Oil Still-life Paintings

"Pink Rose (Pandemic)" is an oil painting featuring hues of pink, red, black and grey. Jim Wise is inspired by the works of Georgia O'Keeffe, Rene Magritte, J...

Hart of mine is an original oil painting by Sophie Harden. Contrasted blues and fawns on a coral background gives this piece a huge pop of colour and sense of movement the stag stand...

"Transport", oil painting on canvas by Peter Keizer. Peter Keizer is a Dutch painter and sculptor, born in 1961. He studied at the Rijksakademie in Amsterdam and began working as a ...

This joyful, colourful painting is by one of Canada’s finest landscape artists, Pat Service. Here, the avid gardener uses bold colours-royal blue, black and white against a bright r...

"Tulips" is a painting by Maestro impressionist Maria Raycheva. The painting is unframed. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Edition : ...

This painting features vibrant hues of blue, pink, yellow, and red. Robert Hightower is inspired by the work of Giotto, Hieronymus Bosch, Jean-François Millet, Roger Brown...

A delightful copy of Van Gogh's 1886 composition. With areas of impasto. Signed and dated to the reverse. On canvas on stretchers.

In "Nostalgia" a 21st -century Nigerian painter uses an impressionist technique the brushwork clearly visible —to evoke the haziness between wakefulne...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Island of Red Flowers Year: 1979 Medium: Oil on Canvas, signed, titled and dated verso Size: 7...

Wonderful vintage impressionistic still life with burgundy and white African daisies (Osteospermum) in brass cache pot with statue by Marie Michael (Am...

A painting of a perfectly wrapped white package against a magenta background. Centered in the composition sits a white polka dot wrapped box, sitting with the edge directly down the middle of the canvas, and topped with a shiny magenta ribbon. The white of the present reflects a bit on the ground, as if the ground is slightly shiny. Painting dimensions: 12 x 12 inches Frame dimensions: 13 x 13 inches Framed in a white floating frame Artist Bio Maryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also received instruction and support from wonderful and generous members of the East End artistic community. Working exclusively in oils, Lucas sets out almost daily to create plein aire landscapes and seascapes. In her studio, she works directly from life and captures the beauty of natural light as it transforms ordinary objects into visual delights. Lucas wants her work to celebrate all that is well with this world and brilliant in this life, despite its pockets of darkness. For me, she says, I know I am in the Presence of something beautiful, when it steals my breath, silences my mind, pushes out everything else and draws me in. I trust That. I use That to guide my hands as I arrange a still life or scan a landscape to determine where to set down my easel. Ultimately, That is what drives me to paint. Becoming evermore skilled as an oil painter is another of Lucas goals. To that end she remains teachable, finding it refreshing and vital for her own growth to paint with others. She has studied with favorite artists including Michael Klein...

Red tone cube in human scale, by Jose Ricardo Contreras González From the series "La luz" Acrylic and oil on canvas Image size: 170 H cm x 80 W cm. ...

An almost photorealist painting of a shiny red apple by Mexican artist, Manuel Servin. The oil on canvas is signed and dated lower right. unframed.

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

Untitled (Still Life), an original oil on canvas by Denis Paul Noyer, is a piece for the true collector. Noyer's use of red immediately captures the viewer, which serves as the backd...

With Dream Flower, Fiona Ackerman has painted a gorgeous ethereal abstract arrangement of brilliant pink, purple, mauve, orange flowers and organic shapes against a background of vib...

Provenance: Babcock Galleries (bears their label verso. signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

Hand signed by the artist on verso. Hand Painted Unique Silkscreen on Canvas. Artwork is in excellent condition. Canvas is stretched. Certificate of authenticity included. All rea...

Oil paint and mixed on canvas Hand signed on the back Visual artist in oil painting & calligraphy, Corine Lescop has been working on Chinese paper for almost 30 years. She uses Chin...

"Lush Red and Golden Roses" is an beautiful oil painted from life in the studio in Provence by Maria Bertran. This Contemporary Impressionist painting captures the soft pinks and wh...

Kate Brinkworth (b.1977) MGM Grand 2010 oil on canvas 163 x 224 cm Price: £21,600 GBP (inc. 20% UK VAT) Provenance: Direct from the artist’s studio Notes: Kate Brinkworth undertook her artistic training at Nottingham Trent University...

Jim’s of Lambertville is proud to offer this artwork by: James Lechay (1907 – 2001) Born in the Bronx in 1907, James Lechay spent most of his childhood in Brooklyn before moving to Joilet, Illinois at age 13 to live with his uncle after his mother passed away. In 1928, he received his B.A. in psychology from the University of Illinois. The next year, he attended one week of graduate school before leaving to study under his brother, the painter Myron Lechay, in New York. At his brother’s studio, James began to associate with other artists of the time such as Milton Avery, Mark Rothko, Arshile Gorky, William Zorach, and Raphael and Moses Soyer. From Myron, James Lechay learned to train his eye to observe natural forms and developed a philosophy dependent upon the relationship built between the artist and the subject. Lechay became engaged in the social and political issues of Depression-era New York and even joined the social realism movement for a brief time in the 1930s. He operated as the leader of the Artists Union while employed by the Works Progress Administration (WPA). With the WPA, Lechay traveled to Las Vegas, New Mexico, where he established a gallery and exhibited the works of Milton Avery, Max Weber, and other WPA artists. Despite his association with many artists and artistic communities in New York in the 1930s and 40s, Lechay opposed adopting a style due to its popularity and commercial success. His use, however, of large brushstrokes from Abstract Expressionism, the flattened plane of Modernism, and the simple compositions of early Abstraction created a combination of styles completely his own. A painter of a vast range of subjects, including still lifes, portraits, and landscapes, Lechay was known to reduce these forms to their visual essentials. Lechay often did not date his paintings as he frequently reworked them, even after they were exhibited, calling his pieces, “finished at all stages and never finished”. In 1945, Lechay was hired by the University of Iowa’s art department, where he worked alongside Mauricio Lasansky, Humbert Albrizio, Carl Fracassini, and Byron Burford...

Diavoletto di Cartesio is an original Contemporary artwork realized in 1992 by the italian artist Leo Guida (1992 - 2017). Original Oil on Wood. Dimensions: cm 96 x 3 x 60. Frame ...

Jill Pottle’s still life titled “Red Pot” is part of an ongoing series titled “Epic Square.” In this 36 X 36 X 1.5 inch oil painting on stretched canvas with an acrylic base coat, her delight in painting this retro object...

Thane Gorek's (US based) "Red Bell II" is an original, handmade oil painting that depicts a red bell pepper halved, so that it's seeds and core are exposed...

12"x12" oil on wood panel. A trio of flowers on a single branch of a dogwood tree, in full bloom. The pink rimmed flowers depicted on a deep crimson red ground of color, a presented...

Artist Statement: American, b. 1948 What is “sharp focus” drawing? Put very simply, it is a rendering with refined, precise line and tone to create a lifelike representation of the...

Wonderful small still life painting by John T. Axton III done circa 1980. Oil on canvas and signed with the artist's monogram lower left. Unframed. Axton was born in Fort Leavenwo...

Still life with onions. 2005, oil on canvas, 60x73 cm Still Life in red colors Kristine Kvitka (1983) Kristine Kvitka is a Latvian artist, born in Riga in 1983, currently lives and...

"Ambiance a la Lampe Galle" by Bernard Fouchet (French 1932-2013) signed lower corner, titled verso in original frame with the artists monogram as part of the moulding canvas: 15 x 18 inches framed: 24 x 27 inches provenance: private collection, France Absolutely beautiful original painting by Bernard Fouchet (French 1932-2013). The work is signed to the front and back and titled verso too. Very rarely, it looks like the frame was custom made for or by the artist - as the monogram of BF is part of the moulding. The painting radiates colour and vibrancy, with this eclectic mix of still life objects on a table, set against this red/ orange backdrop of colours. Beautiful. Condition report: the painting is in very good condition. The frame has a couple of 'nibbles' to the corners but is fine. Bernard Fouchet was born in Cerdon-du-Loiret, France. He was the student of Augustine Memin who worked with Utrillo and Alfred Chagniot...

Provenance Acquired by the gallery directly from the artist Artist Statement "The warmth and glow of the flickering candle flames beckoned me to enter this intimate chapel dedicated to St. Peregrine (Pellegrino Latiosi, c. 1260-1345). Located inside Serra Church at Mission San Juan Capistrano...

MICHELE MIKESELL b. 1973, Alabama, USA In 2002, Michele Mikesell earned her Bachelor of Fine Arts with a minor in graphic design from Texas Women's University in Denton, TX. Mikesel...

Red Sky, Impressionist Landscape, Signed Oil Painting Signed by the artist and dated '09' on the lower right hand corner Oil painting on canvas, unframed Canvas size: 16 x 24 inches ...

Kevin Sonmor’s heroic, post-apocalyptic paintings […] reference dark brooding abstract landscapes animated with tight, intensely coloured, realistically ordered still-lifes. Hints of...

Signed upper right 'Minou' for Carole Minou (American, 1946-2012) and dated 1989. An elegant oil still-life showing a view of three pomegranates and a child's wooden block arranged behind a delicate Navajo weaving. A California native, Minou was a long-time member of the Carmel Art...

Kevin Sonmor’s heroic, post-apocalyptic paintings […] reference dark brooding abstract landscapes animated with tight, intensely coloured, realistically ordered still-lifes. Hints of...

Represented by George Billis Gallery, NYC & LA --This work is about what I do while I write letters and think about all these urgent, global concerns and feel frustrated and powe...

Signed Lower right 'Cone'; titled verso, 'Hallo Kitty' and dated 2010. A vivid still-life of a pair of Marciano 'Guess' faux leopard-skin pumps with purple linings shown dramatically contrasted against a cadmium-red background. Marcia Park Cone makes her home in Lexington, Kentucky and is a member of the Plein Air Painters of the Bluegrass. In 2010 she contributed to Horse Mania, a local fund-raiser benefiting the Lex Arts organization, and in 2013, created "Still Cooking" using a bourbon barrel...

Earth, air, water, and fire are the center subjects of my art. I live in New York City-it is close to the ocean, and I’ve developed a deep affinity for the sea, which has also evoked...

Leign Wen’s works reflect her personal and cultural histories. Having grown up on the island of Taiwan, she has a deep affinity for the elemental power of water and the forces of nat...

Leigh Wen’s works reflect her personal and cultural histories. Having grown up on the island of Taiwan, she has a deep affinity for the elemental power of water and the forces of nat...

Leigh Wen’s works reflect her personal and cultural histories. Having grown up on the island of Taiwan, she has a deep affinity for the elemental power of water and the forces of nat...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...