Patricia Zinsmeister Parker

The Velvet Touch 36 X 36

Painters who have tackled the genre of Still Life are awe inspiring to me. To name a few, Matisse, Cezanne and my favorite, Georgio Morandi, all of whom painted memorable still lifes...

Sins of Omission 48 X 36 Painters who have tackled the genre of Still Life are awe inspiring to me. To name a few, Matisse, Cezanne and my favorite, Georgio Morandi, all of whom painted memorable still lifes. The content of a Nature Morte (French translation) usually consists of domestic, ubiquitous items that occupy a place in the home environment. My interest in this genre of painting began long ago and I have pursued it concomitantly with my larger abstract works. As an abstract painter, I find many corollaries between Abstraction and Realism. That’s not to say that my still life paintings are realistic or abstract but to be more accurate, artistic license allows me to invent my own brand of semi realism incorporated into ‘’The Stll Life’’. My goal in this body of work was to create a dynamic based on the juxtaposition of patterns and a bold, complementary palette-- resulting in a synergy of texture, animation and optical effects. As the work progressed, an organic evolution of ideas took over and the work became more reductive and less confrontational. Just a word about my titles. Some are ‘’tongue in cheek’’ and some are a sardonic take on the imagery but I spend a lot of time making sure the titles fit the idea behind the painting. Of course, viewer interpretation is always welcome. Patricia Zinsmeister Parker...

Wallflower 48 X 36 Painters who have tackled the genre of Still Life are awe inspiring to me. To name a few, Matisse, Cezanne and my favorite, Georgio Morandi, all of whom painted memorable still lifes. The content of a Nature Morte (French translation) usually consists of domestic, ubiquitous items that occupy a place in the home environment. My interest in this genre of painting began long ago and I have pursued it concomitantly with my larger abstract works. As an abstract painter, I find many corollaries between Abstraction and Realism. That’s not to say that my still life paintings are realistic or abstract but to be more accurate, artistic license allows me to invent my own brand of semi realism incorporated into ‘’The Stll Life’’. My goal in this body of work was to create a dynamic based on the juxtaposition of patterns and a bold, complementary palette-- resulting in a synergy of texture, animation and optical effects. As the work progressed, an organic evolution of ideas took over and the work became more reductive and less confrontational. Just a word about my titles. Some are ‘’tongue in cheek’’ and some are a sardonic take on the imagery but I spend a lot of time making sure the titles fit the idea behind the painting. Of course, viewer interpretation is always welcome. Patricia Zinsmeister Parker

American Graffiti 48 X 36 Painters who have tackled the genre of Still Life are awe inspiring to me. To name a few, Matisse, Cezanne and my favorite,...

Painters who have tackled the genre of Still Life are awe inspiring to me. To name a few, Matisse, Cezanne and my favorite, Georgio Morandi, all of whom painted memorable still life...

Everything but the Kitchen Sink- 48 X 36, Reds and Yellow Painters who have tackled the genre of Still Life are awe inspiring to me. To name a few, Matisse, Cezanne and my favorite, Georgio Morandi, all of whom painted memorable still lifes. The content of a Nature Morte (French translation) usually consists of domestic, ubiquitous items that occupy a place in the home environment. My interest in this genre of painting began long ago and I have pursued it concomitantly with my larger abstract works. As an abstract painter, I find many corollaries between Abstraction and Realism. That’s not to say that my still life paintings are realistic or abstract but to be more accurate, artistic license allows me to invent my own brand of semi realism incorporated into ‘’The Stll Life’’. My goal in this body of work was to create a dynamic based on the juxtaposition of patterns and a bold, complementary palette-- resulting in a synergy of texture, animation and optical effects. As the work progressed, an organic evolution of ideas took over and the work became more reductive and less confrontational. Just a word about my titles. Some are ‘’tongue in cheek’’ and some are a sardonic take on the imagery but I spend a lot of time making sure the titles fit the idea behind the painting. Of course, viewer interpretation is always welcome. Patricia Zinsmeister Parker...

"Many Horse Shield" by Kevin Red Star. Original Acrylic painting on Canvas, 48" x 30", 51" x 33" (framed). Crows were known for their exceptionally well-trained horses; each having specific skills i.e. hunting, warring, parade, and working with women and children, or moving camp. Kevin Red Star’s art is honored throughout Native America for its authenticity. It presents a shining vision of centuries-old Crow (Apsaalooka) culture through the eyes of a thoroughly contemporary consciousness. In the world of museums and private collections, he is equally respected for the content of his unique imagery, for his artistic productivity, and for the enduring value of his work. Kevin Red Star grew up on the Crow reservation in southern Montana, a member of a highly creative family. He was known as the go-to artist for all school projects. He was chosen to be in the first group of students at the Institute of American Indian Arts in Santa Fe in the late sixties, when the founders personally visited Native villages and reservations nationwide and recruited the most talented youngsters from each. The school provided a learning environment of tribal tradition, world art history, and current trends. Open studios, well stocked with supplies, encouraged individual experimentation and collaboration. Students mined their ancient customs for content, and then created exciting new forms to provide current relevance. Red Star and some of his friends in their graduating class continued their studies at the San Francisco Art Institute before embarking on their careers. They attracted immediate notice in New York and Paris, as well as established art centers throughout the United States. And they went on to change the face of modern Indian art...

"Sunset Crane Shield" by Kevin Red Star, Acrylic and Mixed Media on Canvas, 36" x 36" unframed, 38" x 38" framed in a thin modern floater with hanging wire included. Signed upper right and handwritten caption on the back. Kevin Red Star’s art is honored throughout Native America for its authenticity. It presents a shining vision of centuries-old Crow...

Oil paint and mixed on canvas Canvas without stretcher Hand signed on the back Visual artist in oil painting & calligraphy, Corine Lescop has been working on Chinese paper for almos...

Oil paint and mixed on canvas Canvas without stretcher Hand signed on the back Visual artist in oil painting & calligraphy, Corine Lescop has been working on Chinese paper for almos...

Oil paint and mixed on canvas Hand signed on the back

Oil paint and mixed technique on canvas Hand signed on the back