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Olga Antonova"Elegant Still Life of Cups in a Circle, Purplish Hue" Oil Paint2019
2019
About the Item
"Elegant Still Life of Cups in a Circle, Purplish Hue," 2019, Oil on Canvas, 12 x 16 Inches (Unframed).
Olga Antonova’s subject is compositions of extraordinarily elegant and beautiful cups, plates, teapots, and dishes, but there is something whimsical about these paintings that belies their formality: stacked teacups are also amusing, having a kind of jaunty and upbeat personality of their own, polka dots are as endearing to adults as to children, and everyone responds to the 'bling' and sparkle of gold and Antonova’s seemingly effortless ability to paint these radiant details.
Antonova is one of the leading painters of still lifes in the country, and her unique works are internationally acclaimed. Commissioned paintings incorporating one’s own personal collection are also an option.
Olga Antonova was born in Volgograd Russia in 1956 and graduated from the Repin Institute in St. Petersburg in 1980. Soon after graduation she immigrated to the US and has resided in the Boston area for many years. Her works have been exhibited in 35 solo exhibitions and in over 60 group shows in the US and Europe, articles have regularly appeared in “The Boston Globe,” “American Art Collector,” “Art News” and “The Boston Herald,” and her works are included in numerous private and public collections including the Jane Voorhees Zimmerli Museum, Rutgers University. Antonova is also the recipient of an Artists Fellowship in Visual Art awarded by the City of Sacramento, CA.
Olga Antonova has been represented by the Beth Urdang Gallery since 2006.
- Creator:Olga Antonova (1956, Russian)
- Creation Year:2019
- Dimensions:Height: 12 in (30.48 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Wellesley, MA
- Reference Number:1stDibs: LU45634074391
Olga Antonova
Born: March 26, 1956, Volgograd, Russia Education: B.F.A., M.F.A., Repin Institute, St. Petersburg, Russia, 1980 Selected Solo Exhibitions: 2012 Gallery Henoch, New York, NY 2009 Selby Fleetwood Gallery, Santa Fe, NM
2008 Gallery Henoch, New York, NY 2007 Gallery Henoch, New York, NY Beth Urdang Gallery, Boston, MA
2006 Gallery Henoch, New York, NY Beth Urdang Gallery, Boston, MA
2005 Gallery Henoch, New York, NY Past/Present, Galerie Marie-Claude Goinard, Paris, France Beth Urdang Gallery, Boston, MA
2004 Gallery Henoch, New York, NY
2003 Soprafina Gallery, Somerville, MA
2002 Gallery Henoch, New York, NY Reflections, NAO Project Gallery, Boston, MA
2001 Cultural Center, Bouxwiller, France CASA Vieja Gallery, Vieques, Puerto Rico
1999 Cambridge Arts Council, Cambridge, MA
1996 Gallery Henoch, New York, NY Gallery K.G. Schäfer, Giessen, Germany City Hall Gallery, Wesseling, Germany
1995 Ulrich Gering Gallery, Frankfurt, Germany Gallery Henoch, New York, NY
1994 Ulrich Gering Gallery, Frankfurt, Germany Frankfurt Art Fair with Ulrich Gering Gallery, Frankfurt, Germany Martha Tepper Fine Arts, Boston, MA
1993 Gallery Henoch, New York, NY
1991 Untitled Gallery, San Francisco, CA
1990 Gallery Henoch, New York, NY
1989 Anca Colbert Fine Arts, Los Angeles, CA
1988 David Williams Gallery, Provincetown, MA
1987 Gallery 52, Boston, MA
1984 Gallery 52, Boston, MA
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Olga Antonova’s subject is compositions of extraordinarily elegant, beautiful and whimsical cups, plates, teapots, vases and dishes, but there is something playful about these paintings. Stacked teacups are also amusing, having a kind of jaunty and upbeat personality of their own. Polka dots are as endearing to adults as to children, and everyone responds to the bling and sparkle of gold and silver while marveling at Antonova’s seemingly effortless ability to paint these radiant details. This composition of rich patterns and intricate formal detail is the perfect complement to the more minimal shapes and brilliant yellow of the lemons, and Antonova's compositions are a wonderful twist on the classic traditions of still life painting. This work is unframed.
Antonova's paintings can be installed individually, they also work extremely well in groupings as part of a series.
Commissions incorporating one’s own personal collection of family heirlooms is also an option.
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