Canvas Still-life Paintings

Signed lower left & titled verso. A printmaker and painter in abstract style who used wide brush marks, Henry Kallem was born in Philadelphia. His father was Morris Kallem, a portrait painter, with whom he studied, and his brother was sculptor Herbert Kallem...

Story about Painting: I admit it, I'm a sucker for Ferraris. On our trip to Italy in 2018, we visited the Ferrari Maranello Museum. In one of the rooms was this gorgeous Monza. As I ...

About this Painting: I originally painted this Pebble Beach awarding winning car back in 2017. The painting sat on my walls for several years, and in 2021 I recreated it on a much la...

Natasha Zupan beautifully unites the old and new, combining the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work expl...

Natasha Zupan beautifully unites the old and new, combining the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work expl...

Artist Commentary: This is an original acrylic on canvas garden landscape painting, 48 48 inches. Keywords: garden, spring, nature, trellis, orange, green, lush, happy, spring Arti...

This modern vibrant expressionist floral painting with the touch of Fauvism and Impressionism was created by French artist Natalya Mougenot and makes part of her ongoing series dedic...

"Art Nouveau Window #2".Oil on canvas. Large original, one-of-a-kind, painting. Shipped stretched, framed. Part of Window and Gates series. Nature and architecture come together in...

Jean Calogero (Italian, 1922-2001) 23 x 30. framed. 21.5 x 15 canvas. Hand signed Little girl at a party with flowers Calogero was born August 20, 1922 in Catania, Sicily. Self-taught Surreal Artist First exhibitions in 1945 in Sicily and Rome were very successful. He arrived in Paris in 1947 and studied at the Ecole des Beaux Arts. He is best known for his Surrealism and genre works. His paintings are dreamlike and visionary. They travel to an infinite space created by the artist through his memories, the sky and the sea so dear to him. In his paintings there are a few common themes: the masks with their dual dimensions that hide or shows only what you want, the profiles of the women, and the horsemen, drawn as the Sicilian tradition requires. He exhibited at the Gallery Hervé in 1951 and the following year he went to New York to present his show, then in 1953 he was invited to Los Angeles, where he returned two years later, and from where he regularly exhibited his works, and San Francisco. In 1954, Maximilien Gauthier devoted a book to him published by "The Gemini." The first exhibition in Japan was in 1965. He was awarded the Grand Silver Medal by the City of Paris in 1957. Calogero had countless exhibitions in Paris, in the fifties, plus the American exhibitions in New York (Associated American Artists, 1952), Los Angeles (James Vigevano Galleries, 1953) and then later in Japan and in major galleries in Italy. He lived and worked for many years in Paris and Italy. He died in 2001. Galerie Hervè, Parigi 1950. Associated American Artists - New York 1952. James Vigevano Galleries, Los Angeles 1953. Galerie Madsen, Parigi 1954/1960. Antologica, Tokyo 1965. Galleria La Robinia, Palermo 1969. Florida Gallery, Chicago 1970. Galleria Il Cavalletto, Catania 1971. Galleria De Rosa, Milano 1972. Galleria Pinacoteca, Roma; L'Incontro, Taranto 1973. Galleria Idea-Bellini, Firenze; David Galleries, Bari; Palazzo Melloni, L'incontro, Bologna; Galleria Schettini, Milano; Galleria Pinacoteca, Roma; Galleria La Meridiana, Verona; Pier della Francesca, Arezzo 1974. Galleria L'isolotto, Napoli; Pinacoteca, Roma; Galleria del Corso, Latina 1975. Galleria Michelangelo, Firenze; Pinacoteca, Roma 1977. Galleria Robert Philip, Parigi 1978. Galleria d'Arte Pinacoteca, Roma 1979. Centro L'Esagono, Lecce; Graziani Gallery, New York 1981. Chiesa di S. Silvestro, Tuscania; Museo d'Arte Moderna, Sessa Aurunca 1982. Galerie Hervè, Parigi 1983. Galleria l'Angolo, Catania; Galleria Arte Spazio, Sassari; Centro Il Faro, Taranto 1987. Galleria L'Esagono, Lecce 1988.Galerie Molière, Parigi; Nihon Garo, Nagoya, Giappone; Minako H. Gallery, Tokyo; Galleria del Viale Jonio, Catania 1989. Art Expo, New York; Axis Gallery, San Francisco; Galerie Axe, Parigi; Galerie Molière, Parigi 1990. Antologica, Palazzetto dell'Arte, Foggia; Galleria d'Arte Pinacoteca, Roma; Sinagrarte 91, Sinagra, Messina; La Magia di Taormina, Palazzo Corvaja, Taormina; Galleria Buonarroti, Siracusa 1991. Galleria Arte Oggi, Reggio Calabria; Galleria del Corso, Latina; Galleria Arte Spazio, Sassari; Galleria Art Gallery, Gela 1992. Galleria Profili d'Arte, Catania 1993. Europ'Art 94, Ginevra; Galleria Antarte, Messina 1994. Galleria Agorà, Palermo 1995. Comune di Aci Castello, Palazzo Russo, Aci Castello, Catania; Galleria Arte Spazio, Sassari 1996. Art Gallery, Gela; Chiesa di San Leonardo, Tuscania 1997. Pinacoteca Galleria Donini, Roma 1998. Galleria Perlini Arte, Reggio Calabria; Galleria Il Castello, Rovigo; Galleria Profili d'Arte, Catania; Pinacoteca Galleria Donini, Roma 1999. Gallery Robert Philippe: Jean Calogero, Alexandre Grig, Linda le Kinff, Jacques Lefort...

English artist Jonjo Elliot's artworks are a collision of expressionistic fauvism and his collections encourage a youthful candor. Plants thrive in environments the viewer wants to i...

Important contemporary modernist painting by Katherine McMahon. From a series of neon sign still lives. Acrylic on canvas. Artist Bio: Katherine McMahon is an American multidisc...

BALCONY GARDEN Size: 32 x 26 cm (including frame) Oil on canvas A richly textured and charming mid-century painting, executed in oil onto canvas. Small yet impactful in its composi...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

"Historic Woodlawn Cemetery (early spring)" is a rare, plein air oil painting by award-winning contemporary American artist, Kira Mountjoy-Pepka. This piece features a marble structu...

Still Life painting of a pink peony in a domestic setting Painted by Hudson Valley based artist, Carl Grauer, in 2022 oil on canvas 16 x 12 inches, 19.5 x 15.5 inches with an artist-...

Hand signed lower right: Pisis 41 On left, centered, the initials “V.R.”, indicating the artist’s Studio in Milan, via Rugabella. Filippo De Pisis was an Italian painter-poet who wa...

In this piece, I poured my passion into capturing the tender beauty and delicate strength of coral tulips. Using rich oil textures, I blended expressionism and realism to evoke warmt...

Signed lower right 'Schyl' for Jules Schyl (Danish, 1893-1977); additionally signed, verso, and dated 1952. This pioneer of Fauvism in Sweden worked as a painter, graphic artist an...

The painting is signed, inscribed "Jerusalem" and dated "1931" at the lower right corner. Condition: Good Condition. unexamined out of the frame. Note: This work will be shipped from Israel...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

Represented by George Billis Gallery, Karen O'Neil documents the beauty in everyday culinary items through appealing colors and whimsical brushwork.

Samantha Van Heest explores the intimacy of impermanence through her work, utilizing still life, found objects, and portraiture through minimalist r...

This original oil painting was created from life during two painting sessions. The composition presents different varieties of pumpkins arranged on a blue drapery, their warm orange,...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Signed lower right, 'A. Minewski' for Alexander Minewski (American, 1917-1979) and painted circa 1950. Born in Detroit, Alexander Minewski left home at the age of 14 to work in the circus. He subsequently worked as a sign painter and a logger. Minewski first studied at the Society of Arts and Crafts in Detroit (1936-1939) and received scholarships that allowed him to attend the Art Students League in New York City (1939-1942). There, he studied under artists including Jean Charlot, Ernest Fiene, George Grosz and Vaclav Vytlacil. During World War II, Minewski joined the army and fought as a combat engineer. Wounded in Burma while fighting with Merrill's Marauders, he spent two years there recovering from his wounds. Following his time in Burma, Minewski studied for two years on the G.I. Bill in Paris at the Académie de la Grande Chaumiere (1950-1952) and, independently, with Hans Hofmann in New York City (1952-1953). Hofmann was influential on his style and his work shifted away from a moody realism towards a fuller expressionism. In 1954, Minewski began spending his summers at the artist’s colony in Monhegan Island, Maine. While there, he was able to work and collaborate with other artists and friends such as Ted Davis...

In this surreal contemporary painting in acrylic silkscreen and hand-painted acrylic on canvas, meticulously detailed flowers with yellow and orange blossoms and blue stems and leave...

Signed lower right, 'Gerbino' for Rosario Urbino Gerbino (Italian-American, 1900 - 1972) and painted circa 1935. Born in Italy, Rosario Gerbino first...

Artist: Peter Tovpev Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2020 Style: Expressionism Title: Evening S...

The painting depicts three sea shells against a light drapery background. The entire composition of the painting is a single color space consisting of silver, mother-of-pearl, pearl ...

shipped in roll “Just a Perfect Day” reflects the symbols and rituals of contemporary life — the small pleasures that have become part of our visual language of comfort and control. ...

shipped in roll “Where the Light Stays” captures the warmth of late summer — that moment when the sun grows softer, yet its radiance continues to live in everything it touches. The s...

Red Tulips, 1987, oil on canvas, signed and dated verso, 40 x 34 inches, exhibited: Marina Stern Venice – New Works, Forum Gallery, New York, N.Y., from March 4 to April 1, 1989 (label verso) Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault & Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. In 1971, Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

RED TULIPS Size: 67 x 58 cm (including frame) Oil on Canvas A captivating and well-balanced interior still life composition, executed in oil onto canvas. Upon first glance, a vase ...

Artist/ School: French School, mid 20th century, signed Title: pink roses in vase Medium: oil painting on canvas, framed, signed. Size: framed...

Beautiful impressionistic bouquet of peonies is a wonderful wall decor, the painting is created in pleasant purple colours with blue background. The artwork is painted in the artist'...

Il Mercato a Piazza del Popolo è opera del pittore olandese Jacob van Huchtenburgh, nato a Haarlem e presente, nel corso dei primi anni Sessanta del Seicento, a Roma, a stretto conta...

Nature has always been Tara Esperanza’s muse and source of endless fascination and inspiration. From an early age, her love for the environment shaped her way of seeing the world. As...

I painted this piece in oil to capture the freshness and brightness of spring sunlight. Have you noticed how it shimmers on an early morning? These blooming daffodils radiate renewal...

Nature has always been Tara Esperanza’s muse and source of endless fascination and inspiration. From an early age, her love for the environment shaped her way of seeing the world. As...

The Iris – a Thought That Needs No Words This painting is a visual revelation, where the iris flower becomes a metaphor for subtle, almost intangible emotion. The artist captures no...

This contemporary abstract expressionist floral painting "Floral Expression" was created by French artist Natalya Mougenot and is part of her ongoing floral series. In this vibrant ...

Signed (at lower right): L; (on verso): David Ligare

Title: Little Green Flowers Medium: Oil on canvas Size: 27.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note:...

Water scene by American Realist nature scene oil painter Peter Loftus who is known for captivating color rich scenes through shadow and light through his oil on canvas paintings that...

Still Life with Roses This large vertical still life, measuring 100x50 cm, is painted in oil on canvas. The composition features a table with beautiful, painterly drapery and a vase...

This is one of my favorite artworks painted from nature. I like the wonderful light play in it. Comes with aged gold frame, but can be sent without it too. Painting are on str...

A fine 19th century still life of flowers by French artist Louis Mettling (1847-1904). Mettling was born in Dijon, Côte- d'Or, France to English parents. He studied at the École des ...

Jean Laudy Venlo 1877 – 1956 Sint-Lambrechts-Woluwe Dutch-Belgian Painter 'Roses and Appels in the Landscape' Signature: signed lower right 'J Laudy' Medium: oil on canvas Dimensio...

A plein air composition combining still life and landscape. A yellow bouquet (mimosa/acacia) in a blue bottle. The artwork is executed in a manner inspired by Post-Impressionism of P...

A fine still life oil painting with flowers in vases by American artist Everett Lloyd Bryant (1864-1945). Bryant was raised in Galion, Ohio, and s...

"Spring Flowers" Colorful Vintage Floral Still Life This colorful and energetic piece captures a vase full of flowers with an impressionistic style by Los angeles California artist ...

John Atherton 1900-1952 American The Bass Season Saturday Evening Post cover, June 29, 1946 Signed "Atherton" (lower right) Inscribed "The Bass Season opens in the east July 1st /...

With a contemporary perspective on landscape painting and inspired by paintings created by old masters, German artist Katharina Husslein paints in a representational manner to captur...

Oil on Canvas 32 x 24 inches Unframed A sumptuous, Baroque style still life featuring a blue vase of delicate white and pink and red flowers surrounded in fresh green foliage. Th...

Mixed media still life of black and white bottles inspired by Giorgio Morandi still life paintings Morandi Bottle 41 (Geometric, Abstract Still Life of Bottles in Black and White) b...

Cubist Still Life Composition French School, mid 20th century oil on canvas, framed framed: 22 x 26 inches canvas: 18 x 21.5 inches provenance: private collection, Paris condition: v...

In this piece, I've poured my fascination with color and light into every stroke, crafting a vibrant dialogue between form and space. The rich, warm reds anchor the composition, exud...

Artist/ School: French artist, circa 1950s, signed to the lower corner Title: Sea Food Table (wine bottle, lobster, oysters, etc) Medium: oil painting on ca...

Jim’s of Lambertville is proud to offer this artwork by: James Lechay (1907 – 2001) Born in the Bronx in 1907, James Lechay spent most of his childhood in Brooklyn before moving to Joilet, Illinois at age 13 to live with his uncle after his mother passed away. In 1928, he received his B.A. in psychology from the University of Illinois. The next year, he attended one week of graduate school before leaving to study under his brother, the painter Myron Lechay, in New York. At his brother’s studio, James began to associate with other artists of the time such as Milton Avery, Mark Rothko, Arshile Gorky, William Zorach, and Raphael and Moses Soyer. From Myron, James Lechay learned to train his eye to observe natural forms and developed a philosophy dependent upon the relationship built between the artist and the subject. Lechay became engaged in the social and political issues of Depression-era New York and even joined the social realism movement for a brief time in the 1930s. He operated as the leader of the Artists Union while employed by the Works Progress Administration (WPA). With the WPA, Lechay traveled to Las Vegas, New Mexico, where he established a gallery and exhibited the works of Milton Avery, Max Weber, and other WPA artists. Despite his association with many artists and artistic communities in New York in the 1930s and 40s, Lechay opposed adopting a style due to its popularity and commercial success. His use, however, of large brushstrokes from Abstract Expressionism, the flattened plane of Modernism, and the simple compositions of early Abstraction created a combination of styles completely his own. A painter of a vast range of subjects, including still lifes, portraits, and landscapes, Lechay was known to reduce these forms to their visual essentials. Lechay often did not date his paintings as he frequently reworked them, even after they were exhibited, calling his pieces, “finished at all stages and never finished”. In 1945, Lechay was hired by the University of Iowa’s art department, where he worked alongside Mauricio Lasansky, Humbert Albrizio, Carl Fracassini, and Byron Burford...

This traditional still life painting features a tarnished silver teapot at the center, surrounded by carefully arranged objects—a bright lemon, a glass of deep amber tea with a teaba...