Marcia Wise

Green Cup With Cherries

2010

Jill Pottle’s still life titled “Green Pot” was part of an ongoing series titled “Epic Square.” In this 36 x 36 x 1.5 inch oil painting on stretched canvas with an acrylic base coat, her delight in painting this retro object...

Dalvin Byron’s “Aperture” is a 36 x 24 x 2 inch oil painting on wood panel. It is from the glass series that preceded his “dream journal” paintings. A transparent blue vase stands in...

Dalvin Byron’s “Diadem” is a 24 x 24 inch oil painting on wood panel. It marks a departure from the straightforward glass studies into the c...

Jill Pottle’s still life titled “Yellow Swirl Teapot” is part of a series of oil paintings which includes ordinary household objects. The common object is worthy of exploration becau...

Jill Pottle’s still life titled “Green Stripe Teapot” is part of a series of oil paintings which includes ordinary household objects. The common object is worthy of exploration becau...

Marcia Wise’s painting, “Tea with Lemon,” is dominated by soft yellows and oranges and is a part of the artist’s earlier Still Life series from 2010-2012. This 24 x 36 x 1.5 inch oil...

A Pacific Northwest native, Bauer was born in Vancouver, Washington, and has maintained a studio in Portland, Oregon since 1976. She attended the Pacific Northwest College of Art and the University of Oregon where she received her M.F.A. Since that time, she has exhibited her work throughout the Northwest while teaching art as an associate professor at Marylhurst University. Bauer applies her modernist approach to her artwork, and her paintings become a sort of balancing act in reconciling her subjects and her techniques. Teetering between abstraction and representational, Bauer's houses are depicted as simplified forms, exploiting a universal iconography. The recognizable elements in her artwork – trees, buildings – are unconventionally depicted in wide patches of overlapping color, "pulling each painting away from literal interpretation." Marlene Bauer's abstractions stem from her interest in the visual dynamics of a quick impression of a landscape from a moving car or a glance out a window. The artist has exhibited her work in solo exhibitions at the Laura Russo Gallery, the Elizabeth Leach Gallery (both in Portland), and the Davidson Galleries in Seattle. Bauer's artwork is included in many of the region's public and private collections including the King County Regional Justice Center, Bank of America, the City of Portland, the City of Seattle, the Oregon State...

Bouquet by Hugues Pissarro dit Pomié (b. 1935) Oil on canvas 80 x 40 cm (31 ¹/₂ x 15 ³/₄ inches) Signed lower right, Hugues Pissarro Executed circa 1959-60 This work is accompanied ...

Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...

Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...

Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...

Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...