Gouache Still-life Paintings

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) signed verso original gouache painting on thick paper/ card unframed double sided condition: very good and sound; the edges have a few curls an...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Work on paper Gilded wood frame with glass pane 60 x 79 x 2,5 cm

Work on paper Gilded wood frame with glass pane 75 x 57 x 2,5 cm

Work on paper mounted on cardboard Brown wooden frame 93.5 x 71 x 3.5 cm

Hand signed Irises (purple and yellow flowers) 30 X 37 framed. 20.5 X 26.5 sheet without frame. Bernard Chaet (born 1924, Boston, MA - 2012) was an American artist; Chaet is known for his colorful, dynamic modernist paintings and masterful draftsmanship, his association with the Boston Expressionists, and his 40-year career as a Professor of Painting at Yale University. His works also include watercolors and prints. In 1994, he was named a National Academician by the National Academy of Design. Chaet was instrumental in transforming Yale’s traditional art program into one with a more modernist approach that gained national prominence. Chaet melded landscape and abstraction in a traditional established by Vincent Van Gogh, Georges Seurat, Edvard Munch, Piet Mondrian, and Ferdinand Hodler. His own tenure began in 1951 at Yale, where he worked closely with Josef Albers to revamp Yale’s art program. Between 1959 and 1962 he was the chair of what was then called the Yale Department of Art of the School of Fine Arts — prior to becoming one of the independent professional schools at Yale in 1973. Chaet taught painting and drawing and mentored generations of emerging talents. Chaet was the author of the 1970 textbook “The Art of Drawing” and “An Artist’s Notebook 1979,” both of which have since been reissued several times. In the latter book, alongside examples of work by his favorite artists, are student drawings by Yale graduates such as Robert Birmelin, Michael Mazur and Eugene Baguskas. Born in Boston, Massachusetts, in 1924, Chaet studied at the School of the Museum of Fine Arts in Boston and then earned a B.A. at Tufts University. Known for his expressionist landscapes and still lifes, Chaet’s work has continuously been shown in galleries in his native Boston, in New York City, and around the country. In 2010, a retrospective of his seascapes was featured at the Cape Ann Historical Society in Gloucester, Massachusetts, where he had a home and a summer studio in nearby Rockport. His has also exhibited at David Findlay Gallery in New York and at Swarthmore College. Many of Chaet’s students went on to notable art careers, including Janet Fish, Chuck Close, and Richard Serra. His work is represented in the collections of the Brooklyn Museum, the Art Institute of Chicago, the Metropolitan Museum of Art in New York, the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Museum of Fine Arts in Boston, the Yale University Art Gallery in New Haven, CT, and the Addison Gallery of American Art in Andover, MA. Chaet is the recipient of many awards including: the National Foundation of the Arts and Humanities, Sabbatical Grant in 1967-68, the National Academy of Fine Arts, Benjamin Altman Award in Painting in 1997, and the American Academy of Arts and Letters Jimmy Ernst Prize in 2001. Chaet was born and raised in the Dorchester neighborhood of Boston, MA. He completed a dual program at the Museum of Fine Arts, Boston—studying painting with Karl Zerbe—and Tufts University, graduating with a B.S. in 1949. Chaet is known for his association as a first generation Boston Expressionist. (along with Hyman Bloom and Jack Levine) Chaet was a contributing editor to Arts Magazine. In 1960 he published the book Artists At Work, which features in depths conversations with artists Pat Adams, Anni Albers, Josef Albers, Al Blaustein, Hyman Bloom, James Brooks, Robert Engman...

Michel-Henry was born in Langres in 1928 and has shown strong passion for drawing since his childhood. Michel-Henry is acknowledged as an important painter in French contemporary art. From 1952 his work has periodically been singled out for France's highest prizes and awards. The French Government, the City of Paris , the Museum of Valence , Bogota and the Museum of Alencon are among the distinguished institutions who have acquired his work for their permanent collections. Born in Langres in 1928 the aspiring artist attended the Ecole Nationale Superieure des Beaux-Arts in Paris. He later studied with Narbonne , Georg, Chapelain-Midy and Legueult. In 1957 he became a member of the House of Descartes in Amsterdam and the following year was named member of the Casa Velazquez in Madrid , honors which are exceptional for a young painter. He is a member of the Salon d'Automne as well as a member of its jury, he also exhibits in the Salon de la Société Nationale des Beaux-Arts, the Salon Comparisons, and the Salon Terres Latines. In 1976 he shared in the honor of presenting the Salon d'Automne exhibition in Japan . Michel-Henry blends delicate tones and strong and fascinating accents into his compositions of flower still life, landscapes and marines. An avid interest in nature is the predominant quality of his luminous works. As a French artist whose works are known internationally, Michel-Henry over a period of twenty eight years has earned the status of a goodwill ambassador in a universal world of cultural exchanges. For his dedication and unselfish contributions to art and artists from all lands he was honored by his country by being awarded the prestigious - la Croix de Chevalier de la Légion d'Honneur - on January 1, 1981 by the French Minister of Culture Mr. Jean Philippe Lecat. Michel Henry exhibited at prestigious galleries in Paris (Avenue Matignon) and New York (Madison Avenue) alongside such artists as Pablo Picasso, Fernand Leger, Armand Guillaumin, Maurice Utrillo and Claude Venard. He is part of School of Paris artists that included Marcel Cosson, Jean Jansem, Leni-Dael, Raoul Dufy, Claude Salomon, Michel Kouliche...

Hand signed and dated leeks on a kitchen table 31.5 X 39.5 framed. 21 X 28.5 sheet without frame. Bernard Chaet (born 1924, Boston, MA - 2012) was an American artist; Chaet is known for his colorful, dynamic modernist paintings and masterful draftsmanship, his association with the Boston Expressionists, and his 40-year career as a Professor of Painting at Yale University. His works also include watercolors and prints. In 1994, he was named a National Academician by the National Academy of Design. Chaet was instrumental in transforming Yale’s traditional art program into one with a more modernist approach that gained national prominence. Chaet melded landscape and abstraction in a traditional established by Vincent Van Gogh, Georges Seurat, Edvard Munch, Piet Mondrian, and Ferdinand Hodler. His own tenure began in 1951 at Yale, where he worked closely with Josef Albers to revamp Yale’s art program. Between 1959 and 1962 he was the chair of what was then called the Yale Department of Art of the School of Fine Arts — prior to becoming one of the independent professional schools at Yale in 1973. Chaet taught painting and drawing and mentored generations of emerging talents. Chaet was the author of the 1970 textbook “The Art of Drawing” and “An Artist’s Notebook 1979,” both of which have since been reissued several times. In the latter book, alongside examples of work by his favorite artists, are student drawings by Yale graduates such as Robert Birmelin, Michael Mazur and Eugene Baguskas. Born in Boston, Massachusetts, in 1924, Chaet studied at the School of the Museum of Fine Arts in Boston and then earned a B.A. at Tufts University. Known for his expressionist landscapes and still lifes, Chaet’s work has continuously been shown in galleries in his native Boston, in New York City, and around the country. In 2010, a retrospective of his seascapes was featured at the Cape Ann Historical Society in Gloucester, Massachusetts, where he had a home and a summer studio in nearby Rockport. His has also exhibited at David Findlay Gallery in New York and at Swarthmore College. Many of Chaet’s students went on to notable art careers, including Janet Fish, Chuck Close, and Richard Serra. His work is represented in the collections of the Brooklyn Museum, the Art Institute of Chicago, the Metropolitan Museum of Art in New York, the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Museum of Fine Arts in Boston, the Yale University Art Gallery in New Haven, CT, and the Addison Gallery of American Art in Andover, MA. Chaet is the recipient of many awards including: the National Foundation of the Arts and Humanities, Sabbatical Grant in 1967-68, the National Academy of Fine Arts, Benjamin Altman Award in Painting in 1997, and the American Academy of Arts and Letters Jimmy Ernst Prize in 2001. Chaet was born and raised in the Dorchester neighborhood of Boston, MA. He completed a dual program at the Museum of Fine Arts, Boston—studying painting with Karl Zerbe—and Tufts University, graduating with a B.S. in 1949. Chaet is known for his association as a first generation Boston Expressionist. (along with Hyman Bloom and Jack Levine) Chaet was a contributing editor to Arts Magazine. In 1960 he published the book Artists At Work, which features in depths conversations with artists Pat Adams, Anni Albers, Josef Albers, Al Blaustein, Hyman Bloom, James Brooks, Robert Engman...

Artist/ School: Jill Jackson (British, contemporary) Title: Bold Blue Vase Medium: gouache on artist paper, unframed Painting : 18 x 12.5 inches Provenance: all the paintings we...

by Paul-Louis Bolot (French 1918-2003) signed verso original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edg...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Pullman Limousine Adler Standard. Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘93’, in upper lef...

Artist: Moshe Rosentalis, Lithuanian (1922 - 2008) Title: Standing Nude Year: 1991 Medium: Gouache on Board, signed and dated Size: 27.5 x 19.5 inches

Mid century modern art with inscription in french verso. It was traded with another artist.

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘76’, in upper left corner, German copyright label on verso. [Berlin 1930] Finished in green with contrasting light green roof and matching solid disc wheels, presented against a silhouette of a grand palace, this imposing 4-door cabriolet was one of the more luxurious variant designs around the underpinnings of the company’s straight-8 engine and drive train. It evolved from the Single Eight, so-called as it replaced the earlier V-12 known as the Double Six. Founded in 1899 by brothers James and William Packard, the eponymous company was not only one of the pioneers of North American motor...

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘78’, in upper left corner, German copyright label on...

Japan Issue Fortune Magazine Cover Proposal Japanese Mid-Century Illustration Antonio Petruccelli (1907 - 1994) JAPAN ISSUE Fortune cover proposal, c. 1936 14 1/4 x 12 inches (sight) Framed 19 3/4 X 17 3/4 Inches Gouache on board Signed lower left BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...

Original Painting Published Fortune Mag Cover 1935 Jewels Jewelry Illustration Antonio Petruccelli (1907 – 1994) Fortune cover published, Decembe...

"Columbine Flower Double Sided" is an original ink and gouache painting on paper by Sylvia Spicuzza. The Columbine flower is known for attracting humm...

Autumn Intoxication by Rosie Phipps [2022] Autumn Intoxication is an original watercolour and gouache painting by artist Rosie Phipps, sold mounted. Featuring her gestural and expre...

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘77’, in upper left corner, German copyright label on...

To see our other Modern British Art, including others by Hennes, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Hilary Hennes (née Hilary Miller) (1919-1993) 'The Old Bicycle...

Children's illustration of Ponies and Puppies Signed lower left Children’s Books Published by The Merrill Company