Melissa F. Sanchez

Listen, Shell, oil painting on copper, Style of Realism, Florence, Sound of Sea

2021

Interior is oil on copper which allows larger size oil paintings. This painting takes place in the artist home which is outside Florence, Italy. 24" x 19" x 1.5" Artists have painte...

White Rose by Susan Meeks was just painted in 2024 as part of her floral collection. White Roses is framed. White roses symbolize loyalty, purity, and innocence. "Since they repres...

Zen is a 14 x 9 Oil Painting by European /Croatian artist Tina Orsolic Dalessio who is classically trained. Tina Orsolic Dalessio is a figurative and still-life painter born in Z...

Virtue of Knowledge reexamines portraits of individuals throughout history to illustrate the premise that history flows into the present in an ever-changing state. And, with each new context, we view people and events through a contemporary lens specific to that moment. Virtue of Knowledge appropriates and contextualizes original portrait elements to create reinvented portraits using technique and patterning that brings a contemporary context and perspective to these historically inspired portraits STATEMENT History flows into the present in an ever-changing state. And, with each new context, we view people and events through a contemporary lens specific to that moment. My current body of work, Contemporary Histories, explores this phenomena by re-interpreting historical portraiture using a contemporary visual language. It is my intent to create a modern visual lens through which to view these individuals and their legacies, as they continue to flow into the present in ever-changing states. As a keen example of how history changes and morphs over time, I have selected portraits of women who chose an alternate path from the traditional ones prescribed in their times. Some of these individuals overtly stepped outside the traditional roles prescribed for women to realize their goals. Others astutely maneuvered within the social system they lived in to obtain their aspirations. Whether altruistic or nefarious, these women and their actions altered the future cultural landscape. Through a 21st century lens, we view them as women with minds of their own, who made choices to control their own lives and futures. Often, in stark contrast to how they were viewed and how their actions were recorded in their own times. For a modern visual language, a combination of fine and decorative arts has inspired my approach to this subject. Employing several formal contemporary tenets, most notably, rather than place the figure in a 3-dimensional space, as in the originals, the figures reside in flat graphic picture planes of damask designs, repetitive patterns or botanical grounds as modern settings for their modern legacies. These graphic backgrounds symbolize what was historically considered a woman’s proper domain, in particular, gardening and needle crafts, such as; quilting, embroidery and sewing. Formally, unlike the originals, I am working alla prima, rather than with a base grisaille and delicate layers of glazing. While, the patterned and botanical environments, along with gold leaf applications, contemporary compositions and color palettes are formally influenced by a spectrum of 19th - 21st century artists and artisans; from Gustav Klimt and the Wiener Werkstatte to Henri Rousseau, Tamara de Lempicka and Will Cotton. BIO Honora Jacob...

Gregory Block's "Shell 18" is an oil on board created in 2019 depicting an illuminated shell floating in a black background. About the artist: Gregory was born in Kansas City, Mi...

Gregory Block's (US based) "Shell 4" is an oil on board created in 2020 depicting a shell floating above glistening waves. About the artist: Gregory was born in Kansas City, Miss...

Gregory Block's "Shell 8" is an oil on board created in 2019 depicting an illuminated shell floating in a black background. About the artist: Gregory was born in Kansas City, Mis...

This painting is made by Dutch artist Bart Koning who lives and works in Krefeld, Germany. Incredibly clever how the originally Dutch Bart Koning knows h...