writing. Her work has been exhibited in galleries and museums in both the United States and abroad and is held in public and private collections including the The Metropolitan Museum of Art, The New York State Museum, The Orlando Museum of Art, The Zimmerli Archive, The U.S. State Department, and Trierenberg Holding AG (Austria). My studio is located in Brooklyn, NY.
Described by New York Times critic Ken Johnson as a combination of “painterly verve and hellish beauty” — Mitty's work has long been concerned with examining and amplifying the intrinsic abstract beauty of deteriorating or overlooked corners of urban architecture and interiors. In 2015, one object, the chandelier, rose up from detritus to dominate her body of work. Spectacular, illuminated and intricate, the chandelier is evocative of grandeur. In contrast, for much of Mitty's career, scrap yards and other sites of urban devastation, locations of organized chaos, formally beautiful, yet apocalyptic and terrifying. Similarly, the chandeliers speak of decadence, sadness, elegance, death and hope.
By 2017, the chandeliers began to open and morph into architecture in the round. Gazebos and scrap dominate a verdant post-apocalyptic landscape that the viewer may enter. The juxtapositions of conflicting images, such as man-made detritus and lush English gardens, serve as commentary on a post-9/11 sense of impermanence and the imperative to consider the finite nature of the earth's resources. The cyclical nature and mutability of things in times of excess are the subliminal driving forces in these works.
“Acutely observed, remembered and then re-imagined, these futuristic scenes are not so much renditions of a specific location as they are dizzying translations in paint of Mitty's wonderment at the endless variety of visual information offered up by her subjects.” — Art in America, January 2006
- Creator:Lizbeth Mitty (American)
- Dimensions:Height: 6 in (15.24 cm)Width: 8 in (20.32 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Darien, CT
- Reference Number:1stDibs: LU17225703101
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2014
1stDibs seller since 2015
141 sales on 1stDibs
Typical response time: 16 hours
- ShippingRetrieving quote...Ships From: Darien, CT
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Lizbeth Mitty, Sunday, 2019, oil on canvas, 6 x 8 inches, SymbolistBy Lizbeth MittyLocated in Darien, CTBorn in Queens, NY to a family of artists, inventors and actors, Lizbeth Mitty grew up painting and writing. Her work has been exhibited in galleries and museums in both the United States and abroad and is held in public and private collections including the The Metropolitan Museum of Art, The New York State Museum, The Orlando Museum of Art, The Zimmerli Archive, The U.S. State Department, and Trierenberg Holding AG (Austria). My studio is located in Brooklyn, NY. Described by New York Times critic Ken Johnson as a combination of “painterly verve and hellish beauty” — Mitty's work has long been concerned with examining and amplifying the intrinsic abstract beauty of deteriorating or overlooked corners of urban architecture and interiors. In 2015, one object, the chandelier, rose up from detritus to dominate her body of work. Spectacular, illuminated and intricate, the chandelier is evocative of grandeur. In contrast, for much of Mitty's career, scrap yards and other sites of urban devastation, locations of organized chaos, formally beautiful, yet apocalyptic and terrifying. Similarly, the chandeliers speak of decadence, sadness, elegance, death and hope. By 2017, the chandeliers began to open and morph into architecture in the round. Gazebos and scrap dominate a verdant post-apocalyptic landscape...Category
2010s Symbolist Still-life Paintings
MaterialsOil, Canvas
- Lizbeth Mitty, Melting Light, 2019, oil on canvas, 12 x 12, Still LifeBy Lizbeth MittyLocated in Darien, CTBorn in Queens, NY to a family of artists, inventors and actors, Lizbeth Mitty grew up painting and writing. Her work has been exhibited in galleries and museums in both the United States and abroad and is held in public and private collections including the The Metropolitan Museum of Art, The New York State Museum, The Orlando Museum of Art, The Zimmerli Archive, The U.S. State Department, and Trierenberg Holding AG (Austria). My studio is located in Brooklyn, NY. Described by New York Times critic Ken Johnson as a combination of “painterly verve and hellish beauty” — Mitty's work has long been concerned with examining and amplifying the intrinsic abstract beauty of deteriorating or overlooked corners of urban architecture and interiors. In 2015, one object, the chandelier, rose up from detritus to dominate her body of work. Spectacular, illuminated and intricate, the chandelier is evocative of grandeur. In contrast, for much of Mitty's career, scrap yards and other sites of urban devastation, locations of organized chaos, formally beautiful, yet apocalyptic and terrifying. Similarly, the chandeliers speak of decadence, sadness, elegance, death and hope. By 2017, the chandeliers began to open and morph into architecture in the round. Gazebos and scrap dominate a verdant post-apocalyptic landscape...Category
2010s Romantic Still-life Paintings
MaterialsOil, Canvas
- KK Kozik, Sunny, oil on linen, 22 x 31 inchesBy KK KozikLocated in Darien, CTKK Kozik is an artist living and working in Sharon, CT and Brooklyn, NY. Her paintings have ben exhibited widely in the United States and abroad and have been reviewed in publications such as The New York Times, Artforum, The New Yorker and Art in America, among others. Images of her commission for the New York MTA, stained glass windows at the Rockaway Beach...Category
2010s Symbolist Still-life Paintings
MaterialsRag Paper, Oil, Crayon, Linen
- Stephanie Serpick_Void of Modern Life 6_Oil On Panel_16 x 20 in_ExpressionismBy Stephanie SerpickLocated in Darien, CTThe artworks in the series It’s Always Darkest Before the Dawn are an expression of feeling in dealing with personal issues and political events. These feelings stem from both reacti...Category
2010s Expressionist Interior Paintings
MaterialsPanel, Oil
- Stephanie Serpick_Void of Modern Life 8_Oil On Panel_16 x 20 in_ExpressionismBy Stephanie SerpickLocated in Darien, CTThe artworks in the series It’s Always Darkest Before the Dawn are an expression of feeling in dealing with personal issues and political events. These feelings stem from both reacti...Category
2010s Expressionist Interior Paintings
MaterialsOil, Panel
- Stephanie Serpick_Void of Modern Life 2_Oil On Panel_9 x 12 in_ExpressionismBy Stephanie SerpickLocated in Darien, CTThe artworks in the series It’s Always Darkest Before the Dawn are an expression of feeling in dealing with personal issues and political events. These feelings stem from both reacti...Category
2010s Expressionist Interior Paintings
MaterialsPanel, Oil
You May Also Like
- 1925 Viennese Oil Painting Interior Still Life with Porcelain Vase, Tapestry RugLocated in Surfside, FLFramed 21.2 X 25.5 Unframed 17 X 21 Signed and dated 1920. Nina Karasek (Joële) born 1883 Kuttenberg, Czech Lands, Austro-Hungarian Empire, died in 1952 (I have also seen the date recorded as 1933) Vienna, Austria. Nina Karasek was an Austrian Impressionist & Modern artist who was born in 1883. Her work was featured in exhibitions at the Es Baluard, Museum of Modern & Contemporary Art and the Bildraum Bodensee. Little is known of Nina Karasek's life. She was born in 1883 in Kuttenberg (Kutná Hora) in Bohemia, studied art at the Kunstschule für Frauen und Mädchen (Art School for Women and Girls) in Vienna, Austria, under Adalbert Seligmann and Tina Blau. She studied at the Frauenakademie in Vienna and Munich. In the 1920's she worked first as a landscape painter and an illustrator, later turning toward symbolism, painting mystical subjects after her interest in spiritualism. Her conventional works were shown at various exhibitions. At the age of 44, while she was copying a work by Rembrandt in an Italian museum, she fell into an altered state of consciousness. Rembrandt appeared to her, took possession of her arm, and immediately her hand started to draw something quite different from what she had intended. From then on, for the rest of her life Nina Karasek was in “supernatural” contact with a series of great masters like Rembrandt, Albrecht Dürer, Goya, Raphael, Leonardo da Vinci, Gustav Klimt and others. Under their guidance and inspiration, she drew and painted works "in the style" of the masters. But very soon her works became stylistically more and more unrestricted and Symbolist, showing an enormous range of creative expression, ranging from symbolic and allegorical motifs to bewildering images with a fantastic arsenal of figures and private characters, signs, and symbols, and to frantic, gestural sketches and abstract compositions. From then on, she often signed her works with her esoteric “primordial name” Joële. (Nina Karasik-Joel) Almost everything we know about her life was from what she noted on the reverse of her drawings: sometimes diary-like notes of her horrible living conditions during World War II, but often strangely impenetrable explanations of the depicted motifs – often as fascinating and mysterious as the drawings themselves. In her works and notes, an exciting private cosmology and mythology unfolds, a drama of hidden powers and principles that flow through macrocosm as well as microcosm. Shortly after their discovery, Nina Karasek's Spiritualist, mediumistic works have found their way into galleries and major international collections. SELECT EXHIBITIONS 2019 The Medium’s Medium: Spiritualist Art Practices From the Turn of the Century and Beyond. The Gallery of Everything, London, (she showed with Madge Gill...Category
1920s Symbolist Interior Paintings
MaterialsCanvas, Oil
- Wine Bottles and Fruit on TableBy Zygmund JankowskiLocated in Gloucester, MAZygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...Category
1980s Contemporary Still-life Paintings
MaterialsOil, Canvas
- Albert Benaroya (Israeli), Red Tulipss, oil on canvas, 81x56 cmBy Albert BenaroyaLocated in Jerusalem, ILAlbert Benaroya (Israeli) Red Tulips oil on canvas 81x56 cm Born in Istanbul, Benaroya is an Israeli artist, a master of depiction in hyper - realism...Category
2010s Photorealist Still-life Paintings
MaterialsCanvas, Oil
- Chani Cohen Zada, "Afterbirth" , 2018 oil on canvas 100 x 100 cm 39 x 39 inBy Chani Cohen ZadaLocated in Jerusalem, ILChani Cohen Zada Afterbirth , 2018 oil on canvas 100 x 100 cm 39 x 39 in Exhibited: 'Between Holy and Mundane', Lewinski College, Tel Aviv. Israel 11.1-...Category
2010s Realist Still-life Paintings
MaterialsCanvas, Oil
- Albert Benaroya (Israeli), Red an Purple Orchids, oil on canvas, 81x56 cmBy Albert BenaroyaLocated in Jerusalem, ILAlbert Benaroya (Israeli) Red an Purple Orchids oil on canvas 81x56 cm Born in Istanbul, Benaroya is an Israeli artist, a master of depiction in hype...Category
2010s Photorealist Still-life Paintings
MaterialsCanvas, Oil
- Large Surreal Latin American Oil PaintingLocated in Rochester, NYSurreal hyper realistic trompe l'oeil oil painting by Latin American artist Victor Del Castillo. Peaches, grapes and cherries in rich brilliant colors and incredible detail. Measures...Category
Late 20th Century Realist Still-life Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
New Hope Oil Canvas
Man On Beach
Symbolist Oil
Symbolist Oil Painting
English Beach Paintings
Queens Ny
Round Oil On Canvas
Symbolist American
Rose Johnson
6 Round Paintings
Ken Johnson
Red Flower With Gray Background
Fruit Basket Painting
19 C Still Life
Hyper Realism
Fauvism Still Life
Floral Textile Painting
Impressionist Floral Vase Painting