Matthew Peterson

Atmospheric Altitude

Carl Linstrum's "Other Side" series of paintings speak to disappearing ecosystems in a time of increasing climate crises, while celebrating the sheer beauty of nature through richly ...

Scott French has over 30 years of painting experience. His work focuses on figures, landscapes, and recently, cocktails. Known for his painterly and expressive style, French uses ric...

My work is a blending of intuitive and experimental lyrical markings and references. My paintings take on distinct personalities of their own with the interaction of line with color....

Sharon Paster is a distinguished San Francisco Bay-area artist Sharon Paster creates her paintings using oil sticks and brushes, a technique that allows her to both draw and paint at...

"Past Life" is an original oil on canvas painting by Katherine Fraser measuring 36.75”h x 48.5”w. The piece ships in the pictured custom frame. Katherine Fraser has been exhibited...

Adam S. Umbach Biography American, b. 1986 Adam Umbach was born in Chicago, and currently lives and works in Brooklyn, New York. After being inspired from an early age by the modern masters collection at the Art Institute of Chicago, he received his BFA in painting from the University of Wisconsin. He has exhibited his large-scale paintings nationally in Cavalier Ebanks Galleries...

'Sky Ranch', oil on canvas, 40 x 60 inches, proudly presented by Andra Norris Gallery in California. Terry Thompson looks for beauty in the often overlooked, painting in a photoreali...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...